"Spin Spin Sugar" | ||||
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Single by Sneaker Pimps | ||||
from the album Becoming X | ||||
B-side |
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Released | 3 March 1997 | |||
Genre |
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Length | 3:36 | |||
Label | Clean Up | |||
Songwriter(s) |
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Sneaker Pimps singles chronology | ||||
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Music video | ||||
"Spin Spin Sugar" on YouTube |
"Spin Spin Sugar" is a song by English electronic band Sneaker Pimps, released in March 1997 by Clean Up as the fourth single from their debut studio album, Becoming X (1996). The album version is typical of the Sneaker Pimps in both style and format; there is a driving bass line produced by a synthesizer keyboard which is accompanied by a second synthesizer loop playing above it. Kelli Dayton provides the vocals. [1]
"Spin Spin Sugar" was further popularized with the release of a speed garage remix by Armand van Helden, which is sometimes credited with breaking speed garage into the mainstream for the first time. Redbull.com included the remix in their "Honorable mentions" list of "underground UK garage classics that still sound fresh today". [2]
British magazine Music Week gave the song three out of five, writing, "A faster, guitar and percussion-cluttered radio mix lacks the brooding menace of the album version, but club mixes by Van Helden and Farley & Heller, plus a new track 'Walk the Rain', will lift its chances." [3] The Times newspaper described it as a "twitchy, dance-rock crossover song from much-fancied indie kids with attitude." [4]
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Sneaker Pimps are an English electronic music band, formed in Hartlepool in 1994. They are best known for their debut album, Becoming X (1996), and its singles "6 Underground" and "Spin Spin Sugar". The band takes its name from an article the Beastie Boys published in their Grand Royal magazine about a man they hired to track down classic sneakers.
Armand van Helden is an American DJ, record producer, remixer and songwriter from Boston. He is considered one of house music's most revered figures, with a career spanning three decades.
Speed garage is a genre of electronic dance music, associated with the UK garage scene, of which it is regarded as one of its subgenres.
"6 Underground" is a song by the English band Sneaker Pimps from their debut studio album Becoming X. First released as a single in the United Kingdom in September 1996, the song reached number 15 on the UK Singles Chart and had moderate radio airplay in the United States, where it was shipped to modern rock and dance stations in February 1997. After the song was used in the 1997 American film The Saint, radio stations began playing "6 Underground" more frequently. The single was re-released in May 1997, when it peaked at number nine on the UK Singles Chart. In the United States, the song peaked at number 45 on the Billboard Hot 100 and at number seven on the Billboard Modern Rock Tracks chart.
Becoming X is the debut studio album by English electronic band Sneaker Pimps. It was first released on 19 August 1996 in the United Kingdom by Clean Up Records and on 25 February 1997 in the United States by Virgin Records. The album marked the only appearance of Kelli Dayton as lead singer before she was asked to leave the band; Chris Corner replaced her for the band's subsequent albums.
Becoming Remixed is a remix album by English electronic band Sneaker Pimps, released on 10 March 1998 by Virgin Records. It serves as a companion piece to the band's 1996 debut Becoming X, and was originally limited to 30,000 copies.
Rick Squillante was a nightclub disc jockey and music industry representative and record producer, who rose to fame during the 1980s as the principal DJ at the Starck Club in Dallas, Texas. He has been noted as a major influence on many of today's modern DJs in the dance music trade.
Jessy Moss is a singer/rapper. Her songs have appeared in a number of movies and television shows. She is best known for the hit Armand Van Helden remix of her song "Sugar".
"People Hold On" is a song by British band Coldcut and singer-songwriter Lisa Stansfield, released as the first single from the band's debut album, What's That Noise? (1989). It was written by Matt Black, Jonathan More and Stansfield, and produced by Coldcut. The song received positive reviews from music critics and became a commercial success. It was released as a single on 13 March 1989 and reached number eleven on the UK Singles Chart and number six on the US Billboard's Hot Dance Club Songs chart. The song was remixed by Blaze, Juan Atkins, Dimitri from Paris, Mark Saunders, Eric Kupper, Tyrone Perkins and Masters At Work.
You Don't Know Me: The Best of Armand Van Helden is a greatest hits album by American electronic music producer and DJ Armand Van Helden, released on October 25, 2008 through the label Southern Fried Records. The album peaked at number 41 on the UK Albums Chart. The album includes all Armand Van Helden biggest hits. For the Australian release of the album it came with a bonus DVD featuring eleven music videos.
MTV Grind Volume 1, although called Volume 1, was the only album released for the MTV Grind series.
"Somebody Else's Guy" is a 1984 song written and popularized by Jocelyn Brown. On the US soul chart, the single peaked at number two and stalled at number 75 on the Hot 100, but in the UK it made the pop top 20. On the disco chart, "Somebody Else's Guy" peaked at number 13. It was the title track of Brown's debut solo album, released the same year.
"You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, Shelter (1997), which remains the only Brand New Heavies album recorded with American singer Siedah Garrett, who afterwards left the group to concentrate on her own songwriting. The song charted at number twenty-one in UK, and at number eleven within the British Chart-Track.
American music producer and DJ Armand van Helden has released seven studio albums, ten compilation albums, two remix albums, eight DJ mix albums, sixteen extended plays (EPs) and sixty singles.
"Closer than Close" is a song by American musician Rosie Gaines, a former singer in Prince and the New Power Generation. After being released in 1995 as a track on her fifth album by the same name (1995), bootlegs of garage mixes started appearing. Thus started a two-year mission by Glaswegian house and garage indie Big Bang Records to release the track properly in 1997. It peaked at number four in the UK and number six on the US Billboard Hot Dance Club Play chart. "Closer than Close" is Gaines' most successful song to date, and widely considered as a club classic.
"Never Gonna Let You Go" is a song by American singer Tina Moore. Originally released as a single in May 1995 from her self-titled debut album, the song reached number 27 on the US Billboard Hot R&B/Hip-Hop Songs chart. In August 1997, a UK garage remix of the song by Kelly G was released on the Delirious label and became a top-10 hit in the UK, peaking at number seven on the UK Singles Chart. On the Eurochart Hot 100, it reached number 23 in September 1997. Several remixes are included on the CD and 12-inch formats, such as the 'Tuff Jam Classic Vocal Mix' and 'Warehouse Junkie Mix'.
Tuff Jam are a British DJ, music production and remixing duo consisting of Karl 'Tuff Enuff' Brown and Matt 'Jam' Lamont. They began working together in 1993, and were instrumental in developing the UK garage sound. They presented a radio show on London's Kiss 100 from 1997 until 2000.
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.
"RipGroove" is the debut single by English speed garage duo Double 99. A huge underground UK club hit in 1997 when first released on an EP as their alias R.I.P. Productions, the song was officially released as a single twice, first in May 1997 where it reached No. 31 on the UK Singles Chart, then again in October in a new mix featuring vocals by MC Top Cat, peaking seventeen places higher at No. 14. The song appeared on their sole album, 7th High, released in 2001.
"Post-Modern Sleaze" is a single released by British trip hop band Sneaker Pimps in 1997 from their debut album Becoming X. It reached number 22 on the UK Singles Chart and number 143 in Australia.