Professional Widow

Last updated

"Professional Widow"
ToriAmos-ProWidow-USscan.jpg
Single by Tori Amos
from the album Boys for Pele
ReleasedJuly 2, 1996 (1996-07-02)
Length
  • 4:31 (album version)
  • 8:08 (remix)
Label
Songwriter(s) Tori Amos
Producer(s) Tori Amos
Tori Amos singles chronology
"Talula"
(1996)
"Professional Widow"
(1996)
"Hey Jupiter"
(1996)

"Professional Widow" is a song written by the American singer-songwriter Tori Amos, released on her third album, Boys for Pele (1996). It is a harpsichord-driven rock song and its lyrics are rumored to have been inspired by the American songwriter Courtney Love. The song was released on July 2, 1996 by Atlantic and EastWest, as the third single from the Boys for Pele album in the US, containing remixes by the house music producers Armand van Helden and MK. The single reached number one on the US Billboard Hot Dance Music/Club Play chart. In Italy, the original version peaked at number two in October 1996. An edited version of the Armand's Star Trunk Funkin' Mix of "Professional Widow" was originally released as a double A-side single with "Hey Jupiter" in Europe and Australia.

Contents

On December 30, 1996, van Helden's remix was released as a single in the UK as "Professional Widow (It's Got to Be Big)", which topped the UK Singles Chart in January 1997 and reached the top 20 in Finland, Iceland, Ireland and Norway. In 2022, Rolling Stone named the remix the 109th-greatest dance song of all-time. [1]

Lyrics

"Professional Widow" is rumored to be about the American songwriter Courtney Love, the widow of the Nirvana songwriter Kurt Cobain. [2] Love said she had never determined if she was the "professional widow" of the title. [2] In 1996, Amos said she had never met Love and that the song was about her own experience and "the part of myself that's Lady Macbeth". In a 2003 television interview, when the host said the song was inspired by Love, Amos interrupted with "allegedly" and smiled. [2]

Remix

"Professional Widow" was remixed by the American DJ Armand van Helden. In Europe, the remix became more widely known than the original song. [3]

Van Helden said that Amos was contractually entitled to approve all remixes, and when the remix became popular in Europe, she called to thank him. [4] In a 1998 interview with Music & Media , Amos said: "It did kick my ass a bit [...] I know what van Helden took and what he did and I think he did some very clever things [...] I loved the fact that he didn't try and retain that at all, he went completely to the other pole." [5]

Critical reception

Scottish Aberdeen Press and Journal praised the song as "excellent". [6] Justin Chadwick from Albumism wrote in his retrospective review of Boys for Pele , "Though much of the world is more familiar with the propulsive, dancefloor-filling Armand Van Helden remix of 'Professional Widow', its original incarnation featured here is noteworthy for its much-debated allusions to none other than Courtney Love." [7] Neil Z. Yeung from AllMusic described it as a "powerful dose of industrial-piano ferocity that holds nothing back in its demands for peace, love, and a little something extra." [8] Paul Verna from Billboard named it a "highlight" of the album, viewing it as "searing" and "groove-heavy". [9] The Daily Vault's Sean McCarthy felt it's one of the most "straightforward" songs of the album. [10] Kevin Courtney from Irish Times declared it as "a mad maelstrom of beats and harpsichord arpeggia, a sort of Portishead for the beaten generation". [11] In a separate review of the remix, Courtney wrote, "Older fans of Tori's introspective balladeering will be bemused that their heroine now sounds like Stretch & Vern. Calling this a Tori Amos single is like describing "Money for Nothing" as a Sting song, and the lady's sampled voice is just incidental to the handbag-heaving beat and bassline." [12]

Alan Jones from Music Week deemed the remix as a "brilliant reworking" [13] and remarked that "it is as different from the rest of the album as chalk is from cheese." [14] Tim Jeffery from Record Mirror 's Dance Update gave it top score with five out of five, adding, "Needless to say, any lyrical subtlety has gone out of the window on this remixed package but that's not the point really. MK and Armand Van Helden pick and choose which of Tori's lines to chop up into bits and loop over their own music — Helden's is by far the most inventive with loads of strange synth sounds over a Bucketheads-style groove and a terrific atmospheric drop in the middle. A big club hit for sure but it'll be radio that decides this record's success or otherwise." [15] Cynthia Joyce from Salon noted that Amos' "penchant for abrupt endings and ad nauseam repetition; still surfaces on more experimental songs" like "Professional Widow". [16] In 2014, Stereogum ranked the song number 10 on their list of the 10 greatest Tori Amos songs, [17] and in 2023, The Guardian ranked the song number five on their list of the 20 greatest Tori Amos songs. [18] In 2022, Rolling Stone named the "Professional Widow" remix the 109th-greatest dance song of all-time. [1]

Music video

A music video was made for the "Star Trunk Funkin' Mix", comprising clips from other Amos videos edited together. It is the only video from between 1991 and 1998 that does not appear on Tori Amos: Complete Videos 1991-1998 .

A live performance of the song is featured on the Welcome to Sunny Florida DVD. The performance features Jon Evans on bass and Matt Chamberlain on drums, while Amos plays the piano. This version mutes the words "fucker" and "cock".

Track listings

Personnel

Personnel are lifted from the Boys for Pele album booklet. The album version includes the cry of a bull, which is credited as "bull" in the booklet. [29]

Charts

Certifications

RegionCertification Certified units/sales
Australia (ARIA) [58]
"Professional Widow (It's Got to Be Big)"
Gold35,000^
United Kingdom (BPI) [59]
"Professional Widow"
Silver200,000
United Kingdom (BPI) [60]
"Professional Widow (It's Got to Be Big)"
Silver200,000^

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

Release history

RegionVersionDateFormat(s)Label(s)Ref.
United States"Professional Widow"July 2, 1996CD Atlantic [61]
United Kingdom"Hey Jupiter" / "Professional Widow"July 22, 1996
  • 12-inch vinyl
  • CD
  • cassette
EastWest [62]
"Professional Widow (It's Got to Be Big)"December 30, 1996 [63]

See also

Related Research Articles

<i>Boys for Pele</i> 1996 studio album by Tori Amos

Boys for Pele is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least radio friendly material to date, Boys for Pele debuted at number two on both the US Billboard 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first Billboard top 10 debut, and the highest-charting US debut of her career to date.

<span class="mw-page-title-main">Armand van Helden</span> American DJ (born 1970)

Armand van Helden is an American DJ, record producer, remixer and songwriter from Boston. He is considered one of house music's most revered figures, with a career spanning three decades.

<span class="mw-page-title-main">Brimful of Asha</span> 1997 single by Cornershop

"Brimful of Asha" is a song by English alternative rock band Cornershop from their third album, When I Was Born for the 7th Time (1997). The recording, released by Wiiija, originally reached number 60 on the UK Singles Chart in 1997. After a remixed version by Norman Cook became a radio and critical success, the song was re-released and reached number one on the UK chart and number 16 on the US Billboard Modern Rock Tracks chart. The lyric is a tribute to Asha Bhosle. Its music video was directed by Phil Harder.

<span class="mw-page-title-main">Get Busy</span> 2003 single by Sean Paul

"Get Busy" is a dancehall song by Jamaican reggae toaster Sean Paul, from his album Dutty Rock. The song was one of the many hits from the jumpy handclap riddim known as the Diwali Riddim, produced by then-newcomer Steven Marsden, and was the only song that never made the "Diwali" rhythm album on Greensleeves Records as it was more than likely a late entry.

<span class="mw-page-title-main">Starfuckers, Inc.</span> Nine Inch Nails song

"Starfuckers, Inc." is a song by American industrial rock band Nine Inch Nails from their third studio album The Fragile. Although the song does not have an official halo, an edited single was distributed with exclusive radio edits and a video for the song was produced.

<span class="mw-page-title-main">You Don't Know Me (Armand Van Helden song)</span> 1999 single by Armand van Helden

"You Don't Know Me" is a song by American record producer Armand van Helden featuring vocals from German-American singer Duane Harden. It was released on January 25, 1999, as the lead single from his third studio album, 2 Future 4 U. The creation of the song came about when Helden created a looping track composed of several music samples and left Harden to write and record the lyrics alone.

<span class="mw-page-title-main">Cornflake Girl</span> 1994 single by Tori Amos

"Cornflake Girl" is a song by American singer-songwriter Tori Amos. It was released on January 10, 1994, as the first single from her second studio album, Under the Pink (1994), by EastWest Records in the United Kingdom. In the United States, it served as the album's second single, after "God". Singer Merry Clayton provided backing vocals and sings the "man with the golden gun" bridge.

<span class="mw-page-title-main">Runaway (The Corrs song)</span> 1995 single by the Corrs

"Runaway" is a song by Irish family band the Corrs, released in September 1995 as the debut single from their first album, Forgiven, Not Forgotten (1995). It had middling chart success except in Ireland and Australia, peaking at number 10 in both countries. It was also an adult contemporary hit in Canada, reaching number two on the RPM Adult Contemporary Tracks chart and number 25 on the RPM 100 Hit Tracks chart. On the UK Singles Chart, it originally reached number 49, but a re-release in 1999 saw the single reach a new peak of number two on the same chart.

<span class="mw-page-title-main">God (Tori Amos song)</span> 1994 single by Tori Amos

"God" is a song by American singer-songwriter and musician Tori Amos, released as a single from her second studio album, Under the Pink (1994). It was issued as the album's lead single in the United States on February 3, 1994, as the second single in Australia on May 2, and as the fourth single in the United Kingdom on October 3. The song reached number 44 on the UK Singles Chart as well as number one on the US Billboard Modern Rock Tracks chart. It became Amos's first single to chart on the Billboard Hot 100, peaking at number 72.

<span class="mw-page-title-main">Tori Amos discography</span>

Tori Amos is an American pianist and singer-songwriter whose musical career began in 1980, at the age of seventeen, when she and her brother co-wrote the song "Baltimore". The song was selected as the winning song in a contest for the Baltimore Orioles and was recorded and pressed locally as a 7" single. From 1984 to 1989, Amos fronted the synth-pop band Y Kant Tori Read, which released one self-titled album with Atlantic Records in 1988 before breaking up. Shortly thereafter, Amos began writing and recording material that would serve as the debut of her solo career. Still signed with Atlantic, and its UK counterpart East West, Amos' initial solo material was rejected by the label in 1990. Under the guidance of co-producers Eric Rosse, Davitt Sigerson and Ian Stanley, a second version of the album was created and accepted by the label the following year.

<span class="mw-page-title-main">Caught a Lite Sneeze</span> 1996 single by Tori Amos

"Caught a Lite Sneeze" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the first single from her third studio album, Boys for Pele (1996), on January 1, 1996. The song is about wanting to do anything to keep a relationship going, knowing that it is over. It references Nine Inch Nails's album Pretty Hate Machine in the lyrics "Caught a lite sneeze / Dreamed a little dream / Made my own pretty hate machine." On December 11, 1995, Atlantic made the song available for streaming on their website, one of the earliest examples of a major label implementing such a feature.

<span class="mw-page-title-main">Talula</span> 1996 single by Tori Amos

"Talula" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the second single from her third studio album, Boys for Pele (1996). The song reached number 22 on the UK Singles Chart and appeared in the Jan de Bont film Twister.

<span class="mw-page-title-main">Hey Jupiter</span> 1996 song by Tori Amos

"Hey Jupiter" is a song written and performed by American singer-songwriter Tori Amos. It was released as the fourth single from her third studio album, Boys for Pele (1996), and was her first extended play (EP) since Crucify in 1992. The US EP Hey Jupiter features a re-recorded version of "Hey Jupiter" followed by four live tracks recorded during her Dew Drop Inn Tour of 1996. The song is also featured on the double A-side CD singles released in the UK and Australia.

<span class="mw-page-title-main">People Hold On</span> 1989 single by Coldcut

"People Hold On" is a song by British band Coldcut and singer-songwriter Lisa Stansfield, released as the first single from the band's debut album, What's That Noise? (1989). It was written by Matt Black, Jonathan More and Stansfield, and produced by Coldcut. The song received positive reviews from music critics and became a commercial success. It was released as a single on 13 March 1989 and reached number eleven on the UK Singles Chart and number six on the US Billboard's Hot Dance Club Songs chart. The song was remixed by Blaze, Juan Atkins, Dimitri from Paris, Mark Saunders, Eric Kupper, Tyrone Perkins and Masters At Work.

<span class="mw-page-title-main">Spark (Tori Amos song)</span> 1998 single by Tori Amos

"Spark" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the first single from Amos' fourth studio album, From the Choirgirl Hotel (1998).

<span class="mw-page-title-main">What Can I Do (The Corrs song)</span> 1998 single by the Corrs

"What Can I Do" is a song by Irish band the Corrs, from their second and breakthrough album, Talk on Corners (1997). The song was originally released in January 1998, but its moderate charting success was limited, due to the time of the shooting of the video. The song was later re-released in August the same year in remixed form by Tin Tin Out, which generated more attention, reaching number three in the United Kingdom. The song received generally favorable reviews from music critics, though some felt it was not as strong as their previous songs. An accompanying music video was released, which was shot in New Zealand during their world tour.

<span class="mw-page-title-main">In the Springtime of His Voodoo</span> 1996 single by Tori Amos

"In the Springtime of His Voodoo" is a 1996 song written by American singer-songwriter Tori Amos. It is a harpsichord-driven rock dirge and was included on her third album, Boys for Pele (1996).

<span class="mw-page-title-main">Pretty Good Year</span> 1994 single by Tori Amos

"Pretty Good Year" is a song by American singer-songwriter Tori Amos, taken from her second album, Under the Pink (1994). It was released as the second single from the album in the United Kingdom on March 7, 1994, and as the fourth single in Australia on November 7, 1994. It was not released in the United States. "Pretty Good Year" became Amos's second single to reach the top 10 on the UK Singles Chart, where it peaked at number seven.

<span class="mw-page-title-main">Heard It All Before (Sunshine Anderson song)</span> 2001 single by Sunshine Anderson

"Heard It All Before" is the debut single by American recording artist Sunshine Anderson, from her debut studio album, Your Woman (2001). It was written by Anderson, Rayshawn Sherrer, Chris Dawley, and Mike City and produced by the latter. Released as the album's lead single on February 27, 2001, it reached the top ten on both the UK Singles Chart and the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart while peaking at the number 18 on the Billboard Hot 100.

<span class="mw-page-title-main">Give Me a Reason (The Corrs song)</span> 2001 song by the Corrs

"Give Me a Reason" is a song by Irish pop rock group the Corrs. It was released in February 2001 as the third single taken from their third studio album In Blue (2000). The song was written and produced by the Corrs. "Give Me a Reason" is a dance-pop song, and received favourable reviews from music critics. The song reached number 27 in the United Kingdom and number 13 in New Zealand.

References

  1. 1 2 Dolan, Jon; Lopez, Julyssa; Matos, Michaelangelo; Shaffer, Claire (July 22, 2022). "200 Greatest Dance Songs of All Time". Rolling Stone . Retrieved October 30, 2022.
  2. 1 2 3 "11 diss tracks that are probably about Courtney Love". The A.V. Club . March 21, 2016. Retrieved March 12, 2022.
  3. Petridis, Alexis (August 17, 2023). "Tori Amos's 20 greatest songs – ranked!". The Guardian . ISSN   0261-3077 . Retrieved August 17, 2023.
  4. "The Remix Hits of 1996" (PDF). Music Week . December 14, 1996. p. 36. Archived (PDF) from the original on October 9, 2022. Retrieved October 7, 2021.
  5. Stratton, Sally (March 28, 1998). "Amos Adds Rhythm to Her Blues". Music & Media . Vol. 15, no. 13. p. 12.
  6. Aberdeen Press and Journal . December 26, 1996. p. 8.
  7. Chadwick, Justin (January 18, 2021). "Tori Amos' 'Boys for Pele' Turns 25 — Anniversary Retrospective". Albumism. Retrieved February 3, 2022.
  8. Yeung, Neil Z. "Tori Amos – Boys for Pele". AllMusic . Retrieved November 10, 2020.
  9. Verna, Paul (January 27, 1996). "Reviews & Previews: Albums" (PDF). Billboard . p. 105. Archived (PDF) from the original on January 21, 2021. Retrieved November 21, 2022.
  10. McCarthy, Sean (February 18, 2005). "Boys For Pele – Tori Amos". The Daily Vault. Retrieved November 20, 2020.
  11. Courtney, Kevin (January 26, 1996). "Rock". Irish Times .
  12. Courtney, Kevin (January 10, 1997). "U2 go disco-tech". Irish Times .
  13. Jones, Alan (December 28, 1996). "Talking Music" (PDF). Music Week . p. 17. Archived (PDF) from the original on October 9, 2022. Retrieved October 7, 2021.
  14. Jones, Alan (February 8, 1997). "Talking Music" (PDF). Music Week . p. 8. Archived (PDF) from the original on October 9, 2022. Retrieved May 8, 2022.
  15. Jeffery, Tim (June 15, 1996). "Hot Vinyl" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 9. Archived (PDF) from the original on October 9, 2022. Retrieved August 22, 2021.
  16. Joyce, Cynthia. "AMOS 'N' RANDY". Salon . Archived from the original on September 3, 2000. Retrieved August 9, 2020.
  17. Dick, Jonathan (June 18, 2014). "The 10 Best Tori Amos Songs". Stereogum . Retrieved September 1, 2023.
  18. Petridis, Alexis (August 17, 2023). "Tori Amos's 20 greatest songs – ranked!". The Guardian . Retrieved September 1, 2023.
  19. Professional Widow (US maxi-CD single liner notes). Tori Amos. Atlantic Records. 1996. 2-85499.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. Professional Widow (US 12-inch single sleeve). Tori Amos. Atlantic Records. 1996. 0-85499.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  21. Hey Jupiter / Professional Widow (UK & Australian CD single liner notes). Tori Amos. EastWest Records. 1996. A5494CD, 7567-85494-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. Hey Jupiter / Professional Widow (UK 12-inch single sleeve). Tori Amos. EastWest Records. 1996. A5494T, 7567-85493-0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  23. Hey Jupiter / Professional Widow (UK cassette single sleeve). Tori Amos. EastWest Records. 1996. A5494C.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  24. Professional Widow (It's Got to Be Big) (UK CD single liner notes). Tori Amos. EastWest Records. 1996. A5450CD, 7567-85450-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  25. Professional Widow (It's Got to Be Big) (UK 12-inch single sleeve). Tori Amos. EastWest Records. 1996. A5450T, 7567-85451-0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. Professional Widow (It's Got to Be Big) (UK cassette single sleeve). Tori Amos. EastWest Records. 1996. A5450C, 7567-87038-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  27. Professional Widow (European maxi-CD single liner notes). Tori Amos. EastWest Records. 1996. 7567-85478-9.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  28. Professional Widow (French maxi-CD single liner notes). Tori Amos. EastWest Records. 1996. 7567-85445-9.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  29. Boys for Pele (US CD album booklet). Tori Amos. Atlantic Records. 1996. 82862-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  30. "Tori Amos – Hey Jupiter / Professional Widow". ARIA Top 50 Singles. Retrieved February 23, 2020.
  31. "Tori Amos – Professional Widow (It's Got to Be Big)" (in German). Ö3 Austria Top 40. Retrieved February 23, 2020.
  32. "Tori Amos – Hey Jupiter / Professional Widow" (in Dutch). Ultratop 50. Retrieved February 23, 2020.
  33. "Tori Amos – Hey Jupiter / Professional Widow" (in French). Ultratop 50. Retrieved February 23, 2020.
  34. "Top RPM Dance/Urban: Issue 9726." RPM . Library and Archives Canada. Retrieved February 23, 2020.
  35. "Eurochart Hot 100 Singles" (PDF). Music & Media . Vol. 14, no. 4. January 25, 1997. p. 23. Archived (PDF) from the original on October 9, 2022. Retrieved February 23, 2020.
  36. "Tori Amos: Professional Widow (It's Got to Be Big)" (in Finnish). Musiikkituottajat. Retrieved February 23, 2020.
  37. "Tori Amos – Professional Widow (It's Got to Be Big)" (in French). Les classement single. Retrieved February 23, 2020.
  38. "Tori Amos – Professional Widow (It's Got to Be Big)" (in German). GfK Entertainment charts. Retrieved February 23, 2020.
  39. "Íslenski Listinn Topp 40 (NR. 209 Vikuna 20.2. '97 – 26.2. '97)". Dagblaðið Vísir (in Icelandic). February 21, 1997. p. 16. Retrieved July 11, 2018.
  40. "The Irish Charts – Search Results – Professional Widow". Irish Singles Chart. Retrieved February 23, 2020.
  41. "Top National Sellers" (PDF). Music & Media. Vol. 13, no. 40. October 5, 1996. p. 20. Archived (PDF) from the original on October 9, 2022. Retrieved November 26, 2019.
  42. "Nederlandse Top 40 – week 45, 1996" (in Dutch). Dutch Top 40. Retrieved April 17, 2018.
  43. "Tori Amos – Professional Widow (It's Got to Be Big)" (in Dutch). Single Top 100. Retrieved February 23, 2020.
  44. "Tori Amos – Professional Widow (It's Got to Be Big)". VG-lista. Retrieved February 23, 2020.
  45. "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved April 17, 2018.
  46. "Tori Amos – Professional Widow (It's Got to Be Big)". Singles Top 100. Retrieved February 23, 2020.
  47. "Tori Amos – Professional Widow (It's Got to Be Big)". Swiss Singles Chart. Retrieved February 23, 2020.
  48. "Official Singles Chart Top 100". Official Charts Company. Retrieved February 23, 2020.
  49. "Official Dance Singles Chart Top 40". Official Charts Company. Retrieved February 23, 2020.
  50. "Tori Amos Chart History (Bubbling Under Hot 100)". Billboard. Retrieved April 17, 2018.
  51. "Tori Amos Chart History (Dance Club Songs)". Billboard. Retrieved April 17, 2018.
  52. "Tori Amos Chart History (Dance Singles Sales)". Billboard. Retrieved July 1, 2021.
  53. "The RM Club Chart of the Year 96" (PDF). Record Mirror . January 11, 1997. p. 8. Archived (PDF) from the original on October 9, 2022. Retrieved May 4, 2022 via Music Week.
  54. "The Year in Music: Hot Dance Music Club Play Singles". Billboard. Vol. 108, no. 52. December 28, 1996. p. YE-44.
  55. "ARIA Top 100 Singles for 1997". ARIA . Retrieved March 11, 2016.
  56. "1997 Year-End Sales Charts: Eurochart Hot 100 Singles" (PDF). Music & Media . Vol. 14, no. 52. December 27, 1997. p. 7. Archived (PDF) from the original on October 9, 2022. Retrieved December 20, 2019.
  57. "Top 100 Singles 1997". Music Week . January 17, 1998. p. 27.
  58. "ARIA Charts – Accreditations – 1997 Singles" (PDF). Australian Recording Industry Association . Retrieved February 23, 2020.
  59. "British single certifications – Tori Amos – Professional Widow". British Phonographic Industry . Retrieved December 10, 2021.
  60. "British single certifications – Tori Amos – Professional Widow (It's Got to Be Big)". British Phonographic Industry . Retrieved February 23, 2020.
  61. "Professional Widow". Amazon. 1996. Retrieved July 1, 2021.
  62. "New Releases: Singles" (PDF). Music Week . July 20, 1996. p. 46. Archived (PDF) from the original on October 9, 2022. Retrieved July 12, 2021.
  63. "BPI > Certified Awards > Tori Amos". British Phonographic Industry . Retrieved March 11, 2016.