Manafon | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 14 September 2009 | |||
Recorded | between 2004–2007 in Vienna, Tokyo, London | |||
Genre | Avant-garde | |||
Length | 49:48 | |||
Label | Samadhi Sound | |||
Producer | David Sylvian | |||
David Sylvian chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 80/100 [1] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
musicOMH | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 7.4/10 [4] |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
Uncut | ![]() ![]() ![]() ![]() ![]() |
Manafon is the seventh full-length studio album by David Sylvian, released on 14 September 2009 by the Samadhisound label. It is an avant-garde work combining elements of free improvisation, experimental rock and chamber music. It reached rank No. 6 in The Wire's list of best 2009 albums. [7]
Manafon was recorded over a three-year period in Vienna, Tokyo and London. [8] Of the recording process, Sylvian said:
"There was nothing written when we went into the studio – this was very much free improvisation. So, the selection of the group of musicians for each improvisation was paramount. I recognized on the day which pieces could work for me. The process was that I took the material away and then wrote and recorded the vocal line over in a couple of hours. So I couldn't analyze my contribution and that in a way was my form of improvisation – and I enjoyed the rapidity of response." [9]
"I take the sessions and work on them at a later time. I attempt to 'improvise' lyrics and melodies as I go, writing and recording all in a matter of hours. The basic tracks themselves undergo little or no editing as such. The structure pretty much remains as given from the original sessions. I might add an introduction or overdub other elements onto the original take. Here's a couple of examples: "Senseless Violence": Recorded in Vienna with Rowe/Polwechsel/Fennesz. I added guitar parts then layered Tilbury's piano into the track then added the vocal and an introduction. "Greatest Living Englishman: Initial take" suggested acoustic guitar overdubs which I requested of Otomo and Tetuzi on the spot. I later cut and pasted some interesting turntable activity from an alternate take onto this track. I also added an introduction by cutting and pasting elements from an earlier take. Tilbury was added to the coda. Melody and vocal s added. "Rabbit Skinner": no editing. Added acoustic guitar myself then vocals." [10]
For the recording of Manafon, Sylvian was also inspired by the Welsh poet R. S. Thomas: lyrics often reflect the main themes written by the poet and the title of the album refers indeed to a Welsh namesake village (in north Powys) in which Thomas lived for a while. [11]
"Manafon is indeed a village in Wales, a village in which Thomas lived for sometime and served as rector to the parish. In this small village, Thomas had trouble filling the pews of a Sunday but in a sense it was something of an idyllic spot in which to raise a child (a strict, taciturn and somewhat indifferent parent), master his profession and write his poetry. So, the physically real village became for me a metaphor for the poetic imagination.", said Sylvian. [9]
The 7th track refers to Emily Dickinson, [12] whose poems Sylvian would later use: "A Certain Slant Of Light" [13] and "I Should not Dare (for N.O)" [14] would be part of Died in the Wool in 2010, while "I Measure Every Grief I Meet" would appear on a 2024 recording read by Sylvian. [15]
All tracks are written by David Sylvian
No. | Title | Length |
---|---|---|
1. | "Small Metal Gods" | 5:49 |
2. | "The Rabbit Skinner" | 4:41 |
3. | "Random Acts of Senseless Violence" | 7:06 |
4. | "The Greatest Living Englishman" | 10:55 |
5. | "125 Spheres" | 0:29 |
6. | "Snow White in Appalachia" | 6:35 |
7. | "Emily Dickinson" | 6:25 |
8. | "The Department of Dead Letters" | 2:25 |
9. | "Manafon" | 5:23 |
Total length: | 49:48 |
No. | Title | Length |
---|---|---|
10. | "Random Acts of Senseless Violence" (Remixed by Dai Fujikura) | 6:24 |
Total length: | 56:12 |
A limited edition boxed set came with a DVD of the album in 5.1 Surround Sound, and a feature-length making-of documentary, Amplified Gesture.
Christian Fennesz is an Austrian producer and guitarist active in electronic music since the 1990s, often credited mononymously as Fennesz. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch.
David Sylvian is an English musician, singer and songwriter who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s new wave scene.
Secrets of the Beehive is the fourth studio album by English singer-songwriter David Sylvian. The album was released on 19 October 1987 in Europe and the United States. The album peaked at No. 37 in the UK album chart. The album was released in Japan on 21 November 1987.
Brilliant Trees is the debut solo studio album by the English musician David Sylvian, released on 25 June 1984 by Virgin Records. The album peaked at number 4 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI) for sales in excess of 100,000 copies.
The First Day is an album by the British musicians David Sylvian and Robert Fripp released in August 1993. The album, first of three collaborations between the two musicians, contains music merging elements of rock and funk.
Rain Tree Crow is the sole album released by English band Rain Tree Crow, a reunion project by the members of the new wave band Japan. Recorded in 1989 and 1990 and released in April 1991, it was the first time that members David Sylvian, Mick Karn, Steve Jansen and Richard Barbieri had collaborated as a four-piece since 1982. The album peaked at number 24 on the UK Albums Chart.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously released and unreleased, re-recorded, and alternate versions of tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
Blemish is the sixth studio album by British singer-songwriter David Sylvian, released in May 2003 on Sylvian's Samadhisound label.
Dead Bees on a Cake is the fifth studio album by British singer-songwriter David Sylvian, released in March 1999 on Virgin Records. It was his first solo album in 12 years since Secrets of the Beehive. The album peaked at no. 31 in the UK Albums Chart at release and contained his last UK Top 40 single to date in "I Surrender".
Damage is a 1994 live album by David Sylvian and Robert Fripp. It was recorded on the "Road to Graceland" tour at London's Royal Albert Hall, December 1993.
Camphor is a David Sylvian compilation album released in 2002 as a companion to Everything and Nothing. The focus is on his instrumental work.
5th Gear is the sixth studio album by American country music singer Brad Paisley. It was released June 19, 2007, by Arista Nashville and debuted at number three on the Billboard 200, with first week sales of about 197,000 copies. On April 9, 2008, 5th Gear was certified platinum by the RIAA.
Everything Is Fine is the third studio album by American country music artist Josh Turner, released on October 30, 2007. "Firecracker" was the first single released, reaching No. 2 on the Hot Country Songs charts, and was followed by "Another Try", which peaked at No. 15 on the same chart. The title track was released as the album's third single and reached No. 20.
Play: The Guitar Album is the seventh studio album by American musician Brad Paisley. It was released on November 4, 2008. Like all of his previous albums, Play was released on Arista Nashville and produced by Frank Rogers.
"Heartbeat – Returning to the Womb" is a song resulting from the collaboration between Ryuichi Sakamoto and David Sylvian, with music co-written by Arto Lindsay. It features vocals by Ingrid Chavez and spoken word by John Cage. The mini-album containing the track was released in 1992 and features a previous collaboration between Sakamoto and Sylvian, the 1984 re-recording of "Forbidden Colours", produced by Steve Nye, that was the B-side to Sylvian's single "Red Guitar" and features as a bonus track on his 1987 album Secrets of the Beehive.
There's a Light That Enters Houses with No Other House in Sight is the eighth studio album by David Sylvian, consisting of a single hour-length composition. It features spoken word by Pulitzer Prize winning poet Franz Wright, as well as contributions from electronic multi-instrumentalist Fennesz and pianist John Tilbury. The album was produced by Sylvian, and was released on his Samadhisound label in November 2014.
A Victim of Stars 1982–2012 is a compilation album by David Sylvian. Released in 2012, the album features songs from his solo work, from Japan's reformation Rain Tree Crow, his collaborations with other artists such as Ryuichi Sakamoto and Robert Fripp, and from his more recent involvement in the band Nine Horses. It also features of a remix of Japan's "Ghosts", released on Sylvian's 2000 compilation Everything and Nothing. The album peaked at number 58 on the UK albums chart.
Died in the Wool – Manafon Variations is a remix album by English singer and musician David Sylvian, released in May 2011 by Sylvian's independent label Samadhi Sound. The album features six songs from Sylvian's 2009 album Manafon, which have been remixed by Dai Fujikura. The new songs are heavily influenced by Fujikura, who conducted, arranged and composed the prevalent strings sections. "I Should Not Dare" and "A Certain Slant of Light" are poems by Emily Dickinson, set to music and sung by Sylvian.
Sleepwalkers is a compilation album by David Sylvian, released in September 2010 by the label Samadhi Sound.
A Tribute to Ryuichi Sakamoto – To the Moon and Back is a tribute album to Japanese multi-genre composer Ryuichi Sakamoto, released November 30, 2022, by Milan Records, two days ahead of its original release date. The album features reworked versions of Sakamoto's songs, referred to as "remodels", by artists including Devonté Hynes, the Cinematic Orchestra, Hildur Guðnadóttir, Alva Noto, and David Sylvian.