| "London Girls" | ||||
|---|---|---|---|---|
 | ||||
| Single by Chas & Dave | ||||
| from the album Job Lot | ||||
| Released | 13 February 1983 | |||
| Genre | Rockney, novelty | |||
| Length | 3:42 | |||
| Label | Rockney | |||
| Songwriter(s) | Chas & Dave | |||
| Chas & Dave singles chronology | ||||
| ||||
"London Girls" is a song by Chas & Dave from the album Job Lot , which was released as a single on 13 February 1983 and entered the UK Singles Chart at number 99. [1] The song stayed in the charts for 9 weeks and peaked at number 63 on 26 March 1983.
The song was written in 1980 in a writing session with Dave Peacock in a cottage in Ashton, East Northamptonshire. [2]
Tori Amos recorded a cover of "London Girls" in 1996 during the Boys for Pele album sessions; it was released as a b-side on her maxi single for "Caught a Lite Sneeze" together with another Chas & Dave song, "Thats What I Like Mick (The Sandwich Song)" in the United Kingdom. [3] It was released with "Talula" in the United States. [4]
The Belgian group De Strangers released a Flemish version titled "'n Antwârpse Griet" (An Antwerp Girl), which reached No. 36 on the Belgian chart. [5]
Tori Amos is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She had to leave at the age of eleven when her scholarship was discontinued for what Rolling Stone described as "musical insubordination". Amos was the lead singer of the short-lived 1980s pop / rock group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics, and religion.
"Professional Widow" is a song written by the American singer-songwriter Tori Amos, released on her third album, Boys for Pele (1996). It is a harpsichord-driven rock song and its lyrics are rumored to have been inspired by the American songwriter Courtney Love. The song was released on July 2, 1996, by Atlantic and EastWest, as the third single from the Boys for Pele album in the US, containing remixes by the house music producers Armand van Helden and MK. The single reached number one on the US Billboard Hot Dance Music/Club Play chart. In Italy, the original version peaked at number two in October 1996. An edited version of the Armand's Star Trunk Funkin' Mix of "Professional Widow" was originally released as a double A-side single with "Hey Jupiter" in Europe and Australia.
From the Choirgirl Hotel is the fourth studio album by American musician Tori Amos. It was released on May 5, 1998, on Atlantic Records. The album was Amos's first to be recorded at her own Martian Engineering Studios in Cornwall, England and was self produced, with the mixing being handled by longtime collaborators Marcel van Limbeek and Mark Hawley, whom she had married in early 1998.
Boys for Pele is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least radio friendly material to date, Boys for Pele debuted at number two on both the US Billboard 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first Billboard top 10 debut, and the highest-charting US debut of her career to date.
Scarlet's Walk is the seventh studio album by American singer-songwriter and pianist Tori Amos. It was released on October 28, 2002 in the UK and October 29 in the US on Epic Records, making it her first release on the label after her split with Atlantic Records. Her first studio album of original material since To Venus and Back in 1999, the 18-track concept album details the cross-country travels of Scarlet, a character loosely based on Amos, and was greatly inspired by the changes in American society and politics post-September 11, 2001. Topics explored on the album include nationalism, personal relationships, and the death of a close friend. Amos also took inspiration from the stories of her grandfather, who she claims was Cherokee and told her of the abuses against Native Americans throughout the United States' history.
Under the Pink is the second studio album by singer-songwriter Tori Amos. Upon its release in January 1994, the album debuted atop the UK Albums Chart on the back of the hit single "Cornflake Girl", and peaked at number 12 in the US.
The Beekeeper is the eighth studio album by American musician Tori Amos. It was released on February 20, 2005, through Epic Records and is her second release for the label. As with many of Amos' releases throughout the 2000s, The Beekeeper is a concept album, heavily inspired by the practice of beekeeping and its connection to femininity and female empowerment. The album's nineteen tracks are separated into six different "gardens", and are inspired by topics such as her experiences with motherhood, betrayal ("Witness"), and Christian mythology.
"Putting the Damage On" is a ballad by American singer and songwriter Tori Amos, and is featured as the 17th track on her 1996 album, Boys For Pele. The song may have been initially considered as a single for the album, because copies of the album were accompanied by a sticker listing this song, along with "Caught a Lite Sneeze" and "Talula," as feature songs, but of all five singles released from the album, "Putting the Damage On" was not one of them. In the song, Amos is accompanied by her own piano playing, and by the Black Dyke Band.
"Cornflake Girl" is a song by American singer-songwriter Tori Amos. It was released on January 10, 1994, as the first single from her second studio album, Under the Pink (1994), by EastWest Records in the United Kingdom. In the United States, it served as the album's second single, after "God". Singer Merry Clayton provided backing vocals and sings the "man with the golden gun" bridge.
Where's Neil When You Need Him? is a tribute album based on the works of fantasy writer Neil Gaiman.
"Winter" is a song by American singer-songwriter Tori Amos, released as a single in March 1992. "Winter" was Amos' first single to reach the top 40 in any country, peaking at number 25 in the United Kingdom two weeks after its release.
Tori Amos is an American pianist and singer-songwriter whose musical career began in 1980, at the age of seventeen, when she and her brother co-wrote the song "Baltimore". The song was selected as the winning song in a contest for the Baltimore Orioles and was recorded and pressed locally as a 7" single. From 1984 to 1989, Amos fronted the synth-pop band Y Kant Tori Read, which released one self-titled album with Atlantic Records in 1988 before breaking up. Shortly thereafter, Amos began writing and recording material that would serve as the debut of her solo career. Still signed with Atlantic, and its UK counterpart East West, Amos' initial solo material was rejected by the label in 1990. Under the guidance of co-producers Eric Rosse, Davitt Sigerson and Ian Stanley, a second version of the album was created and accepted by the label the following year.
"Sleeps with Butterflies" is a song written and recorded by Tori Amos. It served as the first single from her album The Beekeeper. As was the case with most of her singles from Scarlet's Walk, this single was released as a digital download only, although a promo CD single was produced for radio stations. The song appeared on radio stations in the United States beginning January 10, 2005, and was available as a digital download on January 12.
"Talula" is a song by American singer-songwriter Tori Amos, released by Atlantic and EastWest as the second single from her third studio album, Boys for Pele (1996). The song reached number 22 on the UK Singles Chart and appeared in the Jan de Bont film Twister.
"Hey Jupiter" is a song written and performed by American singer-songwriter Tori Amos. It was released as the fourth single from her third studio album, Boys for Pele (1996), and was her first extended play (EP) since Crucify in 1992. The US EP Hey Jupiter features a re-recorded version of "Hey Jupiter" followed by four live tracks recorded during her Dew Drop Inn Tour of 1996. The song is also featured on the double A-side CD singles released in the UK and Australia.
"Welcome to England" is a song by American singer and songwriter Tori Amos, appearing on the album Abnormally Attracted to Sin (2009). It was released as the lead digital single from the studio album on April 14, 2009 by Universal Motown Republic Group, which also marks as her first single released from the label. Written and produced by Amos herself, just like the rest of the album, the song was recorded at her husband's studio in England, Martian Studios.
Little Earthquakes is the debut solo album by the American singer-songwriter Tori Amos, featuring the singles "Silent All These Years", "China", "Winter" and "Crucify". After Atlantic Records rejected the first version of the album, Amos began working on a second version with her then-boyfriend Eric Rosse. The album was first released in the UK on January 6, 1992, where it peaked at number 14 in the charts.
"Ain't No Pleasing You" is a song by Chas & Dave from the album Mustn't Grumble, which was released as a single on 5 March 1982 and entered the UK Singles Chart at No. 62. The song stayed in the charts for 11 weeks, peaking at No. 2 on 17 April 1982. It was also the duo's first and biggest hit in Ireland, peaking at No. 3 on the Irish Singles Chart in April 1982.
"Strummin'" is a song by Chas & Dave from the album Rockney, which was released as a single on 5 November 1978 and entered the UK Singles Chart at number 74. The song stayed in the charts for 3 weeks and peaked at number 52 on 25 November 1979.
Unrepentant Geraldines is the fourteenth studio album by American musician Tori Amos. It was released on May 9, 2014 through Mercury Classics. The album marks a return to pop and rock music after several releases in the classical genre. Recorded at her own Martian Engineering Studios, the album was self-produced and mixed by her husband Mark Hawley and Marcel van Limbeek.
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