Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to advancements through accumulation, and is often deployed in the context of distinct genres, with progressive rock being the most notable example. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative, and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry.
A singer-songwriter is a musician who writes, composes, and performs their own musical material, including lyrics and melodies. In the United States, the category is built on the folk-acoustic tradition with a guitar, although this role has transmuted through different eras of popular music. Traditionally, these musicians would write and sing songs personal to them. Singer-songwriters often provide the sole musical accompaniment to an entire song. The piano is also an instrument of choice.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
The music of Finland can be roughly divided into folk music, classical and contemporary art music, and contemporary popular music.
Romania has a multicultural music environment which includes active ethnic music scenes. Traditional Romanian folk music remains popular, and some folk musicians have come to national fame.
The music of Mexico is highly diverse, featuring a wide range of musical genres and performance styles. It has been influenced by a variety of cultures, primarily deriving from Europeans, Indigenous, and Africans. Music became an expression of Mexican nationalism starting in the nineteenth century.
Switzerland has long had a distinct cultural identity, despite its diversity of German, French, Italian, Romansh and other ethnicities. Religious and folk music dominated the country until the 17th century, with growth in production of other kinds of music occurring slowly.
In Italy, music has traditionally been one of the cultural markers of Italian national cultures and ethnic identity and holds an important position in society and in politics. Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources. Instruments associated with classical music, including the piano and violin, were invented in Italy.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock movements. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Mina Anna Mazzini or Mina Anna Quaini, known mononymously as Mina, is an Italian singer and actress. She was a staple of television variety shows and a dominant figure in Italian pop music from the 1960s to the mid-1970s, known for her three-octave vocal range, the agility of her soprano voice, and her image as an emancipated woman.
Italian rock is a form of rock music produced primarily in Italy. The music genre has roots in the country as it spread in the early 1960s from the United States with the earliest versions of rock and roll during this period being cover versions or interpretative covers of already existing songs.
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s, it was known as iê-iê-iê, the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You".
Premiata Forneria Marconi (PFM) is an Italian progressive rock band founded in 1970 which continues to the present day. They were the first Italian group to have success internationally. The group recorded five albums with English lyrics between 1973 and 1977. During this period they entered both the British and American charts. They also had several successful European and American tours, playing at the popular Reading Festival in England and on The Midnight Special, a popular national television program in the United States.
Eugenio Finardi is an Italian rock singer, songwriter, guitarist and keyboardist.
The Italian Music Awards were an accolade established in 2001 by the Federation of the Italian Music Industry to recognize the achievements in the Italian music business both by domestic and international artists.
Ragazzi del Juke-Box is a 1959 Italian "musicarello" film directed by Lucio Fulci and starring Mario Carotenuto, Elke Sommer and Anthony Steffen. Lucio Fulci has a cameo in the film as a festival organizer.
Ezio Leoni was one of the pioneering forces behind the Italian music scene of the "anni d'oro" of Italy's "musica leggera". A composer, arranger, orchestra conductor, producer and A&R executive, "Maestro" Leoni's contributions span from helping lay the foundation for Italian pop music in the 1950s and 1960s to opening the Southern European markets for some of the most influential American artists of the time. As a composer, he wrote the music of iconic Italian songs such as "24.000 Baci", "Si e' Spento il Sole", and "Il Tuo Bacio e' Come un Rock", while as arranger/conductor, producer, and A&R executive he collaborated with Italian music personalities such as Adriano Celentano, Tony Dallara, Fausto Leali, Luigi Tenco, Franco Simone, Iva Zanicchi and Fausto Papetti, among many others.
