Becoming X | ||||
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![]() 1996 original release | ||||
Studio album by | ||||
Released | 19 August 1996 (UK) 25 February 1997 (US) | |||
Genre | ||||
Length | 52:57 | |||
Label | ||||
Producer |
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Sneaker Pimps chronology | ||||
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Singles from Becoming X | ||||
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Alternative cover | ||||
![]() 1997 limited edition release |
Becoming X is the debut studio album by English electronic band Sneaker Pimps. It was released on 19 August 1996 in the United Kingdom by Clean Up Records and on 25 February 1997 in the United States by Virgin Records. The album marked the only appearance of Kelli Dayton as lead singer before she was asked to leave the band;Chris Corner replaced her for the band's subsequent albums.
Becoming X was commercially successful in the United Kingdom,while "6 Underground" and "Spin Spin Sugar" would become hits in the United States. Fueled by the success of the former single,the album spent 23 consecutive weeks on the US Billboard 200.[ citation needed ]
Becoming X is an electronica and trip hop album,featuring alternative rock and orchestral elements and samples. The title comes from the fourth track on the album and,as explained by vocalist Kelli Dayton,"X meaning whatever you want it to mean. Also like generation X,X as a blank. It's a feeling. So it's really purposefully ambiguous,like the songs are. We've tried letting people use their imagination to make it more personal to them." This concept was later referenced in the name of Chris Corner's solo project IAMX.
The album was written by Corner and Liam Howe,with friend Ian Pickering contributing to the lyrics in what Corner calls "a total collaboration". [1] The album's demos were recorded with Corner on vocals. However,the band felt the songs would work better with a female voice,so the band's manager and co-founder of their label Clean Up Records,Craig Mineard,sent the demos to Dayton,asking her to join the band as vocalist. Dayton liked the demos and agreed to join the band,on the condition of becoming a songwriting partner. As much of the writing for the album was already in place,Dayton went on to co-write the B-sides.
The album was recorded in Howe's bedroom studio in Elwick. The vocals were recorded in a cupboard that Howe made into a vocal booth. Possessing a higher vocal range than Corner,Dayton decided to record the tracks' vocals in a measured and subdued way to give them more emotional intensity. [2]
"How Do",the last song on the album,is a cover of Paul Giovanni's "Willow's Song". It was also covered by Dayton on her album Butterfly in 2009.
Various iterations of the record exist with different artwork and track mixes. The first version features a cover with an electronic printed circuit board (PCB) designed by Foxy Design and was released in UK and Europe on 19 August 1996,on vinyl,CD and cassette by Clean Up Records. [3] The album was released in US on 25 February 1997 by Virgin Records featuring the Nellee Hooper remix of "6 Underground" as a bonus track. [4]
Due to the success of the singles "6 Underground" and "Spin Spin Sugar",the album was reissued in 1997 with artwork by Stéphane Sednaoui. The reissue,referred to as the limited edition,features the Nellee Hooper remix of "6 Underground",the radio mix of "Spin Spin Sugar" and the Flight from Nashville mix of "Post-Modern Sleaze". [5] This is the version provided on streaming platforms. The limited edition track listing was used for the 2008,2016 and 2020 vinyl reissues of the album,although the original 1996 artwork was supplied instead of the limited edition artwork. This caused confusion,but One Little Independent Records insisted it was correct when it indeed was an error.[ citation needed ]
Five singles were released from the album:"Tesko Suicide","Roll On" and "6 Underground" in 1996,and "Spin Spin Sugar" and "Post-Modern Sleaze" in 1997. Music videos were made for "Tesko Suicide",directed by Liam Howe and Joe Wilson,"6 Underground" and "Spin Spin Sugar",both directed by Toby Tremlett,and "Post-Modern Sleaze",directed by Howard Greenhalgh. The videos were later released on the 2001 video compilation The Videos on DVD. [6]
The band embarked on a tour of the UK in small venues and worked their way up to a two-year world tour to promote the album,also appearing on music festivals and TV shows. During their tour,they opened for Blur and Neneh Cherry,and played with Tricky and Lamb,establishing themselves as a trip hop band. [2] The band's popularity was cemented when "6 Underground" was included on the soundtrack of the 1997 film The Saint ,out on 4 April. They also featured on the Marilyn Manson track "Long Hard Road Out of Hell",released on 22 July 1997 and included in the film Spawn . In October,the band opened for Aphex Twin on his United States tour promoting the Richard D. James Album . [7] The United States tour put a strain on the relationships in the band, [8] leading to Howe prematurely leaving the tour,the tour itself stopping,and the subsequent firing of Dayton,who would not appear on the band's second album Splinter . [2]
On 19 August 2022,the band began "a month of song and video celebrations" on their YouTube channel to mark the 26th anniversary of the release of the album. [9]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
E! Online | B+ [11] |
Entertainment Weekly | B+ [12] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
Muzik | 3/5 [14] |
NME | 5/10 [15] |
Pitchfork | 6.3/10 [16] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Vox | 7/10 [19] |
Becoming X received mostly positive reviews from contemporary critics,who often compared Sneaker Pimps to trip hop artists like Portishead and Tricky.
AllMusic reviewer Stephen Thomas Erlewine praised Becoming X as "one of the most engaging byproducts of post-Portishead trip-hop",while also noting Sneaker Pimps as being more guitar-driven than their predecessors. [10] Jeremy Helligar wrote in Entertainment Weekly that "Sneaker Pimps manage to be ominously spooky on Becoming X without indulging in Tricky's gothic pretension and hypnotic without lapsing into Portishead's one-note gloom." [12] In Rolling Stone ,Ken Micallef wrote that whilst not deviating from the female-fronted trip hop band formula,the group manages to "make pop as tension-filled as an Edgar Allan Poe novel". [18] Calvin Bush from Muzik described the album as "spiky indie pop in a Garbage-meets-Portishead fashion",noting that the singles "Tesko Suicide" and "6 Underground" come across "like an indie kid version of Morcheeba with slasher guitars". [14] Pitchfork 's Ryan Schreiber likened Sneaker Pimps to "an electrified version of Sade" and praised the album's vocals,beats and guitars,albeit criticizing the songs for seemingly losing "a lot of their appeal once you're familiar with them". [16]
In a more critical review for NME ,Dele Fadele commended the band's original sound for blending electronic,orchestral and rock elements but ultimately described the result as boring. [15]
All tracks are written by Chris Corner, Liam Howe and Ian Pickering, except where noted
No. | Title | Producer | Length |
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1. | "Low Place Like Home" | Jim Abbiss, Line of Flight | 4:37 |
2. | "Tesko Suicide" | Line of Flight | 3:44 |
3. | "6 Underground" | Abbiss, Line of Flight | 4:05 |
4. | "Becoming X" | Abbiss, Line of Flight | 4:14 |
5. | "Spin Spin Sugar" | Line of Flight | 4:20 |
6. | "Post-Modern Sleaze" | Line of Flight | 5:11 |
7. | "Waterbaby" | Abbiss, Line of Flight | 4:10 |
8. | "Roll On" | Abbiss, Line of Flight | 4:27 |
9. | "Wasted Early Sunday Morning" | Flood, Line of Flight | 4:27 |
10. | "Walking Zero" | Line of Flight | 4:31 |
11. | "How Do" (cover of "Willow's Song" by Paul Giovanni) | Line of Flight | 5:01 |
Total length: | 48:47 |
All tracks are written by Chris Corner, Liam Howe and Ian Pickering, except where noted
No. | Title | Producer | Length |
---|---|---|---|
1. | "Low Place Like Home" | Abbiss, Line of Flight | 4:37 |
2. | "Tesko Suicide" | Line of Flight | 3:44 |
3. | "6 Underground (Nellee Hooper remix)" | Abbiss, Nellee Hooper, Line of Flight | 3:48 |
4. | "Becoming X" | Abbiss, Line of Flight | 4:14 |
5. | "Spin Spin Sugar (Radio mix)" | Line of Flight, Mark "Spike" Stent | 4:20 |
6. | "Post-Modern Sleaze (Flight From Nashville mix)" | Abbiss, Peter Collins, Line of Flight | 3:29 |
7. | "Waterbaby" | Abbiss, Line of Flight | 4:10 |
8. | "Roll On" | Abbiss, Line of Flight | 4:27 |
9. | "Wasted Early Sunday Morning" | Flood, Line of Flight | 4:27 |
10. | "Walking Zero" | Line of Flight | 4:31 |
11. | "How Do" (cover of "Willow's Song" by Paul Giovanni) | Line of Flight | 5:01 |
Total length: | 46:02 |
Chart (1997) | Peak position |
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Australian Albums (ARIA) [20] | 55 |
UK Albums (OCC) [21] | 27 |
US Billboard 200 [22] | 111 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [23] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Sneaker Pimps are an English electronic music band, formed in Hartlepool in 1994. They are best known for their debut album, Becoming X (1996), and its singles "6 Underground" and "Spin Spin Sugar". The band takes its name from an article the Beastie Boys published in their Grand Royal magazine about a man they hired to track down classic sneakers.
Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
"6 Underground" is a song by the English band Sneaker Pimps from their debut studio album, Becoming X (1996). First released as a single in the United Kingdom in September 1996 by Clean-up Records, the song reached number 15 on the UK Singles Chart and had moderate radio airplay in the United States, where it was shipped to modern rock and dance stations in February 1997. After the song was used in the 1997 American film The Saint, radio stations began playing "6 Underground" more frequently. The single was re-released in May 1997, when it peaked at number nine on the UK Singles Chart. In the United States, the song peaked at number 45 on the Billboard Hot 100 and at number seven on the Billboard Modern Rock Tracks chart.
Kelli Ali, also known as Kelli Dayton, is a British vocalist, guitarist and painter who was formerly the lead singer of the trip hop group Sneaker Pimps before going on to a solo career.
Splinter is the second studio album by English electronic band Sneaker Pimps, released on 25 October 1999 through record labels Clean Up and Virgin.
Becoming Remixed is a remix album by English electronic band Sneaker Pimps, released on 10 March 1998 by Virgin Records. It serves as a companion piece to the band's 1996 debut Becoming X, and was originally limited to 30,000 copies.
Bloodsport is the third studio album by English electronic band Sneaker Pimps. It was released on 22 January 2002, through record label Tommy Boy.
IAMX is the solo musical project of Chris Corner founded in 2002 in London, England after the hiatus of his former band Sneaker Pimps. It is an independent music project with a secondary focus on the experimentation of visual art.
Christopher Anthony Corner is an English record producer, songwriter, multi-instrumentalist, singer and video artist. He was a founding member of the band Sneaker Pimps alongside Liam Howe, and is now active with his solo project IAMX.
Tigermouth is the first solo studio album by singer-songwriter Kelli Ali released in 2003.
"Willow's Song" is a ballad by American composer Paul Giovanni for the 1973 film The Wicker Man.
The Alternative is the second album by English musical artist IAMX, released on 28 April 2006 in Europe and a year later in the UK and Ireland. It was re-issued on Metropolis Records in the US on 6 May 2008. It is the second IAMX album to contain tracks intended for the aborted Sneaker Pimps album SP4. 2008 US editions differ significantly from the original 2006 version. Many of the songs were significantly re-recorded or remixed, most noticeably "The Negative Sex" and "Spit It Out", as well as "The Alternative", "Nightlife" and "Song of Imaginary Beings". "This Will Make You Love Again" is among a handful of songs to have been edited to include vocals by Janine Gezang. The re-released versions also include a string version of "Spit It Out" as a hidden track. The original album and the reissues also have different covers.
"Long Hard Road Out of Hell" is a song by American rock band Marilyn Manson and British trip hop band Sneaker Pimps. It was released as a single from the soundtrack to the 1997 motion picture Spawn. An arena rock and gothic rock song, "Long Hard Road Out of Hell" was written by Marilyn Manson and Twiggy Ramirez and produced by Manson and Sean Beavan. Its lyrics are about self-loathing and its title is derived from John Milton's Paradise Lost (1667). After the track was written, the Sneaker Pimps' Kelli Ali was recruited to perform background vocals on it, as the Spawn soundtrack featured collaborations between hard rock artists and electronic music artists. The Sneaker Pimps were dissatisfied with the final track and wanted a remix of it to be released as a single instead; conversely, Manson deemed it a personal favorite.
Jim Abbiss is a British music producer, best known for his work on records including the debut album of Editors, Arctic Monkeys' Mercury Music Prize winning debut album, Whatever People Say I Am, That's What I'm Not, Kasabian's Kasabian and Empire, Ladytron's Witching Hour and Ladytron, Sneaker Pimps' debut Becoming X, and Adele's 19, and 21.
"Spin Spin Sugar" is a song by English electronic band Sneaker Pimps, released in March 1997 by Clean Up as the fourth single from their debut studio album, Becoming X (1996). The album version is typical of the Sneaker Pimps in both style and format; there is a driving bass line produced by a synthesizer keyboard which is accompanied by a second synthesizer loop playing above it. Kelli Dayton provides the vocals.
Liam Coverdale Howe is an English record producer, musician and songwriter. Since co-founding electronic music band Sneaker Pimps in 1996, he has been a producer for Lana Del Rey, Marina and the Diamonds, FKA Twigs, Ellie Goulding, and Tom Vek.
Open All Night is the tenth solo studio album by the British singer-songwriter Marc Almond. It was released by Blue Star Music in March 1999.
"Post-Modern Sleaze" is a single released by British trip hop band Sneaker Pimps in 1997 from their debut album Becoming X. It reached number 22 on the UK Singles Chart and number 143 in Australia.
Squaring the Circle is the fourth studio album by English electronic band Sneaker Pimps, released on 10 September 2021.
Dave Westlake is a British musician and drummer, known most for his work with Sneaker Pimps and The Mighty Boosh Band. He has since moved on from performing and recording with Sneaker Pimps to joining fellow band mate Joe Wilson in the band Trash Money, and making music for film, media and sound samples.