Evan Parker | |
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Background information | |
Birth name | Evan Shaw Parker |
Born | Bristol, England | 5 April 1944
Genres | free improvisation, free jazz |
Occupation | Musician |
Instrument | Saxophone |
Labels | Psi, Emanem, Clean Feed, Incus, Leo, Rune Grammofon, Tzadik |
Website | www |
Evan Shaw Parker (born 5 April 1944) [1] is a British tenor and soprano saxophone player who plays free improvisation.
Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques. Critic Ron Wynn describes Parker as "among Europe's most innovative and intriguing saxophonists...his solo sax work isn't for the squeamish." [2]
Parker's original inspiration was Paul Desmond. [3] Parker soon discovered the music of John Coltrane, who would be the primary influence throughout his career. Other important early influences were free jazz artists Cecil Taylor, Albert Ayler and Jimmy Giuffre. Since the 1990s the influence of cool jazz saxophone players has also become apparent in his music, with Parker recording tributes to Warne Marsh and Lee Konitz on Time Will Tell (ECM, 1993) and Chicago Solo (Okka Disk, 1997).
Parker moved to London in 1966 and quickly became a part of the city’s improvised music scene based around the Little Theatre Club, joining John Stevens’ Spontaneous Music Ensemble. [1] Along with guitarist Derek Bailey, he quickly became a leading figure in the improvised music movement in London and throughout Europe. [1] One of his most lasting connections was with German pianist Alexander von Schlippenbach, whose trio he joined in 1970. [1]
Parker is perhaps best known for his solo performances. Originally dismissive of solo performance as being too close in nature to traditional composition, he was inspired to experiment with solo performance by the possibilities for musician-instrument interaction demonstrated by Derek Bailey’s solo guitar improvisations. [4] Primarily using the soprano saxophone for these solo performances, the music makes use of a principle known as auditory streaming, [5] where the use of wide registers creates the illusion of polyphony, which Parker terms “pseudo-polyphony”. This effect is achieved primarily by using multiphonics or harmonics in combination with circular breathing, polyrhythmic fingering, and split tonguing. [6]
Working with electronic music since the early days of the Spontaneous Music Ensemble or with his duo with Paul Lytton, Parker has become increasingly interested in electronics, usually through inviting collaborators such as Phil Wachsmann, Walter Prati, Joel Ryan, Lawrence Casserley, Sam Pluta or Matthew Wright to process his playing electronically, creating a feedback loop and shifting soundscape. [3] His various Electro-Acoustic Ensembles are a showcase for this area of his work, as well as the Trance Map project with Matthew Wight, which has included improvised live events across Europe and the US, involving other invited guest performers, with various Trance Map+ recordings released on psi, Intakt and FMR Records.
Parker has recorded a large number of albums both solo or as a group leader, and has recorded or performed with Peter Brötzmann, [7] Michael Nyman, John Stevens, Derek Bailey, Keith Rowe, Joe McPhee, Anthony Braxton, Cecil Taylor, John Zorn, Fred Frith, Bill Laswell, Ikue Mori, Thurston Moore, Cyro Baptista, Milford Graves, George E. Lewis, Tim Berne, Mark Dresser, Dave Holland, Sylvie Courvoisier, and many others. Two key associations have been pianist Alexander von Schlippenbach's trio with Parker and drummer Paul Lovens (documented on recordings such as Pakistani Pomade and Elf Bagatellen) and a trio with bassist Barry Guy and drummer Paul Lytton. [8] [9] On Parker's 50th birthday, these two bands played a set apiece at a London concert; the results were issued by Leo Records as the 50th Birthday Concert . [10]
Parker, Bailey, and Tony Oxley founded Incus Records in 1970. The label continued under Bailey's sole control after a falling-out between the two men[ which? ] in the early 1980s. Parker curates Psi Records, [3] which is issued by Martin Davidson's Emanem Records.
From 1999 to 2007 Parker co-ordinated, recorded and played in the Free Zone at the Appleby Jazz Festival, held in Cumbria, England. The recordings were issued through his Psi record label.
Although Parker's focus is free improvisation, he has appeared in conventional jazz contexts, such as Charlie Watts's big band and Kenny Wheeler's ensembles and participated in Gavin Bryars's recording After the Requiem, performing the composition "Alaric I or II" as part of a saxophone quartet. [11]
Parker contributed to David Sylvian's albums Manafon and Died in the Wool. [12]
Parker marked his 80th birthday with a three-concert series at Café Oto, London (April 2024) and The Heraclitean Two-Step, etc. (4CDs of solo performances with a 120 page book; on False Walls).
He also has appeared in pop-music contexts: on Scott Walker's Climate of Hunter , and on dub-influenced albums with Jah Wobble, the adventurous drum n bass duo Spring Heel Jack and rock group Spiritualized. He appeared on the b-side to Vic Reeves and The Wonderstuff's UK 1991 number-one hit "Dizzy", performing saxophone on "Oh, Mr Songwriter" (based on Vic Reeves Big Night Out TV show end theme song). [13] At one point during a sax solo, Vic can be heard shouting: "Pack it in, Parker!"
Parker has also made notable appearances on record with Robert Wyatt. [14]
Evan Parker playing in Aarhus, Denmark, 2010
With Derek Bailey
With Han Bennink
With Borah Bergman
With Paul Bley
With Anthony Braxton
With Peter Brötzmann
With Gavin Bryars
With Lawrence Casserley
With Alvin Curran
With Pierre Favre
With Joe Gallivan
With the Globe Unity Orchestra
With Barry Guy/The London Jazz Composers' Orchestra
With the Barry Guy New Orchestra
With Paul Haines
With Dave Holland
With Tony Hymas - Barney Bush
With Steve Lacy
With Chris McGregor
With Roscoe Mitchell
With Louis Moholo
With The Music Improvisation Company
With Natural Information Society
With Michael Nyman
With Tony Oxley
With Paul Rutherford and Iskra 1912
With Alexander von Schlippenbach
With Manfred Schoof
With Setoladimaiale Unit
With the Spontaneous Music Ensemble
With Spring Heel Jack
With David Sylvian
with Cecil Taylor
With Stan Tracey
With Trance Map
With Scott Walker
With Charlie Watts
With Kenny Wheeler
With Robert Wyatt
Derek Bailey was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company.
Han Bennink is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano.
Kenneth Vincent John Wheeler, OC was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.
Tony Oxley was an English free improvising drummer and electronic musician.
Louis Tebogo Moholo is a South African jazz drummer. He has been a member of several notable bands, including The Blue Notes, the Brotherhood of Breath and Assagai.
Paul Lovens is a German musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra.
Barre Phillips was an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. From 1972 he was based in southern France, where in 2014 he founded the European Improvisation Center.
Irène Schweizer was a Swiss jazz and free improvising pianist.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Joëlle Léandre is a French double bassist, vocalist, and composer active in new music and free improvisation.
Mats Olof Gustafsson is a Swedish free jazz saxophone player.
Paul William Rutherford was an English free improvising trombonist.
Alexander von Schlippenbach is a German jazz pianist and composer. He came to prominence in the 1960s playing free jazz in a trio with saxophonist Evan Parker and drummer Paul Lovens, and as a member of the Globe Unity Orchestra. Since the 1980s, Von Schlippenbach has explored the work of more traditional jazz composers such as Jelly Roll Morton or Thelonious Monk.
Trevor Charles Watts is an English jazz and free-improvising alto and soprano saxophonist.
Philipp John Paul Wachsmann is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom.
Paul Lytton is an English free jazz and free improvising percussionist.
John Russell was an acoustic guitarist who worked in free improvisation beginning in the 1970s. He promoted concerts and appeared on more than 50 recordings.
Radu Malfatti is an Austrian trombone and harmonica player, and composer. He was born in Innsbruck, in the province of Tyrol, on December 16, 1943. Malfatti is associated with the style of music known as reductionism and has been described as "among the leaders in redefining the avant-garde as truly on-the-edge art." His work "since the early nineties... has been investigating the edges of ultraminimalism in both his composed and improvised work." He also operates B-Boim, a CD-R-only record label focusing on improvised and composed music, much of it his own.
Psi Records is an independent record label that was founded by saxophonist Evan Parker, and that focuses on free improvisation.
America 2003 is a two-disc live album by saxophonist Evan Parker, pianist Alexander von Schlippenbach, and drummer Paul Lytton. It documents two concerts presented during a month-long tour of the United States, with disc one recorded on May 1, 2003, at the New Orleans Contemporary Arts Center, and disc two recorded on May 14, 2003, at the Seattle Asian Art Museum. The album was released on CD in 2004 by Psi Records.