 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Rock music and its subgenres are very popular in Portugal. The history of the Portuguese rock music scene spans several decades.
In the late 1950s, singer Joaquim Costa was one of the first rock artists, but it was only during the 1960s that the genre's popularity began rising, with bands such as "Quinteto Académico" and "Sheiks", who played mostly in clubs and student associations. Most of these groups played covers of American and British bands or were influenced by artists such as the Beatles and The Shadows. The rock scene's development was limited in its commercial and creative scope due to the country's isolation, which was under a fascist dictatorship until 1974.
During the 1970s, and particularly after democracy was established after the 1974 Carnation Revolution, Portugal became home to an active progressive rock scene, which included bands like Tantra, Petrus Castrus, Banda do Casaco and the highly successful Quarteto 1111. During the latter part of the decade, José Cid, Quarteto 1111's vocalist and keyboardist, pursued a solo career, releasing the landmark symphonic album 10,000 Anos Depois Entre Venus E Marte before turning to mainstream pop music. Portugal's progressive rock epoch came to a close with the release of Ascenção e Queda , a rock opera by Petrus Castrus. Most of these records remain in short supply to this date.
Until the end of the 1970s, Portuguese folk music and protest songs were generally the most popular types of music - but gradually more rock bands and styles began to appear, benefiting from the country's new-found openness.
Rock music finally hit the mainstream in 1980 with the release of Ar de Rock by Rui Veloso, which was the first popular Portuguese rock album.
During the 1980s, Veloso's blues-rock sound achieved national success and inspired the creation of several rock and roll bands, which became popular with youths growing up in the post-1974 modernized Portugal. The success of groups like Taxi, Heróis do Mar and Trabalhadores do Comércio,and UHF,indicated that a solid rock scene was growing, despite the fact that these were all relatively ephemeral projects.
Xutos & Pontapés are arguably the biggest success case in the Portuguese rock scene, having become the first band in the country to celebrate 30 years of career. Their early works had close roots to punk rock and rockabilly, but later incorporated hard rock and folk influences into their sound, becoming more diverse. UHF, another band that started in the early 80s, visually resembled the hard rock-playing hair bands that popped up in America and Europe - however, like Xutos, their sound was derived mainly from punk rock and folk influences.
Other major projects from this period include GNR, Roxigénio, Taxi and Peste & Sida, which turned to ska as an inspiration and would later switch to punk. GNR abandoned ska after two years when they changed vocalists, adopting poetic, and nonsensical lyrics, and a bigger use of synthpop sounds.
Heavy Metal began building up a following among the younger generation living and bands proliferated, especially in the North of the country. Few made it to the studio and those that did released mostly low budget singles. 1982 saw the first release of a Heavy Metal LP in the country, Forte e Feio by NZZN, but the production was poor and the record was not well received by critics. The late 1980s saw the rise of Tarantula, probably the first Portuguese Heavy Metal band with relevant impact outside the country.
During the mid-1980s, synthpop became even more prevalent in Portuguese rock, with the success of Sétima Legião and Heróis do Mar, which were heavily influenced by acts such as Joy Division, New Order, Depeche Mode and Gary Numan. Combining synthesized sounds and beats with Portuguese lyrics exalting the country's history, they attracted controversy and were accused of being political reactionaries and supportive of the extinct dictatorial regime. Heróis do Mar disbanded in 1990, but their momentum was taken over by other projects influenced not only by new wave, but also alternative rock and indie rock: Rádio Macau, Mler Ife Dada and Pop Dell'Arte, among others.
Punk rock remained mostly an underground phenomenon, although a circuit of venues and events in the country's major cities grew during this decade. Relevant punk bands to emerge during this period include Censurados, Mata Ratos and Peste & Sida.
Although most bands from this period were short-lived and none achieved international success, 1980's Portuguese rock was extremely diverse - each major band developed their own signature sound, and the national rock scene became very rich, spanning a wide variety of themes and styles.
The 1990s were also a very creative and active decade, with openness to new trends and a growth in the music market marked by the increasing popularity of international music festivals that attracted major rock bands to the country. A handful of major 1980s rock artists (such as Rui Veloso, GNR, Xutos & Pontapés) managed to maintain and grow their careers and fan bases.
This decade was notable for the rise of very active heavy metal, underground and alternative rock scenes.
Several major bands from the 1990s achieved both national and international success and were able to continue their careers into the 21st century, including Moonspell (an internationally renowned gothic / heavy metal band from Lisbon), Mão Morta (alternative and experimental rock project with a considerable cult following), Blasted Mechanism (a theatrical, sci-fi themed band that mixes rock with electronica, reggae and dub), Zen (alternative rock band), Ena Pá 2000 (a comedy rock outfit) and Da Weasel (a rock/hip-hop fusion band).
While some of the 1990s signature rock genres such as grunge, industrial rock and nu metal were very popular with Portuguese youngsters, few Portuguese bands fully adopted these styles and none achieved great success. Exceptions include Da Weasel (who incorporated elements of nu metal in their later albums), Blind Zero (pop/rock band that started out as a grunge outfit) and Bizarra Locomotiva (industrial metal band with a sizable cult following).
On the mainstream front (pop/rock), Quinta do Bill, a folk-rock group, achieved some notoriety, and two other bands rose to prominence: Silence 4, an English-singing pop/rock act from Leiria, and Ornatos Violeta, a Portuguese-singing rock band from Porto. Despite huge national success, critical acclaim (particularly for Ornatos Violeta) and lasting influence, both groups disbanded at the turn of the millennium.
Much like in other European and Anglo-American countries, the decade starting in 2001 saw the rise of hip-hop, dance music and more pop-oriented acts, with audiences for rock music dwindling.
Established bands who had begun their careers during the 1980s (Rui Veloso, Xutos & Pontapés) and 1990s (Moonspell, Blasted Mechanism, Mão Morta) maintained thriving careers, although the rock music scene became more fragmented and directed at niche markets. Some popular groups and projects surfaced: Toranja (pop/rock, Lisbon), Wraygunn (blues-rock collective from Coimbra) and Legendary Tiger Man (WrayGunn vocalist Paulo Furtado's solo project), and pop/rock acts influenced by electronic music such as Micro Audio Waves and Mesa. Clã, another Portuguese-singing pop/rock act who had surfaced in Porto during the mid-1990s, scored their biggest commercial hits during the 2000s decade.
The trend continued into the 2010s, with new bands appearing and playing in a variety of rock subgenres including pop/rock (Amor Electro, Diabo na Cruz, Capitão Fausto, and Salvador Sobral's band Alexander Search), blues-rock (Black Mamba), alternative and indie rock (PAUS, peixe : avião, Linda Martini, WhosPuto), as well as heavy metal (Serrabulho, Okkultist). This decade also saw a niche revival of psychedelic and stoner rock with artists like Black Wizards, The Quartet of Woah! and krautrock-influenced band 10000 Russos.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Glam metal is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.
Portuguese music includes many different styles and genres, as a result of its history. These can be broadly divided into classical music, traditional/folk music and popular music and all of them have produced internationally successful acts, with the country seeing a recent expansion in musical styles, especially in popular music.
Popular music of the United States in the 1980s saw heavy metal, country music, Top 40 hits, hip hop, MTV, CMJ, and new wave as mainstream. Punk rock and hardcore punk was popular on CMJ. With the demise of punk rock, a new generation of punk-influenced genres arose, including Gothic rock, post-punk, alternative rock, emo and thrash metal. Hip hop underwent its first diversification, with Miami bass, Chicago hip house, Washington, D.C. go-go, Detroit ghettotech, Los Angeles G-funk and the "golden age of old school hip hop" in New York City. House music developed in Chicago, techno music developed in Detroit which also saw the flowering of the Detroit Sound in gospel. This helped inspire the greatest crossover success of Christian Contemporary Music (CCM), as well as the Miami Sound of Cuban pop.
Chilean rock is rock music and its corresponding subgenres produced in Chile or by Chileans. Chilean rock lyrics are usually sung in Spanish so can be considered as part of rock en español, although they are sometimes sung in English as well.
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s, it was known as iê-iê-iê, the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You".
Argentine rock is rock music composed or performed by Argentine bands or artists mostly in Spanish.
Spanish rock is the term used for the variety of rock music produced in Spain. Most bands formed in Spain have sung in Spanish, but many others have sung in English, French and Italian, in addition to the other languages spoken in Spain, such as Catalan, Galician, Basque, Aragonese, and Asturian.
Music history of the United States includes many styles of folk, popular and classical music. Some of the best-known genres of American music are rhythm and blues, jazz, rock and roll, rock, soul, hip hop, pop, and country. The history began with the Native Americans, the first people to populate North America.
Rock music has been performed and heard in Lithuania since the mid-1960s. At first, repression by the Soviet authorities meant that rock was performed only at illegal gatherings, while music from the West was available on Radio Luxembourg or smuggled records. As pressure eased somewhat, rock musicals began to be released, such as Velnio nuotaka and Ugnies medžioklė su varovais.
Glam punk is a music genre that began in the early to mid-1970s and incorporates elements of proto-punk and glam rock. The genre was pioneered by the New York Dolls, who influenced the formation of other New York City groups the Stilettos, the Brats and Ruby and the Rednecks and bands in the United Kingdom including Hollywood Brats and Jet. These bands largely began the early punk rock scene. The impact of Hanoi Rocks brought about a revived interest in the sound during the 1980s, seeing a revival with groups including the Dogs D'Amour and Soho Roses, and the pioneering of glam metal. Through the 1990s, some groups gained significant commercial success reviving the sound of glam punk, notably the Manic Street Preachers, Backyard Babies and Turbonegro.
Rui Manuel Gaudêncio Veloso is a Portuguese singer-songwriter and musician. Commonly called "The father of Portuguese rock", Veloso was a major figure in the boom of Portuguese rock music in the 1980s. His 1980 debut album Ar de Rock, which includes the hit single "Chico Fininho", is considered a landmark of Portuguese rock. During the 1980s and 1990s, Veloso released numerous other successful singles and albums in Portugal.
Mão Morta is a Portuguese avant-garde rock band that started its activities in 1985 in Braga. The group's name means "dead hand", based on a traditional Portuguese nursery rhyme. They are generally considered to be one of the most important bands in the Portuguese rock scene and have since reached a cult status. Since the start of their career, their live concerts became famous for their intensity and dark mood, due to their signature alternative rock sound and the performance of vocalist Adolfo Luxúria Canibal, known for occasional onstage theatrics and his gravelly voice, half-sung, half-spoken singing style. Mão Morta's music is difficult to categorize as they incorporate a variety of genres; from punk rock, metal, to industrial and experimental. Their sound, combined with Adolfo's lyrics, reflects urban violence, a human search for pleasure, freedom and a critique of contemporary consumerist society, often with sarcastic humour.
This article includes an overview of the famous events and trends in popular music in the 1980s.
Bizarra Locomotiva is a Portuguese industrial metal band. Its history dates back to 1993, when Armando Teixeira and Rui Sidónio (vocals) started a band to participate in Modern Music Competition of the city of Lisbon.
Xutos & Pontapés are a Portuguese rock band. The band was founded in 1978, in Lisbon, by the late Zé Pedro, Zé Leonel, Kalú and Tim. Their current lineup consists of Tim, João Cabeleira (guitar), Gui and Kalú (drums).
Bangladeshi rock music, or Bangla rock music, is a style of music in Bangladesh that is derived from British and American rock music, mixed with the Bengali classical and Adhunik musical styles from the 1960s. The genre was introduced in the 1960s by a few bands who began developing a distinctive rock sound. Bangladeshi rock is commonly divided into two categories: East Pakistan rock, and Bangladesh rock. From the 1970s to the 2000s, it was one of the nation's most popular musical genres.
Ao Vivo may refer to the following music albums:
| Africa | |
|---|---|
| Americas | |
| Asia | |
| Europe | |
| Oceania | |
