The Bleeding Edge | ||||
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Live album by | ||||
Released | 2011 | |||
Recorded | 4 May 2010 | |||
Venue | St. Peter's Church, Whitstable, England | |||
Genre | Free improvisation | |||
Label | Psi 11.10 | |||
Producer | Evan Parker, Martin Davidson | |||
Evan Parker chronology | ||||
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The Bleeding Edge is a live album by saxophonist Evan Parker, cellist Okkyung Lee, and trumpeter Peter Evans, three musicians from different continents, playing instruments of different families (woodwind, string, brass). Featuring five improvised duos and six trios, it was recorded on 4 May 2010 at St. Peter's Church in Whitstable, England, and was released on CD in 2011 by Psi Records. [1] [2] [3]
Review scores | |
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Source | Rating |
The Free Jazz Collective | [4] |
In a review for Musicworks , Stuart Broomer wrote: "these aren’t simply virtuosos improvising, they're virtuoso improvisers, their skills specifically focused on the mutual creation of spontaneous music. There is everywhere here an alertness to the instant, to the new inference, but what makes it special is the individual and collective ability to knit this music together in extended units, initiating content as a matter of form, part of a continuum that will still be working itself out a few minutes and a thousand notes later." [5]
Regarding the opening trio, John Eyles of All About Jazz stated: "It goes without saying that each of the players is a first-rate improviser, very experienced and adept at playing in such circumstances. None of them is used to taking a back seat and, rather than them competing for the limelight, they are all the focus of attention constantly. Their experience shows in the ways in which they react to each other and subtly adapt their playing to accommodate the other two." [6]
The editors of The New York City Jazz Record included the album in their "Best of 2012" feature, [7] and reviewer Ken Waxman commented: "The Bleeding Edge confirms that there's no generation gap among creative stylists... With each sequence blended into a sound mosaic, the edges here may be bleeding, but with minimum bloodiness and maximum improvisational circulation." [8]
The Free Jazz Collective's Daniel Sorrells called the album "a display of musical minds and talents stripped of contextual baggage... challenging, sophisticated music that will reward anyone who opens themselves to it." He remarked: "It's uncommon to find a recording in which the individual strengths of each player are so constantly apparent, yet also so difficult to unravel from one another... The Bleeding Edge is an album to sit with. It's in turns beautiful, confounding, intimidating, and awe-inspiring." [4]
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Sense is an album by the electronic music duo FURT, consisting of Richard Barrett and Paul Obermayer. It features two long tracks: "Uranus," a studio recording from August 2, 2008, with twelve parts titled "Limen" I–XII; and "Curtains," a live recording from January 16, 2009, dedicated to Karlheinz Stockhausen, documenting a performance at the Lewis Glucksman Gallery at University College Cork, Ireland. The album was released in 2009 by Psi Records.
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The London Concert is a live album by guitarist Derek Bailey and saxophonist Evan Parker. It was recorded on February 14, 1975, at Wigmore Hall in London, and was initially released on vinyl later that year by Incus Records. In 2005, it was reissued on CD by Parker's Psi label with additional tracks, and in 2018, it was reissued on vinyl in remastered form but with the original four track format by Cafe Oto's Otoroku label.
As the Wind is a live album by saxophonist Evan Parker on which he is joined by percussionists Toma Gouband, playing lithophones, and Mark Nauseef, playing metallophones. It was recorded on September 22, 2012, at St Peters in Whitstable, England, and was issued on CD in 2016 by Psi Records as the label's final release.
America 2003 is a two-disc live album by saxophonist Evan Parker, pianist Alexander von Schlippenbach, and drummer Paul Lytton. It documents two concerts presented during a month-long tour of the United States, with disc one recorded on May 1, 2003, at the New Orleans Contemporary Arts Center, and disc two recorded on May 14, 2003, at the Seattle Asian Art Museum. The album was released on CD in 2004 by Psi Records.