Company type | Recording studio |
---|---|
Industry | Music |
Founded | 1979Los Angeles, U.S. | in
Founder | Val Garay |
Headquarters | , |
Key people | Dr. Dre |
Record One is a recording studio complex in the Sherman Oaks neighborhood of Los Angeles, California. Originally founded in 1979, the studio has been the site of numerous commercially successful and award-winning recordings. Since 2015, Record One has been under the ownership of Dr. Dre and his business partner Larry Chatman.
Recording engineer and record producer Val Garay co-founded Record One in 1979 with the financial backing of Melvin Simon. [1] The 7,000 square foot facility located at 13849 Ventura Boulevard in the Sherman Oaks neighborhood of Los Angeles included recording studios and rehearsal space. [2]
Record One established notoriety with the success of Kim Carnes' 1981 album, Mistaken Identity and its lead single, "Bette Davis Eyes", [3] which won the Grammy Awards for Song of the Year and Record of the Year the same year. Other albums recorded at Record One under Garay's ownership included the Tubes 1980 album, The Completion Backward Principle , [4] James Taylor's 1981 album, Dad Loves His Work , Eric Carr's drums on Kiss's 1982 album Creatures of the Night, Olivia Newton-John's 1982 album, Physical , The Motels' 1982 album, All Four One , Steve Perry's 1984 album, Street Talk , Dolly Parton's 1984 album The Great Pretender , Lita Ford's 1987 album, Lita , and portions of Don Henley's 1984 album, Building the Perfect Beast . Other artists recording at Record One during this era included Neil Young, Linda Ronstadt, Dan Fogelberg, Roy Orbison, Kenny Rogers, Barbra Streisand, and Toto.
In 1988, Bruce Swedien and Quincy Jones approached Ocean Way Recording founder Allen Sides about an upcoming album project that would have a multitude of high-profile guest artists. Needing additional studio facilities to accommodate such a project, Sides acquired Record One, making it part of the Ocean Way Recording Group. [5] Sides rebuilt the studio's control room, installing a custom Neve mixing console consisting of two 48-input consoles combined with George Massenburg Labs automation. [6] Over the course of the next year, Jones recorded Back on the Block at Ocean Way's Record One. The album went platinum, and won seven Grammy Awards at the 33rd Grammy Awards, including the Grammy Award for Album of the Year and the Grammy Award for Best Engineered Album, Non-Classical.
For approximately one year between 1989 and 1990, Michael Jackson arranged to rent out Record One for $4,000 per day while recording Dangerous , and Bruce Swedien engineered and mixed all but 3 of the songs on the album at the studio. [7] [8] [9] [10]
Prior to beginning work on Michael Jackson's next project, HIStory , Jackson and Swedien wanted an even larger console, so Sides completely revamped Record One Studio A, [11] upgrading the console to a 100-input SSL 8000 G Plus with custom modifications—the largest of its kind in the world at the time—and Studio B to an 80-input SSL 9000 J console, [12] selling the studio's original API console to Herb Alpert. [6] [13] The same year, Quincy Jones recorded his 1995 album, Q's Jook Joint , at the studio. [5]
Bad, Dangerous, HIStory, and Q's Jook Joint were all completed by Bruce Swedien at Record One, with all four albums winning the Grammy for Best Engineered Recording – Non Classical. Together, the four albums have sold in excess of 65 million copies. [6]
Record producer Glen Ballard recorded Wilson Phillips eponymous 1990 debut album in Studio A at Record One. Other artists who recorded at Record One between 1988 and 1996 included Barry White and Earth, Wind & Fire.
In 1997, hip hop supergroup, The Firm's recorded portions of The Album at Record One. The following year, Rob Cavallo produced two hit songs for the City of Angels (soundtrack) at the studio: "Iris" by the Goo Goo Dolls, and "Uninvited" by Alanis Morissette. [6] [5] Also in 1998, Brandy and Monica recorded the hit song, "The Boy Is Mine" at Record One. [14]
In 2001, Record One was the studio where Busta Rhymes recorded "Break Ya Neck" and where Mary J. Blige recorded "Family Affair". [15] Other artists recording at the studio that same year included Janet Jackson.
Dr. Dre became a long-term client of Record One while launching Aftermath Entertainment, [16] [17] eventually securing all available studio time for approximately five years beginning in 2004. [18] During this time, the studio was the location of production for Dr. Dre's own material like 2001 , as well as such albums as 50 Cent's The Massacre , The Game's The Documentary , [19] Jay-Z's Kingdom Come , and Busta Rhymes' the Big Bang . [20] Other artists utilizing Record One for recording, production, or mixing services during this timeframe included Eminem and D12, Snoop Dogg, Eve, and Gwen Stefani. [21]
In 2009, Record One's studios were remodeled and updated again, replacing the SSL G Plus recording console that had been in use in Studio A since 1988 (the console would later be acquired by Mad Muse Studios). [22]
In 2015, long-term Record One client Dr. Dre and his business partner Larry Chatman purchased the studio. [23] [24]
Val Garay is an American recording engineer and record producer who has worked with Kim Carnes, Linda Ronstadt, James Taylor, Neil Diamond, and others. Garay also co-founded Los Angeles recording studio Record One.
Thriller is the sixth studio album by the American singer and songwriter Michael Jackson, released on November 29, 1982, by Epic Records. It was produced by Quincy Jones, who had previously worked with Jackson on his 1979 album Off the Wall and who would later produce his 1987 album Bad. Jackson wanted to create an album where "every song was a killer". With the ongoing backlash against disco music at the time, he moved in a new musical direction, resulting in a mix of pop, post-disco, rock, funk, synth-pop, and R&B sounds. Thriller foreshadows the contradictory themes of Jackson's personal life, as he began using a motif of paranoia and darker themes. Paul McCartney appears on "The Girl Is Mine", the first credited appearance of a featured artist on a Michael Jackson album. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, California, with a budget of $750,000.
Solid State Logic (SSL) is a British company based in Begbroke, Oxfordshire, England that designs and markets audio mixing consoles, signal processors, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. SSL employs over 160 people worldwide and has regional offices in Los Angeles, Milan, New York City, Paris, and Tokyo, with additional support provided by an international network of distributors. Solid State Logic is part of the Audiotonix Group.
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Michael A. Elizondo Jr. is an American producer, songwriter, and multi-instrumentalist. A protégé of Dr. Dre, Elizondo has worked with 50 Cent, Eminem, Carrie Underwood, Fiona Apple, Mastodon, Ry Cooder, Skylar Grey, Twenty One Pilots, Nelly Furtado, and Lin-Manuel Miranda, among others. His songwriting credits include "In da Club" by 50 Cent, Eminem's "Just Lose It" and "The Real Slim Shady", "Family Affair" by Mary J. Blige, and Carrie Underwood's "Cowboy Casanova". He has won a Grammy Award from five nominations, which includes two nominations for Producer of the Year.
Criteria Studios is a recording studio in North Miami, Florida, founded in 1958 by musician Mack Emerman. Hundreds of gold, platinum, and diamond singles and albums have been recorded, mixed or mastered at Criteria, for many notable artists and producers.
Bruce Swedien was an American recording engineer, mixing engineer and record producer. He was widely known for his work with Michael Jackson, Quincy Jones, Paul McCartney and Barbra Streisand.
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Q's Jook Joint is an album by Quincy Jones, released in 1995 by Qwest Records. The album reached No. 1 on the Billboard jazz albums chart on December 30, 1995. Q's Jook Joint won the Grammy Award for Best Engineered Album, Non-Classical in 1997.
Dangerous is the eighth studio album by American singer-songwriter Michael Jackson. It was released by Epic Records on November 26, 1991, more than four years after Jackson's previous album, Bad (1987). Co-produced by Jackson, Bill Bottrell, Teddy Riley, and Bruce Swedien, the album was Jackson's first since Forever, Michael (1975) without longtime collaborator Quincy Jones. Guest appearances include Heavy D, Princess Stéphanie of Monaco, Slash and Wreckx-n-Effect. The album incorporates R&B, pop and new jack swing, a growing genre at the time. Elements of industrial, funk, hip hop, electronic, gospel, classical and rock are also present. Twelve of the album's fourteen songs were written or co-written by Jackson, discussing topics like racism, poverty, romance, self-improvement, and the welfare of children and the world.
Off the Wall is the fifth studio album by the American singer Michael Jackson, released on August 10, 1979, by Epic Records. It was Jackson's first album released through Epic Records, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from disco, pop, funk, R&B, soft rock and Broadway ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance. The album features songwriting contributions from Stevie Wonder, Paul McCartney, Rod Temperton, Tom Bahler, and David Foster, alongside three tracks penned by Jackson himself.
E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by composer Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien.
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