Speed garage

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Speed garage (occasionally known as plus-8 [1] ) is a genre of electronic dance music, associated with the UK garage scene, of which it is regarded as one of its subgenres. [2]

Contents

Characteristics

Speed garage features sped-up NY garage 4-to-the-floor rhythms that are combined with breakbeats. [3] Snares are placed as over the 2nd and the 4th kickdrums, so in other places of the drum pattern. [4] Speed garage tunes have warped, heavy basslines, influenced by jungle [5] and reggae. [6] Sweeping bass is typical for speed garage. [7] It is also typical for speed garage tunes to have a breakdown. [8] Speed garage tunes sometimes featured timestretched vocals. [9] As it is heavily influenced by jungle, speed garage makes heavy use of jungle and dub sound effects, such as gunshots and sirens. [10] [11]

A widely regarded pioneer of the speed garage sound is record producer, DJ and remixer Armand van Helden, whose Dark Garage remix of the Sneaker Pimps' "Spin Spin Sugar" in 1996 helped bring the style of speed garage into the mainstream arena. [12]

Notable songs/remixes

The following is a list of notable songs and official remixes which not only charted but were popular within the speed garage scene:

Related Research Articles

Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.

Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.

Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.

Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s.

<span class="mw-page-title-main">Bassline</span> Low-pitched instrumental part

Bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.

Techstep is a dark subgenre of drum and bass that was created in the mid-1990s.

<span class="mw-page-title-main">Armand van Helden</span> American DJ

Armand van Helden is an American DJ, record producer, remixer and songwriter from Boston. He is considered one of house music's most revered figures, with a career spanning three decades.

<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.

2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat.

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<span class="mw-page-title-main">Spin Spin Sugar</span> 1997 single by Sneaker Pimps

"Spin Spin Sugar" is a song by English electronic band Sneaker Pimps, released in March 1997 as the fourth single from their debut studio album, Becoming X (1996). The album version is typical of the Sneaker Pimps in both style and format; there is a driving bass line produced by a synthesizer keyboard which is accompanied by a second synthesizer loop playing above it. Kelli Dayton provides the vocals.

Bassline is a music genre related to UK garage that originated in Yorkshire and the Midlands in the early 2000s. Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar to that of its precursor speed garage, with chopped up vocal samples and a pop music aesthetic.

<span class="mw-page-title-main">Armand van Helden discography</span>

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UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.

Future house is a house music genre that emerged in the 2010s in the United Kingdom, described as a fusion of deep house, UK garage and incorporating other elements and techniques of other EDM genres. It is high in energy, generally consisting of big drops, 4/4 beats and is sonically bass heavy.

<span class="mw-page-title-main">RipGroove</span> 1997 single by Double 99

"RipGroove" is the debut single by English speed garage duo Double 99. A huge underground UK club hit in 1997 when first released on an EP as their alias R.I.P. Productions, the song was officially released as a single twice, first in May 1997 where it reached No. 31 on the UK Singles Chart, then again in October in a new mix featuring vocals by MC Top Cat, peaking seventeen places higher at No. 14. The song appeared on their sole album, 7th High, released in 2001.

References

  1. DJ magazine, 199697, "Raggage": "...earning the scene the slightly mocked nick-names of 'plus-8' or 'speed garage'."
  2. History of Speed garage: "There are many different forms of garage music, most of these were of little interest to UK hard dance fans until the latest mutation came along, speed garage."
  3. History of Speed garage: "Speed garage can be broadly defined as a mixture of slightly sped up garage beats..."
  4. 2Step: "In the original 1997 speed garage, the snares are fussy and clattering over the stomping 4-to-the-floor kickdrum."
  5. History of Speed garage: "Speed garage can be broadly defined as a mixture of slightly sped up garage beats with a heavy almost junglistic bassline"
  6. (2004) "Popular Music Genres: An Introduction", ISBN   0-7486-1745-0, ISBN   978-0-7486-1745-6, p.216: "Speed garage basslines were drawn from Jamaican reggae..."
  7. (2004) "The Dance Music Manual", ISBN   0-240-51915-9, ISBN   978-0-240-51915-9, p.157: "The sweeping bass is typical of UK garage and speed garage tracks and consists of a tight yet deep bass that sweeps in pitch and/or frequencies"
  8. History of Speed garage: "Speed garage can be broadly defined as a mixture of slightly sped up garage beats [...], and usually with a break in the middle where the beat is stripped down and then builds up for a long period of time."
  9. History of Speed garage: "Speed garage can be broadly defined as a mixture of slightly sped up garage beats [...], sometimes with timestretched vocals"
  10. (2004) "Popular Music Genres: An Introduction", ISBN   0-7486-1745-0, ISBN   978-0-7486-1745-6, p.216: "Jungle and ragga-style sound effects, such as the rash of gun shot volleys heard on popular speed garage tracks,..."
  11. (2004) "Popular Music Genres: An Introduction", ISBN   0-7486-1745-0, ISBN   978-0-7486-1745-6, p.216: "Overall, two-step [..], less relied on the dub sound effects [...] of speed garage"
  12. Keith, Jonathan (19 February 2016). "The 15 Greatest Remixes of All Time". Magnetic Magazine. Retrieved 10 September 2017.