This biography of a living person needs additional citations for verification . (February 2015) (Learn how and when to remove this template message)
David Sylvian, November 1982
|Birth name||David Alan Batt|
|Born||23 February 1958|
|Instruments||Voice, guitars, keyboards|
|Associated acts||Japan, Nine Horses, Robert Fripp, Rain Tree Crow, Ryuichi Sakamoto|
David Sylvian (born David Alan Batt, 23 February 1958) is an English singer-songwriter and musician who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s New Romantic scene.Following their breakup, Sylvian embarked on a solo career with his debut album Brilliant Trees (1984). His solo work has been described by AllMusic as "far-ranging and esoteric", and has included collaborations with artists such as Ryuichi Sakamoto, Robert Fripp, Holger Czukay, Jon Hassell, Bill Nelson and Fennesz. While his recordings of the 1980s and 1990s were a mixture of pop, jazz fusion, and avant-garde experimentalism mixed with ambient, his more recent compositions have drawn increasingly on musical minimalism and free improvisation.
David Sylvian was born 23 February 1958 as David Alan Batt in Beckenham, Kent. He grew up in nearby Lewisham, South London in a working-class home. His father Bernard was a plasterer by trade, his mother Sheila a housewife. He had an older sister and a younger brother, Steve. Sylvian later said he never enjoyed his childhood, mainly because of the environment of mid-sixties Lewisham. As an escape and emotional release from his discomfort he found an interest in music via his sister, who brought Motown and soul records to the home. He attended Catford Boys School where he became friends with Anthony Michaelides, later known as Mick Karn. When David got an acoustic guitar and his brother a drum kit as Christmas presents from their father, the trio began to play music together.
The band Japan, whose other members included bassist Mick Karn, guitarist Rob Dean, keyboardist Richard Barbieri and Sylvian's brother Steve as drummer, began as a group of friends. As youngsters they played music as a means of escape, playing Sylvian's two-chord numbers – sometimes with Karn as the frontman, sometimes with Sylvian at the fore. A fan of the New York Dolls, Sylvian adopted his stage name from Sylvain Sylvain, while his brother took Jansen from David Johansen.
They christened themselves Japan in 1974, signed a recording contract with Hansa, and became an alternative glam rock outfit in the mould of David Bowie, T. Rex, and the New York Dolls. Over a period of a few years, their music became more sophisticated, drawing initially on the art rock stylings of Roxy Music. Their visual image also evolved and, although they had worn make-up since their creation in the mid-1970s, the band was unintentionally tagged with the New Romantic label in the early 1980s. The band themselves disputed any connection with the New Romantic movement, and Sylvian stated: "I don't like to be associated with them. The attitudes are so very different." Of Japan's fashion sense, Sylvian said: "For them [New Romantics], fancy dress is a costume. But ours is a way of life. We look and dress this way every day." In an October 1981 interview, at the pinnacle of the New Romantic movement in mainstream pop music, Sylvian commented: "There's a period going past at the moment that may make us look as though we're in fashion."
Japan released five studio albums between March 1978 and November 1981. In 1980, the band signed with Virgin Records, where Sylvian remained as a recording artist for the next twenty years. The band suffered from personal and creative clashes, particularly between Sylvian and Karn, with tensions springing from Sylvian's relationship with Yuka Fujii, a photographer, artist, and designer, and Karn's former girlfriend.Fujii quickly became an influential figure in Sylvian's life. She was the first person to introduce Sylvian seriously to jazz, which in turn inspired him to follow musical avenues not otherwise open to him. She also encouraged Sylvian to incorporate spiritual discipline into his daily routine. Throughout his solo career, Fujii maintained a large role in the design of artwork for his albums. Japan played their final concerts in December 1982 before dissolving.
In 1982, Sylvian released his first solo collaborative effort with Ryuichi Sakamoto, entitled "Bamboo Houses/Bamboo Music". He also worked with Sakamoto on the UK Top 20 song "Forbidden Colours" for the 1983 Nagisa Oshima film Merry Christmas, Mr. Lawrence . Sakamoto's first contribution to Sylvian's work, though, had been as co-writer of "Taking Islands in Africa" on the Japan album Gentlemen Take Polaroids (1980).
Sylvian's debut solo album, Brilliant Trees (1984), included contributions from (amongst others) Sakamoto, trumpeter Jon Hassell and former Can bassist Holger Czukay. It featured the UK Top 20 single "Red Guitar".
In 1985, Sylvian released an instrumental EP Words with the Shaman , in collaboration with Jansen, Hassell, and Czukay—a recording that, when re-released the same year as full-length album Alchemy: An Index of Possibilities , included the addition of Sylvian's "Steel Cathedrals", the soundtrack to his video release of the same name.
The next release was the two-record set Gone to Earth (1986), which featured one record of atmospheric vocal tracks and a second record consisting of ambient instrumentals. The album contained significant contributions from noted guitarists Bill Nelson (formerly of Be-Bop Deluxe) and Robert Fripp (of King Crimson), and a rhythm section comprising Steve Jansen of Japan on drums and Ian Maidman of Penguin Cafe Orchestra on bass.
Secrets of the Beehive (1987) made greater use of acoustic instruments and was musically oriented towards sombre, emotive ballads laced with string arrangements by Ryuichi Sakamoto and Brian Gascoigne. The album yielded one of Sylvian's most well-received songs, "Orpheus", and was later followed by his first live outing as a solo artist, 1988's 80-day world tour "In Praise of Shamans", featuring Robbie Aceto, Richard Barbieri, Mark Isham, Steve Jansen, Ian Maidman and David Torn.
Following Secrets of the Beehive, Sylvian underwent an extended period of depression and undertook analysis as a way of coming to terms with facts in his childhood upbringing, and his restless search for a spiritual creed to which he could adhere. Ultimately he left behind his Christian roots and via explorations of widely varied philosophies ranging from the writings of Gurdjieff to Gnosticism to Zen Buddhism, all of which left its traces in his lyrics and music, he settled on Buddhism as his primary spiritual path.
Never one to conform to commercial expectations, Sylvian then collaborated with Holger Czukay. Plight and Premonition , issued in 1988, and Flux and Mutability , recorded and released the following year, also included contributions from Can members Jaki Liebezeit and Michael Karoli.
Virgin decided to close out the 1980s with the release of Weatherbox , an elaborate boxed-set compilation consisting of Sylvian's four previous solo albums and designed by Russell Mills. Concurrent with Weatherbox, Sylvian released the non-album single "Pop Song."
In 1990, Sylvian collaborated with artists Russell Mills and Ian Walton on the elaborate multi-media installation using sculpture, sound, and light titled Ember Glance – The Permanence of Memory. The exhibition was staged at the temporary museum 'Space FGO-Soko' on Tokyo Bay, Shinagawa, Tokyo.
In the early 1990s, guitarist Robert Fripp invited Sylvian to sing with progressive rock stalwarts King Crimson. Sylvian declined the invitation, but he and Fripp recorded the album The First Day released in July 1993. Something of a departure for Sylvian, the album melded Sylvian's philosophical lyrics to funk workouts and aggressive rock stylings very much in the mould of Fripp's King Crimson. To capitalise on the album's success, the musicians went back out on the road in the autumn of 1993. A live recording, called Damage and released in 1994, was culled from the final shows of the tour.
Sylvian and Fripp's final collaboration was the installation Redemption – Approaching Silence. The exhibition was held at the P3 Art and Environment centre in Shinjuku, Tokyo, and ran from 30 August to 18 September 1994. The accompanying music was composed by Sylvian, with text written and recited by Fripp.
In the late summer of 1995, Sylvian undertook a one-man solo tour which he called 'Slow Fire – A Personal Retrospective'.
A period of relative musical inactivity followed, during which Sylvian and Ingrid Chavez moved from Minnesota to the Napa Valley. Chavez had given birth to two daughters, Ameera-Daya (born 1993) and Isobel (born 1997), and pursued her interest in photography and music. Sylvian and Chavez are now divorced.
In 1999, Sylvian released Dead Bees on a Cake , his first solo album proper since Secrets of the Beehive 12 years earlier. The album gathered together the most eclectic influences of all his recordings, ranging from soul music to jazz fusion to blues to Eastern-inflected spiritual chants, and most of the songs' lyrics reflected the now 41-year-old Sylvian's inner peace resulting from his marriage, family, and beliefs. Guest musicians included long-time friend Ryuichi Sakamoto, classically trained tabla player Talvin Singh, avant-garde guitarist Marc Ribot, jazz trumpeter Kenny Wheeler, and contemporary jazz guitarist Bill Frisell. In 2010, Sylvian said, "Since the early '80s I've been interested in deconstructing the familiar forms of popular song, in retaining the structure but removing the pillars of support. My work continually returns to this question: how much of the framework can you remove while still being able to identify what is, after all, a familiar form?"
Following Dead Bees, Sylvian released 2 compilation albums on Virgin Records, a two-disc retrospective, Everything and Nothing (2000), and an instrumental collection, Camphor (2002). Both albums contained previously released material, some remixes, and several new or previously unreleased tracks which Sylvian finished especially for the projects.
Sylvian left Virgin Records and launched his own independent label, Samadhi Sound. He released the album Blemish . A fusion of styles, including jazz and electronica, the tour enabled Sylvian to perform music from the Nine Horses project, as well as various selections from his back catalogue. Blemish included contributions from Christian Fennesz and Derek Bailey. Sylvian used a different approach with this album. He has said about his process, "With Blemish I started each day in the studio with a very simple improvisation on guitar. Once recorded, I'd listen back and use cues from the improv—the dynamic and so on—to dictate the structure of the piece. I'd write lyrics and melody on the spot, and would follow that up with the recording of the vocal itself."
A new solo album entitled Manafon was released on 14 September 2009 in two editions – a regular CD/digipak edition and a twin boxset deluxe edition with two books that include the CD and a DVD featuring the film 'Amplified Gesture'. Manafon features contributions from leading figures in electroacoustic improvisation such as saxophonist Evan Parker, multi-instrumentalist Otomo Yoshihide, laptop + guitarist Christian Fennesz, Polwechsel's double bassist Werner Dafeldecker and cellist Michael Moser, sinewaves specialist Sachiko M and AMM alumni guitarist Keith Rowe, percussionist Eddie Prévost and pianist John Tilbury. In 2010, Sylvian talked about Manafon, and said:
"What happened with Manafon was that the work abandoned me. As I was writing and developing the material, the spirit holding all these disparate elements together just left me. I sat stunned for a moment and then realised: It's over; this is as far as it goes…In a sense, I'd been steadily working my way toward Manafon since I was a young man listening to Stockhausen and dabbling in deconstructing the pop song. Having said that, I don't think we only develop as artists practising in our chosen fields. For me, that meant an exploration of intuitive states via meditation and other related disciplines which, the more I witnessed free-improv players at work, appeared to be crucially important to enable a being there in the moment, a sustained alertness and receptivity."
In 2010, Sylvian released a compilation disc of his collaborative works with musicians over the last 10 years – Sleepwalkers includes songs with Ryuichi Sakamoto, Tweaker, Nine Horses, Steve Jansen, Christian Fennesz and Arve Henriksen. Also included are a few new songs such as "Sleepwalkers" which is co-written with drummer Martin Brandlmayr of Radian and Polwechsel.
In 2011, the double disc Died in the Wool was released as variations on the 2009 release Manafon with the addition of six new pieces, including collaborations with composer Dai Fujikura, producers Jan Bang and Erik Honoré, and a roster of contemporary musicians and improvisers. For the first time, a stereo mix of the audio installation "When We Return You Won't Recognise Us" is available on CD, pairing a group of improvisers – John Butcher, Arve Henriksen, Günter Müller, Toshimaru Nakamura, and Eddie Prévost – with a string sextet directed by Fujikura.
Also in 2011, Sylvian acted as the artist in residence at the Punkt Festival in Norway. In addition to curating the events of the festival, Sylvian performed both compositions from the Holger Czukay-collaborated album Plight & Premonition, backed by John Tilbury, Jan Bang, Phillip Jeck, Eivind Aarset, Erik Honoré, and Arve Henriksen. The positive reception led to the decision to tour throughout Europe in 2012. The Implausible Beauty tour was due to feature a lineup of musicians including Jan Bang, guitarist Eivind Aarset, pianist Sebastian Lexer, cellist Hildur Gudnadottir and trumpeter Gunnar Halle. The tour was cancelled in late January 2012 due to Sylvian's poor health.
In 2013, Sylvian released Do You Know Me Now?, a one-time pressing released with a re-mastered version of "Where's Your Gravity?"
In 2014, Sylvian released There's a Light That Enters Houses with No Other House in Sight , a long-form composition with contributions from Christian Fennesz and John Tilbury and featuring spoken word by American Pulitzer Prize winning poet Franz Wright of excerpts from Wright's own Kindertotenwald.
In 2015, Sylvian released Playing The Schoolhouse with Confront Recordings in two limited editions. The release, a 15-minute long composition, was composed based on improvisations by Sylvian and Jan Bang - with contributions by Otomo Yoshihide and Toshimaru Nakamura - and was recorded in a schoolhouse in Norway.Sylvian collaborated again with Confront Recordings in 2017, with Mark Wastell (who runs Confront Recordings) and Rhodri Davies for the first release of the Confront Core Series, There Is No Love. The long-form composition was created with previously recorded materials, and features text from Bernard-Marie Koltès's In the Solitude of Cotton Fields .
Sylvian was in a long-term relationship with photographer Yuka Fujii, who was the former girlfriend of Japan bassist Mick Karn. Fujii was instrumental in encouraging Sylvian to listen to more jazz-based recordings.[ citation needed ]
Sylvian married Ingrid Chavez in 1992,she ended the relationship 11 years later. The two artists lived in New Hampshire, they have two children.
Christian Fennesz is an Austrian producer and guitarist active in electronic music since the 1990s, often credited simply by his last name. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch.
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined by Richard Barbieri (keyboards) and Rob Dean the following year. Initially an alternative glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences.The band achieved success in the late 1970s and early 1980s, releasing nine UK Top 40 hits, including the 1982 Top 5 hit single "Ghosts", and scoring a UK Top 5 with the live album Oil on Canvas (1983). The band split in December 1982, just as they were beginning to experience commercial success in the UK and abroad. Its members went on to pursue other musical projects, though they reformed briefly in the early 1990s under the name Rain Tree Crow, releasing an album in 1991.
Andonis Michaelides, better known as Mick Karn, was an English-Cypriot musician and songwriter who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass sound and melodic playing style were a trademark of the band's sound.
Richard Barbieri is an English musician and songwriter. Originally a member of new wave band Japan, more recently he is known as the keyboard player in the progressive rock band Porcupine Tree, which he joined in 1993.
Secrets of the Beehive is a solo album by British singer-songwriter David Sylvian and was released in 1987. Reportedly written in one sitting over a couple of weeks Secrets was his most intimate to date and used more acoustic instruments than ever before. By many regarded as his finest solo work. Produced by Steve Nye and David Sylvian, the album features Ryuichi Sakamoto, David Torn, Mark Isham and Steve Jansen among others. The album peaked at no.37 in the UK album chart.
Brilliant Trees is the first solo album by the British singer-songwriter David Sylvian, released in June 1984. The album peaked at number 4 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
Alchemy: An Index of Possibilities is technically David Sylvian's second solo album, released in 1985 on cassette only, and produced by Sylvian and Nigel Walker. However, David Sylvian’s website davidsylvian.com states that Alchemy is an “intermediary album, made up of ... entirely separate projects,” and also that the next album Gone to Earth is “David Sylvian’s second solo album proper.” The reasons that Alchemy is an intermediary album rather than a solo album proper are (1) it was assimilated from separate projects, and (2) it was originally released on cassette only, in a limited edition. Additionally, subsequent versions released in 1989 and 2003 added tracks from more different projects, thus somewhat adding to the release not being a singular distinct album. It was reissued in its original form on CD in Japan in 1991.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously unreleased, re-recorded, and lesser-known tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
Blemish is the sixth solo album by David Sylvian, released in 2003. Following Sylvian's acquittal from Virgin Records, he built a home studio, Samadhi Sound Studio, and recorded Blemish in early 2003. The album was inspired by, and documents, the disintegration of Sylvian's relationship with his wife, Ingrid Chavez, marking a turning point in Sylvian's lyrics as they became more personal and open and less oblique. Wanting to find a new musical vocabulary for himself, he recorded the album in a relatively quick, six-week duration, improvising the eight songs on the album as he went. It features guest appearances from free improvisation guitarist Derek Bailey, and electronic musician Fennesz.
Snow Borne Sorrow is an album by Nine Horses, released in October 2005. Nine Horses is a collaboration between David Sylvian, Steve Jansen and Burnt Friedman. Other contributors include Norwegian trumpeter and Supersilent member Arve Henriksen, Swedish vocalist Stina Nordenstam, and Ryuichi Sakamoto on piano.
Camphor is a David Sylvian compilation album released in 2002 as a companion to Everything and Nothing. The focus is on his instrumental work. The album, nonetheless, has two previously unreleased tracks: "The Song Which Gives the Key to Perfection" and "Camphor".
Samadhi Sound is an independent record label founded by singer and musician David Sylvian after his departure from Virgin Records in the late nineties.
Theo Travis is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010.
"Forbidden Colours" is a 1983 song by David Sylvian and Ryuichi Sakamoto. The song is the vocal version of the theme from the Nagisa Oshima film Merry Christmas, Mr. Lawrence. It appears on the film's soundtrack album and was released as a single on Virgin Records in 1983.
Manafon is a 2009 album by David Sylvian. It is an avant-garde work combining elements of free improvisation, experimental rock and chamber music. It reached rank No. 6 in The Wire's list of best 2009 albums.
World Citizen is an EP by Ryuichi Sakamoto and David Sylvian. It was originally released in 2003 in Japan, and was later released under UK label in 2004. The two editions have different track lists and different covers. The EP was created as part of a project called Chain Music instigated by Ryuichi Sakamoto.
"The Ink in the Well" is a song by the English singer-songwriter David Sylvian. It was released in August 1984 as the second single from his debut solo album Brilliant Trees.
Visions of China is a song by English new wave band Japan, released in October 1981 as the second single from their 1981 album Tin Drum, which was released on November 13. The single reached number 32 on the UK Singles Chart.
A Victim of Stars 1982–2012 is a compilation album by David Sylvian. Released in 2012, the album features songs from his solo work, from Japan's reformation Rain Tree Crow, his collaborations with other artists such as Ryuichi Sakamoto and Robert Fripp, and from his more recent involvement in the band Nine Horses. It also features of a remix of Japan's "Ghosts", released on Sylvian's 2000 compilation Everything and Nothing. The album peaked at number 58 on the UK albums chart.
Sleepwalkers is a compilation album by David Sylvian, released September 2010 by Samadhi Sound.