Quiet Life is the third studio album by English new wave band Japan, first released on 17 November 1979 in Canada by record label Hansa (it would be released in the UK some weeks later).
The album was a transition from the glam rock-influenced style of previous albums to a synth-pop style. Though sales were initially slow, Quiet Life was the band's first album to chart and was later certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
Background and recording
In 1979 Japan collaborated with famed disco producer Giorgio Moroder for the stand alone single, "Life in Tokyo", which featured a dramatic stylistic shift away from the mostly guitar-driven glam rock of their first two albums into an electronic dance style, prefiguring their work on Quiet Life.[5] However, the group did not feel that Moroder was the right choice to produce a full album.[6]
Early material for an album had been considered and dropped, including the proposed title track "European Son", which later appeared on the compilation Assemblage. The band then approached Roxy Music producer John Punter, but he was unavailable at the time and the group began to record with manager Simon Napier-Bell. However, the band learned that Punter was available later in the year and waited for him. Punter worked closely with the group and went on to produce two more albums and tour with them.[6]
With the exception of 'All Tomorrow's Parties' (which was recorded during the early sessions for Quiet Life in the summer of 1979 at DJM Studios in London, produced by Simon Napier-Bell and Japan, and then re-mixed by John Punter), the album was recorded in September 1979 at Air Studios, London and mastered on 5 November at Trident Studios, with John Punter producing.[7]
Quiet Life was the last of the three albums the band made for the Hansa-Ariola label. The band switched to Virgin Records in 1980. However, Hansa later issued a compilation album (Assemblage) of singles and album highlights from the band's time with the label.
Content
Quiet Life has been described as one of the first albums released during the New Romantic era, though the band themselves always refuted they had any connection or involvement with the New Romantic movement.[8]
In a retrospective review of the band's work, The Quietus characterised the album as defining "a very European form of detached, sexually-ambiguous and thoughtful art-pop, one not too dissimilar to what the ever-prescient David Bowie had delivered two years earlier with Low".[2] The album is notable for being the first album where singer David Sylvian used his newfound baritone vocal style, which became one of the band's most distinctive hallmarks.
Lyrically the title track refers to problems the band was going through at the time, having lost their US record contract and the lack of commercial success in the UK. It has been suggested that the rest of the songs reflect a travelogue relating to impressions the band had gained from touring the world. The oriental sounding "A Foreign Place" was left off the album but later appeared as the B-side on the single "Quiet Life".[6]
In a 1982 interview, Sylvian commented that Quiet Life was the only Japan album that the band worked on together in a truly collaborative manner, as he would (regretfully) come to dominate the recording sessions for subsequent albums.[9] Later in his career, Sylvian said of the album: "I still feel very attached to it – unusual for me. We reached a peak with this album – we knew what we were doing."[6]
Release
Quiet Life was first released on 17 November 1979 in Canada, with journalist Rosalind Russell describing Japan as being a "cult band in Canada" and that the album was "shifting copies like candles in a power strike".[10] The band travelled to Toronto to perform two sets at the Ryerson Theatre on 24 November, which was their first show in six months (and also their last ever performance in North America), and was the first to feature Jane Shorter on saxophone.[11][10] The album was released in Japan on 20 December 1979 and everywhere else in January 1980 due to a delay in manufacturing the album. It was released in the UK on 18 January.[12]
Though initially unsuccessful upon its release in the band's native UK (where it peaked at No. 72 in February 1980), the album returned to the charts in early 1982 after the commercial success of 1981's Tin Drum and the Hansa Records compilation Assemblage. It peaked at No. 53, two years after its original release,[13] and was eventually certified "Gold" by the BPI in 1984 for 100,000 copies sold.[14]
The title track, "Quiet Life", was released as a single in Japan in 1979 and in Germany in 1980. In other countries, including the band's native UK, Hansa chose to promote the album with the standalone single "I Second That Emotion" with "Quiet Life" as the B-side. Neither single was commercially successful. Eighteen months later, in line with the band's increasing popularity and media profile, Hansa released "Quiet Life" as an A-side single in the UK and Ireland in August 1981 (with the instrumental "A Foreign Place" as the B-side). The single reached No. 19 on the UK Singles Chart, becoming Japan's first UK Top 20 hit.[13]
"All Tomorrow's Parties" was remixed by Steve Nye and issued as a single by Hansa in February 1983, two months after Japan had permanently disbanded, and three years after the original album release. It peaked at No. 38 in the UK.[13]
Re-issues
The album was re-issued in 2001 and 2004 on CD with bonus tracks, with the rights ending up with BMG Rights Management over the following decade. In 2021 BMG re-issued the album in a number of formats including a boxset (featuring three CDs with a 180g half-speed mastered vinyl), a couple of vinyl editions and a CD release. Some versions of the 2021 re-issue include Live at the Budokan 27/03/1980. This is an audience recording of the full Budokan show, made on a portable cassette machine. Four tracks from this concert had originally been released in some territories by Hansa in 1980, as the Live in Japan EP. Unlike the bootleg quality of the full show, the EP was produced from professional multitrack recordings made by the band's producer John Punter (who accompanied them on the tour, mixing their live sound).[15][16][17]
Some contemporary critics dismissed Japan as Roxy Music imitators. "Although [Japan] may seem full-steam ahead, seamlessly 'European' to you," NME's Ian Penman wrote, "it all seems slyly Roxy Stranded to us ancients. Ferry's smoky closure accentuated and crowded into one watery fiction." The album nonetheless received positive reviews from other critics such as Melody Maker's Steve Gett and Sounds editor Geoff Barton, garnering the band some of their first real support from the British music press.[22]
In his retrospective review of the album, AllMusic critic Keith Farley wrote: "Quiet Life is the album that transformed Japan from past-tense glam rockers into futuristic synth popsters, though they'd been leaning in that direction for a while. It's also a solid proto-New Romantic synthesizer record".[1]Trouser Press viewed the selection of John Punter to produce the album as "significant, as the band's sights had shifted from gutter-glam to elegant decadence."[23] Writing for The Quietus, Joseph Burnett called Quiet Life "an album that pushed the elegant, improbably-coiffed Sylvian into the limelight, aided and abetted by some of the band's best songs," and found that it "deserves to be placed alongside Travelogue, Mix-Up and Orchestral Manoeuvres in the Dark as one of the key early British synth-based pop/rock albums".[2]
2004 and 2006 UK remastered CD reissues bonus tracks
No.
Title
Writer(s)
Length
9.
"All Tomorrow's Parties" (12" version)
5:15
10.
"All Tomorrow's Parties" (7" mix)
3:33
11.
"A Foreign Place"
Sylvian, Barbieri
3:10
12.
"Quiet Life" (7" mix)
3:51
13.
"Quiet Life" (video)
3:51
The band originally intended for the track listing to be 1) All Tomorrow's Parties, 2) Fall in Love with Me, 3) Alien, 4) Quiet Life, 5) The Other Side of Life, 6) Despair, 7) In Vogue, 8) Halloween, 9) A Foreign Place, and the notes in the CD cover booklet of the 2006 remastered edition suggest that the listener should try listening to the album in that order.
2021 deluxe edition bonus tracks
A Quieter Life: Alternative Mixes & Rarities and Live in Japan EP
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined by Richard Barbieri (keyboards) and Rob Dean the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences.
Steve Jansen is an English musician, composer and record producer.
Richard Barbieri is an English musician, composer and sound designer. Originally a member of new wave band Japan, more recently he is known as the keyboard player in the progressive rock band Porcupine Tree, which he joined in 1993. Aside from the founder Steven Wilson, he is the longest tenured member of Porcupine Tree.
Brilliant Trees is the debut solo studio album by the English musician David Sylvian, released on 25 June 1984 by Virgin Records. The album peaked at number 4 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI) for sales in excess of 100,000 copies.
Tin Drum is the fifth and final studio album by English band Japan, released in November 1981 by Virgin Records. It peaked at No. 12 on the UK charts, and featured the top 5 single "Ghosts". It has received acclaim as the band's best and most original work.
Adolescent Sex is the debut album by the English band Japan, released in March 1978 by record label Hansa. To avoid controversy over the title, the album was renamed simply as Japan in some countries.
Gentlemen Take Polaroids is the fourth studio album by the English band Japan, released in November 1980 by Virgin Records.
Obscure Alternatives is the second studio album by English new wave band Japan, released in October 1978 by record label Hansa.
"I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and the Temptations, also on the Motown label.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, The Velvet Underground & Nico.
Assemblage is a compilation album by the British band Japan, released in September 1981 by Hansa Records.
Exorcising Ghosts is a compilation album by the British band Japan, released in November 1984 by record label Virgin.
The Very Best of Japan is a compilation album by the British band Japan, released worldwide in 2006 by EMI Music.
"Nightporter" is a song by English new wave band Japan. The song originally featured on the band's fourth album Gentlemen Take Polaroids in 1980. However, it was then remixed by Steve Nye and released as a single in November 1982. The single peaked at number 29 on the UK Singles Chart.
The Art of Parties is a song by the British band Japan.
"Cantonese Boy" is a song by English new wave band Japan, released in May 1982 as the fourth and final single from their 1981 album Tin Drum. The single peaked at number 24 on the UK Singles Chart. The song refers to the enlistment of a Cantonese boy to the Chinese Red Army.
"Life in Tokyo" is a song by the British band Japan. A collaboration with disco producer Giorgio Moroder, who also co-wrote the song with David Sylvian, it marked a change of direction from the band's previous sound. Originally released as a single in 1979, it was reissued twice before it finally became a hit on the UK Singles Chart in 1982.
"European Son" is a song by the British band Japan.
"Quiet Life" is a song by the British new wave band Japan. It is the title track of their 1979 album Quiet Life. The lyrics to the song refer to the problems the band was going through at the time. They had lost their US record contract and Hansa Records had been pressuring them for a hit single in the UK.
"Adolescent Sex" is a song by English new wave band Japan, released as a single from their debut album of the same name in 1978. It was the band's only single to chart in Europe outside of the UK and Ireland, as it was a Top-40 hit in the Netherlands and Belgium.
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