Electropop | |
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Stylistic origins | |
Cultural origins | Early 1980s, United Kingdom |
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Electronic music |
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Experimental forms |
Popular styles |
Other topics |
Electropop is a popular music fusion genre combining elements of the electronic and pop styles. It has been described as a variant of synth-pop with emphasis on a hard electronic sound. [3] The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. The genre is often confused with electro, which is sometimes called electro-pop but is a separate genre which incorporates funk and early hip hop. [4]
Depeche Mode's composer Martin Gore said: "For anyone of our generation involved in electronic music, Kraftwerk were the godfathers". [5]
During the early 1980s, British artists such as Gary Numan, Depeche Mode, Orchestral Manoeuvres in the Dark, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. [6]
Some fascinating new music began arriving on these shores; it was dubbed electropop, because electronic instrumentation — mainly synthesizers and syndrums — was used to craft pop songs. "Pop Muzik" by M was one of the first. There was a gradual accumulation of worthy electropop discs, though they were still mostly heard only in rock discos. But in 1981, the floodgates opened, and "new music" at last made a mighty splash. The breakthrough song was "Don't You Want Me" by the Human League.
— Anglomania: The Second British Invasion, by Parke Puterbaugh for Rolling Stone , November 1983. [7]
Britney Spears' highly influential fifth studio album Blackout (2007) is credited for bringing the genre to mainstream prominence. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen artists named were of the electropop genre. [8] Lady Gaga had major commercial success from 2008 with her debut album The Fame . Music writer Simon Reynolds noted that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s". [9] Singer Michael Angelakos of Passion Pit said in a 2009 interview that while playing electropop was not his intention, the limitations of dorm life made the genre more accessible. [10]
In 2009, The Guardian quoted James Oldham—head of artists and repertoire at A&M Records—as saying "All A&R departments have been saying to managers and lawyers: 'Don't give us any more bands because we're not going to sign them and they're not going to sell records.' So everything we've been put on to is electronic in nature." [11] [12]
In the 2010s, electropop music saw an increase in its commercial popularity, owing to the success of artists such as Avicii, Lady Gaga, [13] Calvin Harris, [14] Kesha, [15] Rihanna, [16] and Zedd. [17] [18] One of the most commercially successful electropop artists that came out from the early 2010s has been singer-songwriter Ellie Goulding. [19] [20] [21] [22]
Goulding first became known in the United Kingdom thanks to her 2009 hit single, "Starry Eyed", which was featured on her folktronica debut album Lights. [23] Goulding's debut was met with critical acclaim, with Goulding ending up winning the BBC Sound of 2010 and the Critics Choice Brit Award. [24] Eventually, she became internationally known thanks to the album's title track, "Lights", a pop song with electronic beats, which became an sleeper-hit. [25] "Anything Could Happen", the lead single of Goulding's second album Halcyon marked a shift on the singer-songwriter particular blend of folk and electronica, and embracing her electronic sound with fusion of pop. Furthermore, its re-issue Halcyon Days cemented Goulding as one of the mostly widely recognised figures in electropop music, collaborating with several electronic acts and achieving mainstream attention. [26] [27] In 2015, after the release of Goulding third album Delirium , Carrie Battan for The New Yorker dubbed Goulding as "the Pop star of E.D.M." [28] After 2016, Goulding went on a five-year hiatus, but she kept releasing successful stand-alone singles. At the end of the 2010s, Goulding was named Artist of the Decade by the Variety Hitmakers Awards, [29] and Billboard ranked her as one of the most successful artists of the 2010s decade. [30]
Electropop acts that achieved either commercial or critical success during the 2010s include: Sofi Tukker, [31] Lykke Li, [32] Mura Masa, [33] Empire of the Sun, [34] CHVRCHES, [35] AlunaGeorge, [36] Icona Pop, [37] Tove Lo, [38] BROODS, [39] Troye Sivan, [40] Charli xcx, [41] MØ, [42] Florrie, [43] BANKS, [44] Bright Light Bright Light, [45] Foxes, [46] AURORA, [47] Allie X, [48] and Marina. [49]
The Korean pop music scene has also become dominated and influenced by electropop, particularly with boy bands and girl groups such as Super Junior, SHINee, f(x) and Girls' Generation. [50]
Some contemporary artists that have been highlighted as part of the new decade of electropop music include: Slayyyter, Ayesha Erotica, Sigrid and Billie Eilish, [51] with the latter earning critical praise and commercial success just at the ending of the last decade. Kenneth Womack for Salon wrote that Eilish had "staked her claim as the reigning queen of electropop" with her critical and commercial hit album When We All Fall Asleep, Where Do We Go? . [52]
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
This article is an overview of the major events and trends in popular music in the 2000s.
Dance-pop is a genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Alternative Airplay is a music chart published in the American magazine Billboard since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart, and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream, alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genres became more fully differentiated with only limited crossover. The Alternative Airplay chart features more alternative rock, indie pop, and pop punk artists while the Mainstream Rock chart leans towards more guitar-tinged blues rock, hard rock, and heavy metal.
Contemporary R&B is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music.
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009.
Manners is the debut studio album by American electropop band Passion Pit. It was released on May 15, 2009, by Frenchkiss Records. "The Reeling" was released as the album's lead single on May 11, 2009, and its music video was premiered on YouTube on April 21, 2009. A second single, "To Kingdom Come", was released in August 2009, followed by "Little Secrets" in December 2009. "Sleepyhead" was originally included on Passion Pit's first EP, Chunk of Change (2008), but was mastered for inclusion on Manners. As of December 2009, the album had sold 82,000 copies in the United States, according to Nielsen SoundScan.
Elena Jane Goulding is an English singer and songwriter. Born in Hereford and raised in Lyonshall, Goulding began writing songs at the age of 15. She released her debut single "Under the Sheets" through Neon Gold Records in 2009, and signed with Polydor Records that same year, releasing her debut extended play (EP) An Introduction to Ellie Goulding. Her debut studio album, Lights (2010), debuted at No. 1 on the UK Albums Chart, and was reissued as Bright Lights, spawning three successful singles: a cover of Elton John's "Your Song", "Starry Eyed" and "Lights".
This article is an overview of the major events and trends in popular music in the 2010s.
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5.
Michael Tucker, known professionally as BloodPop, is an American musician, record producer, songwriter, and gaming executive.
Michael Gazzo, known professionally as Gazzo, is an American DJ, record producer, songwriter, and multi-instrumentalist. Gazzo has written songs across a wide array of styles and for many different artists but is most known for his pop-driven house and dance records. Gazzo grew up in West Caldwell, New Jersey, lived in Baltimore, Maryland, from 2008 to 2013, and now shares time between his house in Los Angeles and a Hoboken, New Jersey apartment.
EDM trap is a fusion genre of hip hop, rave music, and EDM, that originated in the early 2010s on peaking popularity of big room house and hip hop trap genres. It blends elements of hip hop trap, which is an offshoot of Southern hip hop, with elements of EDM like build-ups, drops, dense production with rave music synthesizers, and breakdowns. As it was popularized, it increasingly began incorporating more pop elements. EDM trap songs and production are typically very dynamic, boisterous, experimental, and sparky in comparison to its Hip Hop counterpart, due to its EDM and Rave music elements and overlap.
For music from a year in the 2020s, see 20 | 21 | 22 | 23 | 24 | 25
Folktronica is a genre of music comprising various elements of folk music and electronica, often featuring uses of acoustic instruments – especially stringed instruments – and incorporating hip hop, electronic or dance rhythms, although it varies based on influences and choice of sounds. The Ashgate Research Companion to Popular Musicology describes folktronica as "a catch-all [term] for all manner of artists who have combined mechanical dance beats with elements of acoustic rock or folk like IXIM or Nicola Cruz".
Hyperpop is a loosely defined electronic music movement and microgenre that predominantly originated in the United Kingdom during the early 2010s. It is characterised by an exaggerated or maximalist take on popular music, and typically integrates pop and avant-garde sensibilities while drawing on elements commonly found in electronic, hip hop, and dance music.
"In My Dreams" is a song by British electronic musician and DJ Four Tet and English singer-songwriter Ellie Goulding.
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