|Cultural origins||Early 1980s, United Kingdom, United States, West Germany, Japan|
Electropop is a music genre combining elements of electronic and pop genres. Usually, it is described as a variant of synth-pop with heavy emphasis on its electronic sound.The genre saw a revival of popularity and major influence in the 2000s.
During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers,while the electro style was largely developed by Afrika Bambaataa, who was heavily influenced by Yellow Magic Orchestra and Kraftwerk, and in turn influenced the 1980s pop-music style of Madonna.
Some fascinating new music began arriving on these shores; it was dubbed electropop, because electronic instrumentation — mainly synthesizers and syndrums — was used to craft pop songs. "Pop Muzik" by M was one of the first. There was a gradual accumulation of worthy electropop discs, though they were still mostly heard only in rock discos. But in 1981, the floodgates opened, and "new music" at last made a mighty splash. The breakthrough song was "Don't You Want Me" by the Human League.
The media in 2009 ran articles proclaiming a new era of different electropop stars and indeed, the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen artists named were of the electropop genre.Lady Gaga had major commercial success from 2008 with her debut album The Fame . Music writer Simon Reynolds noted that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s". The Korean pop music scene has also become dominated and influenced by electropop, particularly with boy bands and girl groups such as Super Junior, SHINee, f(x) and Girls' Generation.
Singer Michael Angelakos of Passion Pit said in a 2009 interview that while playing electropop was not his intention, the limitations of dorm life made the genre more accessible.
In 2009 The Guardian quoted James Oldham—head of artists and repertoire at A&M Records—as saying "All A&R departments have been saying to managers and lawyers: 'Don't give us any more bands because we're not going to sign them and they're not going to sell records.' So everything we've been put on to is electronic in nature."
In 2019 Kenneth Womack wrote that singer and songwriter Billie Eilish had "staked her claim as the reigning queen of electropop" with her critical and commercial hit album When We All Fall Asleep, Where Do We Go? .
New wave is a music genre that encompasses numerous pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the music that emerged after punk rock, including punk itself, but may be viewed retrospectively as a more accessible counterpart of post-punk. Although new wave shared punk's DIY philosophy, the artists were more influenced by the lighter strains of 1960s pop while opposed to mainstream "corporate" rock, which they considered creatively stagnant, and the generally abrasive and political bents of punk rock.
Synth-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and funk. Records in the genre typically feature drum machines and heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. This is the main distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. It also palpably deviates from its predecessor boogie for being less vocal-oriented and more focused on electronic beats produced by drum machines.
Dance-pop is a popular music subgenre that originated in the early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.
Electronic dance music (EDM), also known as dance music, club music, or simply dance, is a broad range of percussive electronic music genres made largely for nightclubs, raves and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are the surviving medieval dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s US disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was especially popular in the first half of the 2000s, and experienced another small resurgence through the 2010s.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1984, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in the early 1980s. Disco during its dying stage displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Wonky is a subgenre of electronic music known primarily for its off-kilter or “unstable” beats, as well as its eclectic blend of genres including hip hop, electro-funk, chiptune, jazz fusion, glitch, and crunk. It initially emerged in 2008 from the UK's dubstep and grime scenes, exchanging their austere sound for a typically colorful or exuberant style featuring garish synthesizer tones, melodies, and effects. Other influences included American hip hop producers J Dilla and Madlib. Artists associated with the style include Rustie, Joker, Hudson Mohawke, Zomby, and Flying Lotus.
Minimal wave is a broad classification of music that comprises obscure, atypical examples of genres such as new wave, stripped-down electronic or synthesizer music, synth-pop, post-punk, and coldwave. Most of the music tends to focus on electronic, pre-MIDI instrumentation and themes of sincere, rather than ironic, detachment.
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects later evolved into electro and house music.
Original Me is the fourth studio album from German eurodance group Cascada, first released on 17 June 2011. Recording sessions for the album took place from 2009 to 2011 at Plazmatek Studio, Yanou Studio 1. The entire album, like their previous albums, was produced by the two DJs from Cascada, Yanou and DJ Manian. The album’s genre follows in the footsteps of the preceding album, Evacuate the Dancefloor, completely shifting away from the uptempo eurodance, containing electropop songs that are influenced by urban contemporary and pop music. Musically, the album is composed of electro-infused dance tracks with thick euro synths, cymbal crashing beats and Europop lyrics. Lyrically, the album, like the preceding albums, is composed of songs about love, dancing and relationships.
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. Its origins were influenced by tech house and electro. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Daft Punk, Skrillex, and Steve Aoki.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
Billie Eilish Pirate Baird O'Connell is an American singer-songwriter. She first gained attention in 2015 when she uploaded the song "Ocean Eyes" to SoundCloud, which was subsequently released by the Interscope Records subsidiary Darkroom. The song was written and produced by her brother Finneas, with whom she collaborates on music and live shows. Her debut EP, Don't Smile at Me (2017), became a sleeper hit, reaching the top 15 in the US, UK, Canada, and Australia.
When We All Fall Asleep, Where Do We Go? is the debut studio album by American singer and songwriter Billie Eilish. It was released on March 29, 2019, by Darkroom and Interscope Records in the US and Polydor Records in the UK. Eilish largely co-wrote the album with her brother Finneas O'Connell, who produced its music at his small bedroom studio in Highland Park, Los Angeles.