Becoming X is the debut album by English electronic band Sneaker Pimps. It was released on 19 August 1996 in the United Kingdom by Clean Up Records and on 25 February 1997 in the United States by Virgin Records. The album marked the only appearance of Kelli Dayton as lead singer before she was asked to leave the band;Chris Corner replaced her for the band's subsequent albums.
Becoming X was commercially successful in the United Kingdom,while "6 Underground" and "Spin Spin Sugar" would become hits in the United States. Fueled by the success of the former single,the album spent 23 consecutive weeks on the US Billboard 200.[citation needed]
Background and recording
Becoming X is an electronica and trip hop album,featuring alternative rock and orchestral elements and samples. The title comes from the fourth track on the album and,as explained by vocalist Kelli Dayton,"X meaning whatever you want it to mean. Also like generation X,X as a blank. It's a feeling. So it's really purposefully ambiguous,like the songs are. We've tried letting people use their imagination to make it more personal to them." This concept was later referenced in the name of Chris Corner's solo project IAMX.
The album was written by Corner and Liam Howe,with friend Ian Pickering contributing to the lyrics in what Corner calls "a total collaboration".[1] The album's demos were recorded with Corner on vocals. However,the band felt the songs would work better with a female voice,so the band's manager and co-founder of their label Clean Up Records,Craig Mineard,sent the demos to Dayton,asking her to join the band as vocalist. Dayton liked the demos and agreed to join the band,on the condition of becoming a songwriting partner. As much of the writing for the album was already in place,Dayton went on to co-write the B-sides.
The album was recorded in Howe's bedroom studio in Elwick. The vocals were recorded in a cupboard that Howe made into a vocal booth. Possessing a higher vocal range than Corner,Dayton decided to record the tracks' vocals in a measured and subdued way to give them more emotional intensity.[2]
"How Do",the last song on the album,is a cover of Paul Giovanni's "Willow's Song". It was also covered by Dayton on her album Butterfly in 2009.
Release and promotion
Various iterations of the record exist with different artwork and track mixes. The first version features a cover with an electronic printed circuit board (PCB) designed by Foxy Design and was released in UK and Europe on 19 August 1996,on vinyl,CD and cassette by Clean Up Records.[3] The album was released in the US on 25 February 1997 by Virgin Records featuring the Nellee Hooperremix of "6 Underground" as a bonus track.[4]
Due to the success of the singles "6 Underground" and "Spin Spin Sugar",the album was reissued in 1997 with artwork by Stéphane Sednaoui. The reissue,referred to as the limited edition,features the Nellee Hooper remix of "6 Underground",the radio mix of "Spin Spin Sugar" and the Flight from Nashville mix of "Post-Modern Sleaze".[5] This is the version provided on streaming platforms. The limited edition track listing was used for the 2008,2016 and 2020 vinyl reissues of the album,although the original 1996 artwork was supplied instead of the limited edition artwork. This caused confusion,but One Little Independent Records insisted it was correct when it indeed was an error.[citation needed]
Five singles were released from the album:"Tesko Suicide","Roll On" and "6 Underground" in 1996,and "Spin Spin Sugar" and "Post-Modern Sleaze" in 1997. Music videos were made for "Tesko Suicide",directed by Liam Howe and Joe Wilson,"6 Underground" and "Spin Spin Sugar",both directed by Toby Tremlett,and "Post-Modern Sleaze",directed by Howard Greenhalgh. They were later released on the 2001 video compilation The Videos on DVD.[6]
The band embarked on a tour of the UK in small venues and worked their way up to a two-year world tour to promote the album,also appearing at music festivals and on TV shows. During their tour,they opened for Blur and Neneh Cherry,and played with Tricky and Lamb,establishing themselves as a trip hop band.[2] The band's popularity was cemented when "6 Underground" was included on the soundtrack of the 1997 film The Saint,out on 4 April. They also featured on the Marilyn Manson track "Long Hard Road Out of Hell",released on 22 July 1997 and included in the film Spawn. In October,the band opened for Aphex Twin on his United States tour promoting the Richard D. James Album.[7] The United States tour put a strain on the relationships in the band,[8] leading to Howe prematurely leaving the tour,the tour itself stopping,and the subsequent firing of Dayton,who would not appear on the band's second album Splinter.[2]
On 19 August 2022,the band began "a month of song and video celebrations" on their YouTube channel to mark the 26th anniversary of the release of the album.[9]
Becoming X received mostly positive reviews from contemporary critics,who often compared Sneaker Pimps to trip hop artists like Portishead and Tricky.
AllMusic reviewer Stephen Thomas Erlewine praised Becoming X as "one of the most engaging byproducts of post-Portishead trip-hop",while also noting Sneaker Pimps as being more guitar-driven than their predecessors.[10] Jeremy Helligar wrote in Entertainment Weekly that "Sneaker Pimps manage to be ominously spooky on Becoming X without indulging in Tricky's gothic pretension and hypnotic without lapsing into Portishead's one-note gloom."[12] In Rolling Stone,Ken Micallef wrote that whilst not deviating from the female-fronted trip hop band formula,the group manages to "make pop as tension-filled as an Edgar Allan Poe novel".[18] Calvin Bush from Muzik described the album as "spiky indie pop in a Garbage-meets-Portishead fashion",noting that the singles "Tesko Suicide" and "6 Underground" come across "like an indie kid version of Morcheeba with slasher guitars".[14]Pitchfork's Ryan Schreiber likened Sneaker Pimps to "an electrified version of Sade" and praised the album's vocals,beats and guitars,albeit criticizing the songs for seemingly losing "a lot of their appeal once you're familiar with them".[16]
In a more critical review for NME,Dele Fadele commended the band's original sound for blending electronic,orchestral and rock elements but ultimately described the result as boring.[15]
Track listing
All tracks are written by Chris Corner, Liam Howe and Ian Pickering, except where noted.
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