"Caught a Lite Sneeze" | ||||
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Single by Tori Amos | ||||
from the album Boys for Pele | ||||
B-side |
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Released | January 1, 1996 | |||
Length | 4:27 | |||
Label | ||||
Songwriter(s) | Tori Amos | |||
Producer(s) | Tori Amos | |||
Tori Amos singles chronology | ||||
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"Caught a Lite Sneeze" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the first single from her third studio album, Boys for Pele (1996), on January 1, 1996. The song is about wanting to do anything to keep a relationship going, knowing that it is over. [1] It references Nine Inch Nails's album Pretty Hate Machine in the lyrics "Caught a lite sneeze / Dreamed a little dream / Made my own pretty hate machine." On December 11, 1995, Atlantic made the song available for streaming on their website, one of the earliest examples of a major label implementing such a feature. [2]
Following the song's release, it reached number 60 on the US Billboard Hot 100 and number 20 on the UK Singles Chart. Despite being one of her higher-charting singles, it does not appear on her best-of collection, Tales of a Librarian . In live performances from 1996 and 1998, Amos would frequently insert lines directly from and inspired by "Hurt", another song by Nine Inch Nails.
Larry Flick from Billboard felt the song "is easily her most viable bid for top 40 success to date." He added, "Literal, accessible lyrics waft over a rumbling rock-ish beat and a haunting blend of acoustic guitars and keyboard. Her often waif-like delivery is enhanced with throaty declarations and vamps that nicely punctuate the melody and flesh out the words. Nourishment for the intelligent pop music fan." [3] Steve Baltin from Cash Box said "Wow", declaring the song as "simply stunning." He wrote, "If not the best singer in music right now, Amos is near the top of a very short list. Time and time again the passionate redhead has proven herself to be a vocalist capable of bringing listeners into her pain. “Caught a Lite Sneeze” begins with a very understated industrial feel and Amos showing great restraint in her vocals. By the end though, Amos has fans trembling with her cathartic rushes. A definite at Modern Rock and a smash at Triple A. The Cash Box psychic predicts that by the end of this year Tori Amos will have broken through to be a true superstar in every sense of the word." [4] Kevin Courtney from Irish Times noted that the song "has a contagious quality of its own." [5] Andrew Mueller from Melody Maker named it Single of the Week, adding, "The song itself is pleasant enough without being what you'd call memorable. The usual Kate Bush references will do the trick, or you could resort to some Alanis Morissette ones if you were feigning contemporaneity." [6]
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Personnel are lifted from the Boys for Pele album booklet. [12]
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Chart (1996) | Peak position |
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Australia (ARIA) [13] [14] | 51 |
Canada Top Singles ( RPM ) [15] | 20 |
Canada Adult Contemporary ( RPM ) [16] | 27 |
Canada Rock/Alternative ( RPM ) [17] | 18 |
Europe (Eurochart Hot 100) [18] | 73 |
Ireland (IRMA) [19] | 21 |
Scotland (OCC) [20] | 19 |
UK Singles (OCC) [21] | 20 |
US Billboard Hot 100 [22] | 60 |
US Adult Alternative Songs ( Billboard ) [23] | 3 |
US Alternative Airplay ( Billboard ) [24] | 13 |
US Dance Singles Sales ( Billboard ) [25] | 9 |
Finnish Singles (The Official Finnish Charts) [26] | 33 |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | January 1, 1996 |
| EastWest | [27] |
United States | January 2, 1996 |
| Atlantic | [2] |
"Professional Widow" is a song written by the American singer-songwriter Tori Amos, released on her third album, Boys for Pele (1996). It is a harpsichord-driven rock song and its lyrics are rumored to have been inspired by the American songwriter Courtney Love. The song was released on July 2, 1996 by Atlantic and EastWest, as the third single from the Boys for Pele album in the US, containing remixes by the house music producers Armand van Helden and MK. The single reached number one on the US Billboard Hot Dance Music/Club Play chart. In Italy, the original version peaked at number two in October 1996. An edited version of the Armand's Star Trunk Funkin' Mix of "Professional Widow" was originally released as a double A-side single with "Hey Jupiter" in Europe and Australia.
Boys for Pele is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least radio friendly material to date, Boys for Pele debuted at number two on both the US Billboard 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first Billboard top 10 debut, and the highest-charting US debut of her career to date.
"Putting the Damage On" is a ballad by American singer and songwriter Tori Amos, and is featured as the 17th track on her 1996 album, Boys For Pele. The song may have been initially considered as a single for the album, because copies of the album were accompanied by a sticker listing this song, along with "Caught a Lite Sneeze" and "Talula," as feature songs, but of all five singles released from the album, "Putting the Damage On" was not one of them. In the song, Amos is accompanied by her own piano playing, and by the Black Dyke Band.
"Who Will Save Your Soul" is a song written and performed by American singer-songwriter Jewel. It was the first song released from her first studio album, Pieces of You (1995), and became a hit in North America and Australasia, peaking at number seven in Canada, number 11 in the United States, number 14 in New Zealand, and number 27 in Australia. It was also moderately successful in the United Kingdom, reaching number 52 on the UK Singles Chart.
"Cornflake Girl" is a song by American singer-songwriter Tori Amos. It was released on January 10, 1994, as the first single from her second studio album, Under the Pink (1994), by EastWest Records in the United Kingdom. In the United States, it served as the album's second single, after "God". Singer Merry Clayton provided backing vocals and sings the "man with the golden gun" bridge.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"Runaway" is a song by Irish family band the Corrs, released in September 1995 as the debut single from their first album, Forgiven, Not Forgotten (1995). It had middling chart success except in Ireland and Australia, peaking at number 10 in both countries. It was also an adult contemporary hit in Canada, reaching number two on the RPM Adult Contemporary Tracks chart and number 25 on the RPM 100 Hit Tracks chart. On the UK Singles Chart, it originally reached number 49, but a re-release in 1999 saw the single reach a new peak of number two on the same chart.
"God" is a song by American singer-songwriter and musician Tori Amos, released as a single from her second studio album, Under the Pink (1994). It was issued as the album's lead single in the United States on February 3, 1994, as the second single in Australia on May 2, and as the fourth single in the United Kingdom on October 3. The song reached number 44 on the UK Singles Chart as well as number one on the US Billboard Modern Rock Tracks chart. It became Amos's first single to chart on the Billboard Hot 100, peaking at number 72.
"Let Her Cry" is a song by American rock band Hootie & the Blowfish. It was released in December 1994 as the second single from their debut album, Cracked Rear View (1994), and became a top-10 hit in Australia, Canada, Iceland, and the United States. The song received the Grammy Award for Best Pop Performance by a Duo or Group with Vocals in 1996.
"You Were Meant for Me" is a song by the American singer-songwriter Jewel, released on her first album, Pieces of You (1995). It was written by Jewel and Steve Poltz. It describes a failed relationship and the narrator's inadequate attempts at moving on with her life.
"Talula" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the second single from her third studio album, Boys for Pele (1996). The song reached number 22 on the UK Singles Chart and appeared in the Jan de Bont film Twister.
"Hey Jupiter" is a song written and performed by American singer-songwriter Tori Amos. It was released as the fourth single from her third studio album, Boys for Pele (1996), and was her first extended play (EP) since Crucify in 1992. The US EP Hey Jupiter features a re-recorded version of "Hey Jupiter" followed by four live tracks recorded during her Dew Drop Inn Tour of 1996. The song is also featured on the double A-side CD singles released in the UK and Australia.
"December" is a song by American alternative rock band Collective Soul, released on the band's 1995 eponymous album. It was serviced to album rock radio on March 17, 1995. Written by singer and guitarist Ed Roland, it peaked at number 20 on the US Billboard Hot 100 and number one on the Billboard Album Rock Tracks chart for nine weeks, becoming that chart's most successful song of 1995. In Canada, the song reached number two on the RPM 100 Hit Tracks chart, becoming the band's highest-charting single until "The World I Know" attained the top spot in March 1996.
"Into Your Arms" is a 1989 song by Australian duo Love Positions, consisting of Robyn St. Clare and Nic Dalton. In 1992, Dalton joined American alternative rock band the Lemonheads, who covered the song on their sixth studio album, Come on Feel the Lemonheads (1993). The song was released as the album's lead single in October 1993 by Atlantic Records and reached number one on the US Billboard Modern Rock Tracks chart, remaining atop the chart for nine straight weeks, a record at the time that they shared with U2. The song also reached number 67 on the Billboard Hot 100 and charted in Australia, Canada, and the UK; in the latter country, it was a top-20 hit.
"Someday" is a song by American rock band Sugar Ray. First serviced to American radio in June 1999, the song was released on September 7, 1999, as the second US single and third single overall from the band's third album, 14:59 (1999). The song reached number seven on both the US Billboard Hot 100 and Billboard Modern Rock Tracks charts, number four on Canada's RPM 100 Hit Tracks chart, and number 25 in New Zealand.
"Spark" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the first single from Amos' fourth studio album, From the Choirgirl Hotel (1998).
"Tucker's Town" is a song by American rock group Hootie & the Blowfish. It was released on June 25, 1996, as the second single from their second album, Fairweather Johnson (1996). In the United States, it peaked at number 38 on the Billboard Hot 100, number 24 on the Billboard Adult Contemporary chart, and number 29 on the Billboard Mainstream Rock chart. Outside the US, "Tucker's Town" reached number two in Canada—ending 1996 as the country's 25th-most-successful single—and number 20 in Iceland.
"Pretty Good Year" is a song by American singer-songwriter Tori Amos, taken from her second album, Under the Pink (1994). It was released as the second single from the album in the United Kingdom on March 7, 1994, and as the fourth single in Australia on November 7, 1994. It was not released in the United States. "Pretty Good Year" became Amos's second single to reach the top 10 on the UK Singles Chart, where it peaked at number seven.
"Old Man & Me " is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson. In the United States, it peaked at number 13 on the Billboard Hot 100, number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard Mainstream Rock chart. The song also reached number one in Canada, becoming the band's third and final single to do so.
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