The Roman Empire provided an inspiration for the medieval European. Although the Holy Roman Empire rarely acquired a serious geopolitical reality, it possessed great symbolic significance.
If the origins of the western intellectual heritage go back to the Greeks and, less directly, to the peoples of Egypt and the Near East, Rome contibuted spreading it. In fields such as language, law, politics, religion, and art Roman culture continues to affect our lives.[6] Rome was the center of an empire that stretched across a large segment of the then-known world, and later became the center of the Christian faith. Ancient Italy is identified with Rome and the so-called Romanophilia.
Despite the fall of the Roman Empire, its legacy continued to have a significant impact on the cultural and political life in Europe. For the medieval mind, Rome came to constitute a central dimension of the European traditionalist sensibility. The idealisation of this Empire as the symbol of universal order led to the construction of the Holy Roman Empire. Writing before the outbreak of the First World War, the historian Alexander Carlyle noted that "we can without difficulty recognize" not only "the survival of the tradition of the ancient empire" but also a "form of the perpetual aspiration to make real the dream of the universal commonwealth of humanity."[7]
During much of the Middle Ages (about the 5th century through the 15th century), the Roman Catholic Church had great political power in Western Europe. Throughout its history, the Catholic faith has inspired many great works of architecture, art, literature, and music. These works include French medieval Gothic cathedrals, the Italian artist Michelangelo's frescoes in the Vatican, the Italian writer Dante's epic poem The Divine Comedy, and the Austrian composer Wolfgang Amadeus Mozart's Requiem.
As for Italian artists they were in demand almost all over Europe. Torrigiano and Zuccari worked in England, Masolino in Hungary, Luca Cambiasi and Pellegrino Tibaldi in Spain, Jacopo Sansovino in Portugal, Morando and others in Poland. The demand seems to have been greatest in France, more especially at the French court, which employed (among others) Leonardo da Vinci, Rosso, Primaticcio, Niccolò dell'Abbate and Sebastiano Serlio. Italian craftsmen were engaged to work on building sites from Munich to Zamość. Italian actors performed at the courts of France, Spain, Poland and elsewhere.
John Florio is recognised as the most important Renaissance humanist in England.
The Italian language was fashionable, at court for example, as well as Italian literature and art. The famous lexicographer John Florio of Italian origin was the most important humanist in Renaissance England.[8] and contributed to the English language with over 1,969 words.[9]William Shakespeare's works show an important level of Italophilia, a deep knowledge of Italy and the Italian culture, like in Romeo and Juliet and The Merchant of Venice. According to Robin Kirkpatrick, Professor of Italian and English Literatures at Cambridge University, Shakespeare shared "with his contemporaries and immediate forebears a fascination with Italy."[10] In 16th century Spain, cultural italophilia was also widespread (while the Spanish influence in Southern Italy was also great) and the king Philip IV himself considered Italian as his favorite foreign language.
The movement of "international Italophilia" around 1600 certainly held the German territories in its sway, with one statistic suggesting that up to a third of all books available in Germany in the early 17th century were in Italian.[11] Themes and styles from il pastor fido were adapted endlessly by German artists, including Opitz, who wrote several poems based on Guarini's text, and Schütz himself, whose settings of a handful of passages appeared in his 1611 book of Italian madrigals. Emperors Ferdinand III and Leopold I were great admirers of Italian culture and made Italian (which they themselves spoke perfectly) a prestigious language at their court. German baroque composers or architects were also very much influenced by their Italian counterparts.
During the 18th century, Italy was in the spotlight of the European grand tour, a period in which learned and wealthy foreign, usually British or German, aristocrats visited the country due to its artistic, cultural and archaeological richness. Since then, throughout the centuries, many writers and poets have sung of Italy's beauty; from Goethe to Stendhal to Byron, Italy's natural beauty and her people's creativity inspired their works. Percy Bysshe Shelley famously said that Italy is "the paradise of exiles."[12]
Italiophilia was not uncommon in the United States. Thomas Jefferson was a great admirer of Italy and ancient Rome. Jefferson is largely responsible for the neo-classicalbuildings in Washington, D.C. that echo Roman and Italian architectural styles.
Spain provided an equally telling example of Italian cultural admiration in the 18th century. The installation of a team of Italian architects and artists, headed by Filippo Juvarra, has been interpreted as part of Queen Elisabeth Farnese's conscious policy to mould the visual culture of the Spanish court along Italian lines. The engagement of Corrado Giaquinto from Molfetta and eventually the Venetian Jacopo Amigoni as the creators of the painted decorative space for the new seat of the Spanish court was a clear indication of this aesthetic orientation, while the later employment of Giovanni Battista Tiepolo and his son Giovanni Domenico confirmed the Italophile tendency.
The Victorian era in Great Britain saw Italophilic tendencies. Britain supported its own version of the imperial Pax Romana, called Pax Britannica. John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy.[13] Also the great writer Henry James has exhibited Italophilia in several of his novels. However, Ellen Moers writes that "In the history of Victorian Italophilia no name is more prominent than that of Elizabeth Barrett Browning....[She places] Italy as the place for the woman of genius ..."[14]
During the Fascist era, several leaders in Europe and Latin America modeled their government and economic system on Italian Fascism. Adolf Hitler was an avid admirer of Benito Mussolini.[16] To justify his Italophilia, Hitler had to convince himself that northern Italians were somehow racially Aryan — "from the cultural point of view," he once remarked, "we are more closely linked with the Italians than with any other people"[17] — and that the veins of Mussolini, Dante and other heroes pulsed with no contaminating blood from the inferior "Mediterranean race." Or "The Italians have a splendid foundation of peasantry. Once when I was travelling to Florence, I thought, as I passed through it, what a paradise this land of southern France is! But when I reached Italy – then I realised what a paradise on earth can really be!"[18] The Führer also dreamed of touring Tuscany and Umbria: "my dearest wish would be to be able to wander about Italy as an unknown painter".[18]
After World War II, such brands as Ferrari and Alfa Romeo became well known for racing and sports cars. Since then Italy has experienced a strong economic growth, particularly in the 1950s and 1960s, which lifted the country to the position of being one of the most industrialized nations in the world.[19] Italian product design, fashion, film, and cuisine and the notion of Italy as the embodiment of la dolce vita for German tourism — all left an imprint on contemporary Italophilia.
Augustus, first Roman Emperor, who created for the first time an administrative region called Italia with inhabitants called "Italicus populus"; for this reason historians called him Father of Italians.
Rome was the center of the Roman Empire that stretched across a large segment of the then-known world, and later became the center of the Roman Catholic faith. Roman civilization was transplanted to many parts of Europe, the Mediterranean basin, North Africa and the Near East in the form of law, architecture, engineering, roads, aqueducts, public baths, sanitation, trade, literature, art, libraries, hospitals and agriculture.[21] It was possible for the people in the provinces to attain Roman citizenship, rise to the Senate, and even to become Roman emperor. The Roman provinces, having received much of the benefit of Roman civilization, became Romanized to a large degree. Winston Churchill states:
For nearly 300 years Britain, reconciled to the Roman system, enjoyed in many respects the happiest, most comfortable, and most enlightened times its inhabitants have ever had.[22]
The Christian faith was viewed in Rome as contrary to prevailing religious and political beliefs and, consequently, was suppressed. Many Christians in Rome and elsewhere were persecuted. After the conversion of the Emperor Constantine to Christianity in 312 AD, Christianity flourished and became an integral part of Roman life. Roman Catholicism, which combined Christianity and Roman administration, emerged in a form easily recognizable today, and took root in Rome and much of the Roman Empire.[23] The Church adopted many religious customs and forms common in pre-Christian Rome, such as the stole and other vestments, the use of incense and holy water in purifications, burning candles before the altar, the veneration of saints, the architecture of the basilica, the law of Rome as a basis for canon law, the title Pontifex Maximus for the Pope, and Latin as the language of Catholic ritual.[24]
The cultural patrimony of Roman literature, architecture and sculpture inspired many of the achievements of the Middle Ages and Renaissance in Italy and the rest of Europe. Works by poets, authors and historians, such as Ovid, Horace, Catullus, Lucretius, Cicero, Virgil, Livy, and Tacitus had a far reaching impact on the Western world.
The legacy of Rome is apparent in the Western world, and elsewhere, in numerous ways, such as:
After the fall of the Roman Empire, its vast governmental network provided a structure for the Roman Catholic Church's ecclesiastic rule. The bishops, rather than the Roman prefects became the source of order and the seat of power.[24] In many important ways, the Roman Catholic Church became the successor of the Roman Empire. The Church and its Pope were major stabilizing influences in Europe in the centuries that followed. In the words of historian Will Durant (in The Story of Civilization: Caesar and Christ):
Rome died in giving birth to the Church; the Church matured by inheriting and accepting the responsibilities of Rome.
The civilization of Italy continued to be a cultural force that helped preserve Greco-Roman civilization and ideals during this period. Latin, the indigenous language of the Italic people, became the universal language of the Catholic Church and, generally, of culture and learning in Europe.
Western Monasticism, as first practiced by the followers of Saint Benedict, born in Nursia in 480 AD, spread from Italy to all parts of Europe. The Benedictine monks were a very important factor in preserving Greco-Roman culture and learning for later centuries.
The earliest known letter notation in the Western musical tradition appears in a book on music by the 6th-century philosopher Boethius ("De Institutione Musica"). Gregorian Chant, an outgrowth of Roman plain chant, strongly influenced both liturgical and secular music during the Middle Ages. An Italian monk, Guido of Arezzo (born in 991), developed the form of musical notation that became the basis of Western music and, subsequently, of music worldwide.
Saint Francis of Assisi (born Giovanni di Bernardone in Assisi in 1181) was a friar who founded the men's Order of Friars Minor and the women's Order of St. Clare, both of which attracted many followers from all over Europe. He became one of the most venerated religious figures in Catholic Church history.
Saint Thomas Aquinas, a Dominican priest born in Aquino in 1225, was a philosopher and theologian. He was one of the greatest minds of the Middle Ages, and he had a widespread influence on Western thought. He was considered then, as he is now, to be the greatest theologian and philosopher of the Catholic Church. He is best known for his major work, the Summa Theologica.
Educated people in Europe were familiar with the works of Dante and Boccaccio, which dominated the literature of the Middle Ages, and with their contemporary Petrarch, who had established the most important lyric poetry tradition in Europe. These works had a significant influence on Shakespeare, Chaucer and many other writers of the Middle Ages and Renaissance.
Students and scholars came from all over Europe to study at institutions of higher learning in Italy. The Medical School at Salerno, founded in the ninth century, was the world's first medical school, and unrivalled in the Middle Ages. The University of Bologna, the first modern university, was founded in Bologna in 1088. The University of Padua, the second oldest university in Italy, was founded in 1222 as a school of law. The University of Naples, founded in 1224, was the world's first state-supported university.
During the Middle Ages, the vitality of Italian merchants was evident throughout Europe, and the resultant trade prompted their invention of financial and business practices which provided the foundation for modern banking, commerce and capitalism.[26] The original banks were "merchant banks" that Italian grain merchants first invented in the Middle Ages. Merchants and bankers grew in stature based on the strength of the Lombard plains cereal crops, and capitalism evolved based on these banks.
Indeed, banking (from the Italian word for "bench") can be traced to medieval and early RenaissanceItaly, to the rich cities in the north such as Florence, Venice and Genoa. The Bardi and Peruzzi families dominated banking in 14th century Florence, establishing branches in many other parts of Europe.[27] Perhaps the most famous Italian bank was the Medici bank, established by Giovanni Medici in 1397.[28] The development of banking spread from northern Italy through Europe during the early Renaissance and helped create modern capitalism. Luca Pacioli is referred to as the "Father of Accounting"
The Bank of Saint George (Casa delle compere e dei banchi di San Giorgio) was a bank of the Republic of Genoa, which was the main financer of the voyages of Columbus to the New World by Spain, founded in the 14th century.[29] It is the oldest chartered bank in Europe and the world.
The Italian Renaissance was to a large extent an expression of humanism, that led to one of the most productive and significant periods in human history in the arts, literature, medicine and science. Greeks fleeing the Turkish invasion of the Byzantine Empire flocked to Italy, and helped spur the Renaissance and interest in ancient Greek texts. The Italian Renaissance also transformed art and humanism across Europe, and set the stage for the Enlightenment.[30]
From 1500 to 1600 all Western Europe acknowledged her as the mother and nurse of the new civilization of science and art and the humanities ... So the sixteenth century, when the Renaissance declined in Italy, was an age of exuberant germination in France, England, Germany, Flanders, and Spain.[31]
Giotto, born in 1267, is recognized as the first great artistic genius of the Italian Renaissance. His ability to portray human emotions distinguished him from the artists of the Middle Ages, and he established a style of painting that would be widely emulated in Italy and, later, elsewhere in Europe. Italian Renaissance painters and sculptors, such as Leonardo da Vinci and Michelangelo Buonarroti, and scores of others of the first rank, were greatly admired and acclaimed, and had a widespread influence on artistic concepts and esthetic standards throughout Europe.
Italian artists, beginning with Giotto, mastered the use of perspective and chiaroscuro (light and shadow), which had a widespread influence on Western art. Brunelleschi, an architect, was the first to explain perspective in terms of a well-defined set of geometric rules. Some science historians credit the mastery of chiaroscuro, together with the discovery of the rules of perspective, as of fundamental importance in the development of modern science.[32][33][34]
Aldus Manutius (Aldo Manuzio) (1449 – 1515) was one of the foremost intellectuals and humanists of the Renaissance, but is most renowned as an early entrepreneur and innovator in the new printing media. In over 20 years in which his Aldine Press (established 1494) was in operation, he published many classic works from antiquity. He was the first to publish pocket-size volumes, achieving this by using standardized typefaces. He was the innovator of the first italic type, along with other typefaces and typographical characters.
Leonardo da Vinci, born in 1452 in Vinci, was a painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any of his contemporaries, epitomized the creative energy of the Renaissance. He is widely considered to be one of the greatest painters of all time, and his Mona Lisa is regarded by many to be the most famous painting in the world. His anatomical drawings have never been surpassed in detail and accuracy, and are still in use today.[35]
Michelangelo was born in Florence in 1475 and, like Leonardo, was a true Renaissance man. He was a sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art. He was considered the greatest living artist in his lifetime and, since then, one of the greatest artists of all time. His two best-known sculptures, the Pietà and David, are famous throughout the world. Michelangelo also created two of the most famous and influential frescoes in the history of Western art: the scenes from Genesis covering the ceiling of the Sistine Chapel, and The Last Judgment on the altar wall of the chapel.
Renaissance architecture of the 15th and 16th centuries was a revival of elements of ancient Greek and Roman architecture.[36] It first developed in Florence, with Brunelleschi, Alberti and Palladio being among its innovators, and soon spread to other Italian cities, and later to France, Germany, England, Russia and other parts of Europe. The Renaissance style placed emphasis on symmetry, proportion, geometry and the regularity of parts as exemplified in the architecture of classical antiquity and in particular in the architecture of ancient Rome, of which many examples remained. It was succeeded by Baroque architecture.
Italian singers, composers, dancers and actors had a great impact on music and the performing arts. Palestrina, Monteverdi and Frescobaldi were responsible for musical innovations that were seminal in the development of Western music. Italian Commedia dell'arte was an art form that had a great influence in the performing arts, not only in Italy but in many other parts of Europe as well.
Ballet began in 15th-century Renaissance Italy. The foot positions and steps that make up classic ballet were created by Renaissance dance masters in the 1400s. Wealthy Italian nobles staged elaborate court dances to celebrate events such as weddings or the birth of an heir. The choreographers of these Renaissance spectacles became known as ballet masters. One of the earliest ballet masters, Domenico da Piacenza, wrote dance manuals describing the steps, with diagrams of the figures and patterns created by the movements, which allowed the dances to be recreated in other courts throughout Europe. He used the word "ballo", the Italian word for dance, to describe his choreography. When Catherine de Medici married King Henry II of France, she brought the Italian dance tradition with her to France.[37]
The flourishing of arts in Tudor England during the English Renaissance attracted many Italian artists and musicians to the country.[38]William Shakespeare is said to have exhibited Italophilia in his many works with an Italian setting, such as Romeo and Juliet and The Merchant of Venice.[39]Spenser's epic poem The Faerie Queene was greatly influenced by Italian epic poems, particularly Ludovico Ariosto's Orlando furioso (1532), and Torquato Tasso's Gerusalemme liberata (1581). Francis I, king of France, initiated the French Renaissance by attracting many Italian artists, including Leonardo da Vinci, to his court. French theatre of the 17th century was rooted in the theatre of 16th-century Italy. Poland was strongly influenced by Italian artisans, painters, sculptors and architects, such as the sculptor, Giammaria Mosca,[40] whose many commissions included the tomb of the king of Poland. The Spanish writer, Cervantes, was greatly influenced by Italian literature, which is readily discernible in his own works.[41] Spanish theatre of the 17th century was strongly influenced by Italian models.
The University of Bologna, the first modern university, was a leading center of mathematical studies in the 16th century, and it was there that Niccolò Fontana Tartaglia developed the method of solving cubic equations, an achievement previously considered impossible. Extending Tartaglia's work, Lodovico Ferrari devised a similar method to solve quartic equations, and both solutions were published by Gerolamo Cardano. The solutions to the cubic and quartic equations used, for the first time, what are now known as complex numbers, although it was another Bologna mathematician, Rafael Bombelli, who first explained what complex numbers are, and how they could be used. Complex numbers have since found practical applications in many fields, including physics, chemistry, biology, economics, electrical engineering, and statistics. Later, Cardano published the first systematic treatment of probability.
Christopher Columbus (Italian: Cristoforo Colombo) led an expedition to the New World in 1492. His voyages are celebrated as the discovery of the Americas from a European perspective, and they opened a new era in the history of humankind and sustained contact between the two worlds.
Italy was a center of commerce and Italian explorers and merchants, such as the Venetian Marco Polo, and the Italian maritime republics moved all around the known world. The Genoese explorer Christopher Columbus (Italian: Cristoforo Colombo) was the first European to reach the land which is now called North America in 1492, and the subsequent colonization of the continent changed world history forever. Another Italian navigator, Amerigo Vespucci, was the source of the name given to the New World. They were followed by other New World navigators from the Italian peninsula, notably the Venetians John Cabot ((Italian: Giovanni Caboto)) and Sebastian Cabot ((Italian: Sebastiano Caboto)), and the Florentine Giovanni da Verrazzano.
Age of Enlightenment and the Romantic Movement
Beginning in the 16th century, Italian states came under the political control of more powerful European monarchies; however, Italy continued to be a source of creative energy in art, science, music and medicine. Enlightenment thinkers, like Renaissance thinkers, were interested in pre-Christian Greek and Roman thought.
Aloysius Lilius (1510 – 1576), also variously referred to as Luigi Lilio or Luigi Giglio, was an Italian doctor, astronomer, philosopher and chronologist, who is recognized as the primary developer of the Gregorian Calendar reform of 1582 which, since then, has been used worldwide.
Galileo, born in 1564 in Pisa, was the most famous scientist of his age, and played a major role in the Scientific Revolution. He is often referred to as the "Father of Modern Science." His achievements include a greatly improved telescope, which he employed in making astronomical observations supporting the heliocentric theory of Copernicus; and also the experiments he carried out leading to his law of falling bodies, which was of key importance in Newton's synthesis of his own famous three laws of motion.
Bonaventura Cavalieri, a Jesuit priest and mathematician, born in 1598, is known for his work on indivisibles, a precursor of infinitesimal calculus, and for Cavalieri's principle in geometry, which partially anticipated integral calculus. Joseph-Louis Lagrange, born Giuseppe Luigi Lagrangia (1736–1813), was a mathematician and astronomer. He originated the Calculus of Variations and made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Lagrange was also a member of the committee of the Académie des Sciences that developed the Metric System.
Alessandro Volta, born in Como in 1745, invented the first true electrical battery, known as the voltaic pile. It provided a continuous source of electric current, which greatly benefitted Ampere, Ohm and other electrical experimenters in their development of basic electrical theory. A unit of electricity (volt) is named in his honor.
Cesare Beccaria, a philosopher, jurist and marquis wrote On Crimes and Punishments (1754), dealing with the abolition of torture and capital punishment, which had a great impact throughout Europe and in the United States. It strongly influenced intellectuals and politicians in the age of enlightenment, and led to a revolution and reform of judiciary systems to the prevailing modern concept. In 1786, Grand Duchy of Tuscany was the first to abolish capital punishment.
Giordano Bruno had a great influence on 17th-century scientific and philosophical thought and, ever since, his ideals have been absorbed by many philosophers. Bruno's freedom of thought inspired European liberal movements of the 19th century. The significance of Bruno's work lies in his cosmological theories, which anticipated some fundamental aspects of the modern concept of the universe; his ethical ideas, in contrast with religious ascetical ethics, which appealed to modern humanistic activism; and his ideals of religious and philosophical tolerance.
Giambattista Vico was a political philosopher, rhetorician, historian, and jurist, who is recognized as one of the great Enlightenment thinkers. He criticized the expansion and development of modern rationalism and was an apologist of classical antiquity. His major work, Scienza Nuova, published in 1725, has been highly influential in the philosophy of history, into the 20th-century.
Opera originated in Italy at the end of the 16th century (with the opera Dafne, which was composed by Jacopo Peri, and produced in Florence in 1598), and soon spread to the rest of Europe. Italian opera was adapted by French, German and Russian composers, who developed their own national schools of opera.
Italian instrumental music was studied and emulated all over Europe. The sonata, concerto, sinfonia, oratorio and other musical forms all originated in Italy. Italian terminology defining the tempo and mood of a musical passage was universally adopted in Western music. The music of Italian composers, such as Corelli, Scarlatti, and Vivaldi, was studied or transcribed by many other composers of the day, most notably Bach. In addition, many composers, such as Handel, Gluck and Mozart studied or worked in Italy, and subsequently became famous for their instrumental music and operas.
Georges Bastard, Cinquante jours en Italie ("Fifty days in Italy"), 1878, one of the many reports of the "Grand Tour" in Italy.
The fortepiano, the fore-runner of the modern piano, was invented by Bartolomeo Cristofori in Florence around 1725, and soon replaced the harpsichord as a solo and ensemble keyboard instrument.
The family of stringed instruments, consisting of the violin, viola, cello and contrabass evolved in Italy in the mid 16th century. Antonio Stradivari, Andrea Guarneri, Nicolo Amati and other master instrument makers crafted stringed instruments that were highly prized, widely imitated, but never equaled.
The education of upper-class young man was expected to be completed by a "grand tour" of Italy to be exposed to the visible legacies of its classical culture, as well as to its contemporary culture of music, literature, art and architecture. Famous examples included Goethe, Keats, Lord Byron and Shelley. Many of the nobility and royalty of the time visited Italy as a part of their education. Keats said that the country was a "paradise of exiles".[47]John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy.[48]
Romanticism coincided with some ideas of the Risorgimento, the patriotic movement that brought Italy political unity and freedom from foreign domination. Italian writers embraced Romanticism in the early 19th century. The time of Italy's rebirth was heralded by the poets Vittorio Alfieri, Ugo Foscolo, and Giacomo Leopardi. The works by Alessandro Manzoni, the leading Italian Romantic, are a symbol of the Italian unification for their patriotic message and because of his efforts in the development of the modern, unified Italian language; his novel The Betrothed was the first Italian historical novel to glorify Christian values of justice and Providence, and it is generally ranked among the masterpieces of world literature.[50] This novel is a fundamental milestone in the development of the modern, unified Italian language.[51]
Italian universities and medical schools attracted students and scholars from across Europe. Some historical figures who made a large impact on science, including Copernicus and Harvey, were educated in Italy.
At the end of the eighteenth century, Italiophilia was not uncommon among the founders of the United States, and some of the creators of the U.S. Constitution, such as Thomas Jefferson and Benjamin Franklin, looked to Roman models upon which to base the American systems of government and law.[52] The founding fathers were also interested in Renaissance political thinkers and humanists like Machiavelli, and how Italian republics functioned. Jefferson was among the most conspicuous of the early American Italophiles.[53] He was especially impressed with Italian architecture, and based the design of his Virginia residence, Monticello, on prints by Palladio, the 16th-century Italian architect.[54] The Jefferson Memorial in Washington DC, erected in honor of Jefferson, is a neo-Palladian imitation of the Pantheon in Rome. The Palladian style of architecture appears elsewhere in the U.S. Capital, and the White House itself was inspired by it. (Congressional Resolution n. 259 of 6 December 2010 recognized Palladio as Father of American Architecture.)
The influence of Italian culture and artistry during this era is expressed by Luigi Barzini:
Italian architects and masons built part of the Kremlin in Moscow, and the Winter Palace in Leningrad. Italian artists embellished the Capital in Washington. They have strewn churches, princely palaces and stately villas all over Catholic Europe, especially in Vienna, Madrid, Prague and Warsaw. Their influence on architecture was felt almost everywhere. They taught poetry, statesmanship and trade to the English; military art to the Germans; cuisine to the French; acting and ballet to the Russians; and music to everyone.[55]
All three poets spent a substantial part of their careers in Italy. Keats moved to Rome for health reasons in late 1820 and would die there six months later. Shelley wandered around the cities of Italy in self-imposed exile from 1818 onwards, during which he wrote some of his most acclaimed works. He drowned in a boating accident off La Spezia in 1822. Both men are buried in the Protestant Cemetery in Rome. Keats' apartment on the Spanish Steps is now known as the Keats–Shelley Memorial House, a museum dedicated to the life and works of Keats and Shelley as well as some of their near-contemporaries.
In 1861 Italy was united for the first time since the fall of the Roman Empire and became a modern industrialized country, where the tradition of creativity, scientific achievement and excellence in manufacturing continued.
Giuseppe Garibaldi, a central figure in achieving Italian independence, was called the "Hero of Two Worlds" because of his military enterprises to achieve independence for countries in South America as well. Garibaldi was admired by many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand.
Maria Montessori, born in 1870, was a physician and educator who became known around the world for the educational method that bears her name, and for her writings on pedagogy. Her methods are in use today in schools throughout the world.
In the early 20th century Pirandello, a Nobel Laureate, was the first European playwright to radically question the structures of traditional theatre. Since then, film directors and writers such as Fellini, Antonioni, Pasolini, Calvino, Eco and Fo have been recognized around the world. Italian neorealism in films, beginning after the second world war, had a great impact on audiences around the world, and established a new philosophy of filmmaking adopted worldwide.
Enrico Fermi, creator of the world's first nuclear reactor. He has been called the "architect of the nuclear age" and the "architect of the atomic bomb".
The legacy of Italian scientists Fermi (nuclear power), Meucci (telephone), and Marconi (radio), whose discoveries and inventions transformed the world, is widely recognized. Galileo Ferraris (1847 to 1897) was one of the pioneers of AC power and an inventor of the AC induction motor. His work on the induction motor and power transmission systems are widely regarded as technological achievements of the highest rank. At the same time that German scientists were making major advancements in physics, beginning with Max Planck, Italian scientists like Fermi's Via Panisperna group in Rome were making important fundamental discoveries in physics as well.
The first public flight of a jet-engined aircraft was that of the Italian Caproni Campini N.1 prototype on August 27, 1940. Italy was the fourth country in the world to build nuclear power plants, starting in 1955 (now decommissioned due to a popular referendum in 1987), and the third, after The United States and The Soviet Union, to launch a scientific earth satellite in the 1964 San Marco programme, using an American Scout missile as the launch vehicle. The Broglio Space Centre, located on a sea platform offshore the Kenya coast is the only example of a spacecraft launch center built on a floating sea platform.
Giorgio Armani was acclaimed as the most successful designer of Italian origin, and is credited with pioneering red-carpet fashion
Today, Italy is admired throughout the world for its design, particularly in the areas of fashion and manufactured goods. Italian fashions by Gucci, Benetton, Armani, Valentino, Prada, Dolce & Gabbana, Ferragamo and Versace are known worldwide. In automobile design, the brand names Ferrari, Lamborghini and Maserati are known and admired throughout the world.[63] In Britain in the 1960s the emerging mod subculture championed Italian and French design, with mods adopting the Vespa GS and the Lambretta LI 150 motor scooters as their preferred means of transport as well as wearing Italian-designed clothes and shoes, and had a lasting effect - Britain remains Vespa's largest market outside of Italy.[64][65] Italian design and manufacturing in furniture, architecture and interior design is appreciated worldwide. Architects like Renzo Piano have designed important modern buildings such as Centre Pompidou in Paris and Kansai International Airport in Osaka. Architect and designer Giò Ponti was a pioneer in industrial design, and inspired many other Italian designers who have established the Italian image of design excellence in the world. Designers such as Ettore Sottsass, and his Memphis Group of designers, are famous for creating postmodern furniture, fabrics, ceramics, glass and metal objects; and lighting manufacturer Artemide is famous for lamps which transcend their common use as objects, and are nowadays considered cult manufacturing artworks, collected in Museums of Modern Art.
The city of Venice, ranked many times as the most beautiful city in the world
Italy ranks among the world's most popular tourist destinations, with about 45 million tourists visiting the country every year. Italy has fifty-eight UNESCO World Heritage Sites, more than any other country. It is also home to a large number of religious sites that draw people from all parts of the world. According to UNESCO, the cultural and educational agency for the United Nations, over 60 percent of the entire world's art treasures are found in Italy,[68] which draws tourists, scholars, artists and art historians from everywhere in the world. Many are drawn to Rome, still known as the "Eternal City", for its history, culture and the fact that Vatican City, the center of world-wide Catholicism, is located there. Other places in Italy that attract many tourists are Venice, Florence, and sites associated with Padre Pio and Francis of Assisi.
The descendants of Italian immigrants to the countries of North and South America, in many cases, still retain an appreciation of their Italian roots, culture and traditions. Italophilia is actively fostered by organizations such as the Order Sons of Italy in America, the National Italian American Foundation, the Dante Alighieri Society and the Italic Institute of America.[69]
Giorgio Silvestri (director of the "Assemblea legislativa della Liguria") has conjectured that there are nearly 250 million Italophiles in the world.[70]
One of the main characteristics of Italian cuisine is its simplicity, with many dishes made up of few ingredients, and therefore Italian cooks often rely on the quality of the ingredients, rather than the complexity of preparation.[81][82] The most popular dishes and recipes, over the centuries, have often been created by ordinary people more so than by chefs, which is why many Italian recipes are suitable for home and daily cooking, respecting regional specificities, privileging only raw materials and ingredients from the region of origin of the dish and preserving its seasonality.[83][84][85]
Italian cuisine is one of the most popular and copied around the world.[86] The lack or total unavailability of some of its most characteristic ingredients outside of Italy, also and above all to falsifications (or food fraud), leads to the complete denaturalization of Italian ingredients.[87] This phenomenon, widespread in all continents, is better known as Italian Sounding, consisting in the use of words as well as images, colour combinations (the Italian tricolour), geographical references, brands evocative of Italy to promote and market agri-food products which in reality have nothing to do with Italian cuisine.[88]
Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics also includes Greco-Roman philosophy, history, archaeology, anthropology, art, mythology and society as secondary subjects.
Christendom refers to Christian states, Christian-majority countries or countries in which Christianity is dominant or prevails.
The Renaissance is a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th centuries and characterized by an effort to revive and surpass the ideas and achievements of classical antiquity; it was associated with great social change in most fields and disciplines, including art, architecture, politics, literature, exploration and science. It began in the Republic of Florence, then spread to the rest of Italy and later throughout Europe. The term rinascita ("rebirth") first appeared in Lives of the Artists by Giorgio Vasari, while the corresponding French word renaissance was adopted into English as the term for this period during the 1830s.
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to inform many architects.
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956).
The culture of Greece has evolved over thousands of years, beginning in Minoan and later in Mycenaean Greece, continuing most notably into Classical Greece, while influencing the Roman Empire and its successor the Byzantine Empire. Other cultures and states such as the Frankish states, the Ottoman Empire, the Venetian Republic and Bavarian and Danish monarchies have also left their influence on modern Greek culture.
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome known together as the Greco-Roman world, centered on the Mediterranean Basin. It is the period during which ancient Greece and ancient Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia.
The culture of Italy encompasses the knowledge, beliefs, arts, laws, and customs of the Italian peninsula and of the Italians throughout history. Italy has been the centre of the Roman civilization and of the Catholic Church, as well as the starting point of movements with a great international impact such as the Romanesque, Monasticism, Renaissance, Age of Discovery, Scientific Revolution, Baroque, Neoclassicism, Fascism, Futurism and European Integration. Italy is considered a cultural superpower and the Italian peninsula one of the birthplaces of Western civilization. Due to its comparatively late unification, and the historical autonomy of the regions that comprise the Italian peninsula, many traditions and customs that are now recognized as distinctly Italian can be identified by their regions of origin. Despite the political and social isolation of some of these regions, Italy made significant contributions to the cultural and historical heritage of Europe.
The Italian Renaissance was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word renaissance means "rebirth", and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term rinascita ("rebirth") in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art, Ottonian art of the Holy Roman Emperors, Norman art, but for the Byzantine art of Ravenna and other sites.
The culture of Europe is diverse, and rooted in its art, architecture, traditions, cuisines, music, folklore, embroidery, film, literature, economics, philosophy and religious customs.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
The following outline is provided as an overview of and topical guide to Italy:
The Western world, also known as the West, primarily refers to various nations and states in the regions of Australasia, Western Europe, and Northern America; with some debate as to whether those in Eastern Europe and Latin America also constitute the West. The Western world likewise is called the Occident in contrast to the Eastern world known as the Orient. The West is considered an evolving concept; made up of cultural, political, and economic synergy among diverse groups of people, and not a rigid region with fixed borders and members. Definitions of "Western world" vary according to context and perspectives.
Western culture, also known as Western civilization, European civilization, Occidental culture, or Western society, includes the diverse heritages of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies of the Western world. The core of Western civilization, broadly defined, is formed by the combined foundations of Greco-Roman civilization and Western Christianity. Western culture also comprises and has been influenced by other elements, such as Germanic and Celtic cultures. While Western culture is a broad concept, and does not relate to a region with fixed members or geographical confines, it generally relates to the cultures of countries with historical ties to a European country or a number of European countries, or to the variety of cultures within Europe itself. However, countries toward the east of Europe are sometimes excluded from definitions of the Western world.
The legacy of the Roman Empire has been varied and significant. The Roman Empire, itself built upon the legacy of other cultures, has had long-lasting influence with broad geographical reach on a great range of cultural aspects, including state institutions, law, cultural values, religious beliefs, technological advances, engineering, and language.
Rome has for over two thousand years been one of the most important artistic centres in the world. Early Ancient Roman art initially developed from the Etruscan art slightly to its north, but from about 2000 BC, as the Roman republic became involved with the Greek world, Ancient Greek art and architecture became the dominant influence, until the two effectively merged into a Greco-Roman style, often meaning Greek-speaking artists working for Latin-speaking patrons. Roman literature and philosophy was also centred on the capital.
The culture of Rome in Italy refers to the arts, high culture, language, religion, politics, libraries, cuisine, architecture and fashion in Rome, Italy. Rome was supposedly founded in 753 BC and ever since has been the capital of the Roman Empire, one of the main centres of Christianity, the home of the Roman Catholic Church and the seat of the Italian Republic. Due to its historical and social importance, Rome has been nicknamed the Caput Mundi, or "capital of the world".
The medieval renaissances were periods of cultural renewal across medieval Western Europe. These are effectively seen as occurring in three phases - the Carolingian Renaissance, Ottonian Renaissance and the Renaissance of the 12th century.
The 1700s refers to a period in Italian history and culture which occurred during the 18th century (1700–1799): the Settecento. The Settecento saw the transition from Late Baroque to Neoclassicism: great artists of this period include Vanvitelli, Canaletto and Canova, as well as the composer Vivaldi and the writer Goldoni.
↑ Beretta, Silvio (2017). Understanding China Today: An Exploration of Politics, Economics, Society, and International Relations. Springer. p.320. ISBN9783319296258.
↑ B. Bahr, Ann Marie (2009). Christianity: Religions of the World. Infobase Publishing. p.139. ISBN9781438106397.
↑ R. D'Agostino, Peter (2005). Rome in America: Transnational Catholic Ideology from the Risorgimento to Fascism. Univ of North Carolina Press. ISBN9780807863411.
↑ Jameson, John Franklin; Bourne, Henry Eldridge; Schuyler, Robert Livingston. The American Historical Review. (Full text) American Historical Association, 1914. Web. 09. Dec. 2013.
↑ Simonini, R. C. (1952). Italian Scholarship in Renaissance England. University of North Carolina Studies in Comparative Literature. Vol.3. Chapel Hill: University of North Carolina. p.68.
↑ Empire of Words: The Reign of the OED, by John Willinsky, Princeton University Press, 1994
↑ Burke, Peter. "The Uses of Italy," in Roy Porter and Mikulás̆ Teich, ed., The Renaissance in National Context. Cambridge University Press, 1992. p. 13. Web. 21 November 2013.
↑ Keegan, John. The Mask Of Command: A Study of Generalship. Random House, 2011. p. 281. Web. 2 December 2013. "[A]s I walked with [the Duce] in the gardens of the Villa Borghese, I could easily compare his profile with that of the Roman busts, and I realised he was one of the Caesars."
↑ Fisher, Ian. Italy (Background).The New York Times. Web. 1 December 2013. "Encyclopædia Britannica describes Italy as "less a single nation than a collection of culturally related points in an uncommonly pleasing setting." However concise, this description provides a good starting point for the difficult job of defining Italy, a complex nation wrapped in as much myth and romance as its own long-documented history. The uncommonly pleasant setting is clear: the territory on a boot-shaped peninsula in the Mediterranean, both mountainous and blessed with 4,600 miles [7,400 kilometres] of coast. The culturally related points include many of the fountains of Western culture: the Roman Empire, the Catholic church, the Renaissance (not to mention pasta and pizza)."
"It has been central to the formation of the European Union, and after the destruction of World War II, built itself with uncommon energy to regain a place in the global economy."
↑ Hayes, C., Baldwin, M. and Cole, C.; History of Western Civilization, The Macmillan Company, New York, 1968
↑ Churchill, Winston, History of the English Speaking Peoples, Barnes and Noble, 1994, pg. 8
↑ Durant, Will, Caesar and Christ, The Story of Civilization, Simon & Schuster, New York, 1953, pg. 618
1 2 Caesar and Christ, The Story of Civilization, pg. 619
↑ Barrely, Christine; Leblon, Saskia; Péraudin, Laure; Trieulet, Stéphane (23 March 2011) [2009]. "Benedict". The Little Book of Saints[Petit livre des saints]. Translated by Bell, Elizabeth. San Francisco: Chronicle Book. p.34. ISBN9780811877473. Retrieved 26 October 2023. Declared the patron saint of Europe in 1964 by Pope Paul VI, Benedict is also the patron of farmers, peasants, and Italian architects.
↑ Lopez, Robert, The Commercial Revolution of the Middle Ages, 950-1350, Cambridge University Press, 1976
↑ Hoggson, N. F, Banking Through the Ages, Dodd, Mead & Company, New York, 1926.
↑ Goldthwaite, R. A., Banks, Places and Entrepreneurs in Renaissance Florence, Aldershot, Hampshire, Great Britain, Variorum, 1995
↑ Clubb, Louise George, Italian Drama in Shakespeare's Time (New Haven and London, Yale University Press, 1989), p. 33.
↑ Schultz, Anne Markham, Giammaria Mosca, Called Padovano: A Renaissance Sculptor in Italy and Poland, Pennsylvania State University Press, 1998
↑ DeArmas, Frederick, ed.,The Cambridge Companion to Cervantes, Chapter 3: Cervantes and the Italian Renaissance, Cambridge University Press, 2002, pp. 32-57
↑ The Italian American Experience, Salvatore LaGumina, ed., Garland Publishing, Inc., New York, 2000, pg. 305
↑ Mangione, Jerre and Morreale, Ben, La Storia, Five Centuries of the Italian American Experience, Harper Perennial, 1992
↑ Barzini, Luigi, The Italians, A Bantom Book, 1965
↑ Bondyopadhyay, Prebir K. (1995). "Guglielmo Marconi – The father of long distance radio communication – An engineer's tribute". 25th European Microwave Conference, 1995. p.879. doi:10.1109/EUMA.1995.337090. S2CID6928472.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
