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Folklore of Italy refers to the folklore and urban legends of Italy. Within the Italian territory, various people have followed each other over time, each of which has left its mark on current culture. Some tales also come from Christianization, especially those concerning demons, which are sometimes recognized by Christian demonology. Italian folklore also includes the genre of the fairy tale (where the term itself was born [1] ), folk music, folk dance and folk heroes.
Below is a list of the folklore figures who have animated Italian folk tales since ancient Rome.
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance. One of the earliest attempts to systematically collect folk dances is Gaspare Ungarelli's 1894 work Le vecchie danze italiane ancora in uso nella provincia bolognese ("Old Italian dances still in use in the province of Bologna") which gives brief descriptions and music for some 30 dances. [144]
In 1925, Benito Mussolini's government set up the Opera Nazionale Dopolavoro (OND) or National Recreational Club as a means of promoting sports and cultural activities and one of its accomplishments was a wide survey of folk music and dance in Italy at that time. The work was published in 1931 as Costumi, musica, danze e feste popolari italiane ("Italian popular customs, music, dance and festivals"). In September 1945 OND was replaced by a new organization, the Ente Nazionale Assistenza Lavoratori (ENAL), headquartered in Rome. In partnership with the International Folk Music Council, ENAL sponsored a Congress and Festival in Venice September 7–11, 1949 which included many of the outstanding researchers in Italian folklore as well as folk dance and music groups from various Italian regions. [145] [146]
ENAL was dissolved in late 1978 but earlier in October 1970, the Italian folklore groups who had been members of ENAL set up a separate organization, which in 1978 became the Federazione Italiana Tradizioni Populari (FITP). The FITP publishes a newsletter and a scholarly publication Il Folklore D'Italia. [147] An interest in preserving and fostering folk art, music and dance among Italian Americans and the dedication and leadership of Elba Farabegoli Gurzau led to the formation of the Italian Folk Art Federation of America (IFAFA) in May 1979. The group sponsors an annual conference and has published a newsletter, Tradizioni, since 1980. [148]
Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the center of the Mediterranean Sea: Celtic, Slavic, Arabic, Greek, Spanish and Byzantine influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of small city states has allowed quite diverse musical styles to coexist in close proximity.
The Celtic and Slavic influences on the group and open-voice choral works of the Northern Italy contrast with the Greek, Byzantine, and Arabic influenced strident monody of the Southern Italy. [149] In the Central Italy these influences combine, while indigenous traditions like narrative and ballad singing remain. The music of the island of Sardinia is distinct from that of the rest of Italy, and is best known for the polyphonic chanting of the tenores.
The modern understanding of Italian folk music has its roots in the growth of ethnomusicology in the 1940s and 1950s and in the resurgence of regionalism in Italy at the time. The Centro Nazionale di Studi di Musica Popolare (CNSMP), now part of the Accademia Nazionale di Santa Cecilia, was started in 1948 to study and archive the various musical styles throughout Italy. The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed by Alan Lomax in 1956 and often repeated since. [150]
Grazia Maria Cosima Damiana Deledda was an Italian writer who received the Nobel Prize for Literature in 1926 "for her idealistically inspired writings which with plastic clarity picture the life on her native island [i.e. Sardinia] and with depth and sympathy deal with human problems in general". She was the first Italian woman to receive the prize, and only the second woman in general after Selma Lagerlöf was awarded hers in 1909.
Sardinian or Sard is a Romance language spoken by the Sardinians on the Western Mediterranean island of Sardinia.
The unification of Italy, also known as the Risorgimento, was the 19th century political and social movement that in 1861 ended in the annexation of various states of the Italian Peninsula and its outlying isles to the Kingdom of Sardinia, resulting in the creation of the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the capture of Rome and its designation as the capital of the Kingdom of Italy.
"Il Canto degli Italiani" is a patriotic song written by Goffredo Mameli and set to music by Michele Novaro in 1847, currently used as the national anthem of Italy. It is best known among Italians as the "Inno di Mameli", after the author of the lyrics, or "Fratelli d'Italia", from its opening line. The piece, in 4/4 time signature and B-flat major key, has six strophes, and a refrain sung after each. The sixth group of verses, almost never performed, recalls the first strophe's text.
The provinces of Italy are the second-level administrative divisions of the Italian Republic, on an intermediate level between a municipality and a region. Since 2015, provinces have been classified as "institutional bodies of second level".
In Italian folklore and folk customs, the Befana is a witch-like old woman who delivers gifts to children throughout Italy on Epiphany Eve in a similar way to Santa Claus or the Three Magi. The Befana is a widespread tradition among Italians and thus has many names. She is a part of both popular national culture and traditional folk culture and is akin to other figures who roam about sometime during the Twelve Days and reward the good, punish the bad, and receive offerings. The Befana is a mysterious, contradictory figure of unclear origins. This character is enhanced by the fact that she is overall neglected by scholars but is the subject of much speculation by the ones who do mention her. Pre-Christian, Christian, and syncretism of the two have all been postulated as explanations of her origins. In some parts of Italy, especially the central regions, mumming takes place on Epiphany eve. Dolls are made of her and effigies are burnt and bonfires are often lit. She brings gifts to good children, typically sweets, candies or toys, but coal to bad children. She is usually portrayed as a hag riding a broomstick through the air wearing a black shawl and is covered in soot because she enters the children's houses through the chimney. She is often smiling and carries a bag or hamper filled with candy, gifts, or both. She is not only loved but also feared and mocked, particularly by children.
Griko, sometimes spelled Grico, is one of the two dialects of Italiot Greek, spoken by Griko people in Salento, province of Lecce, Italy. Some Greek linguists consider it to be a Modern Greek dialect and often call it Katoitaliótika or Grekanika (Γραικάνικα). Griko and Standard Modern Greek are partially mutually intelligible.
The Expedition of the Thousand was an event of the unification of Italy that took place in 1860. A corps of volunteers led by Giuseppe Garibaldi sailed from Quarto al Mare near Genoa and landed in Marsala, Sicily, in order to conquer the Kingdom of the Two Sicilies, ruled by the Spanish House of Bourbon-Two Sicilies. The name of the expedition derives from the initial number of participants, which was around 1,000 people.
The languages of Italy include Italian, which serves as the country's national language, in its standard and regional forms, as well as numerous local and regional languages, most of which, like Italian, belong to the broader Romance group. The majority of languages often labeled as regional are distributed in a continuum across the regions' administrative boundaries, with speakers from one locale within a single region being typically aware of the features distinguishing their own variety from others spoken nearby.
Giuseppe Schirò was an Arbëresh neo-classical poet, linguist, publicist and folklorist from Sicily. His literary work marked the transition from the Arbëresh language to modern Albanian literature in Italy. He was a major protagonist of the Rilindja, the Albanian cultural awakening or Albanian Renaissance, in Italy.
Giuseppe Pitrè was an Italian folklorist, medical doctor, professor, and senator for Sicily. As a folklorist he is credited with extending the concept of folklore to include all manifestations of popular life. He is also considered a forerunner in the field of medical history.
Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the center of the Mediterranean Sea: Celtic, Slavic, Arabic, Greek, Spanish and Byzantine influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of small city states has allowed quite diverse musical styles to coexist in close proximity.
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument, style, quality of music, technique or other important aspect of Italian music.
Traditions of Italy are sets of traditions, beliefs, values, and customs that belongs within the culture of Italian people. These traditions have influenced life in Italy for centuries, and are still practiced in modern times. Italian traditions are directly connected to Italy's ancestors, which says even more about Italian history.
Cola Pesce, also known as Pesce Cola is an Italian folktale about a merman, mentioned in literature as early as the 12th century. Many variants and retellings have been recorded.
Carlo Cataldo was an Italian historian, poet, and teacher.
The Borda is a legendary creature that belongs to the culture of the Emilia-Romagna and other areas of the Po Valley in Italy.
Antonio Mordini was a longstanding Italian patriot and, after 1861, a member of the Parliament of the Kingdom of Italy. In 1869 he served as Minister of Public Works of the Kingdom of Italy, a member of the third Menabrea government.
Ferdinando Beneventano del Bosco was a Two Sicilian Brigadier General of the Army of the Two Sicilies. He was one of the few charismatic figures during the Expedition of the Thousand and a primary figure of Two Sicilian resistance against the Sardinian forces.
The mazapégul, also known by several other names in Romagnol, are mischievous nocturnal elves in the folklore of Romagna, especially around the Apennines of Forlì, in northern Italy.
Most researchers however trace the beginning of the early modern era to Christopher Columbus's discovery of the Americas in the 1490s