Music for David Mossman: Live at Vortex London | ||||
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Live album by | ||||
Released | 2018 | |||
Recorded | July 14, 2016 | |||
Venue | Vortex Jazz Club, London | |||
Genre | Free improvisation | |||
Label | Intakt CD296 | |||
Producer | Evan Parker, Intakt Records, Patrik Landolt | |||
Evan Parker chronology | ||||
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Music for David Mossman: Live at Vortex London is a live album by saxophonist Evan Parker, double bassist Barry Guy, and drummer Paul Lytton. It was recorded on July 14, 2016, at the Vortex Jazz Club in London, and was released in 2018 by Intakt Records. The album is dedicated to the founder of the Vortex, who died in December 2018. [1] [2] [3] [4]
Review scores | |
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Source | Rating |
DownBeat | [5] |
All About Jazz | [6] |
The Free Jazz Collective | [7] |
Jazzwise | [8] |
In a review for DownBeat , Martin Longley wrote: "Even though these players all are hovering around age 70, they each play with the tempestuousness of younger men, adding expansive layers, resulting from years of experience." [5]
John Sharpe of All About Jazz called the album "a dazzling account from a superlative threesome revealing a hitherto underappreciated emotional dimension to the richly-detailed tapestry they weave." [6]
The Free Jazz Collective's Martin Schray described the recording as "music of an incredible density, music that varies harmonies and tempos constantly, music that changes its shape," and noted: "Hardly ever have these excellent musicians shown such a disposition to integrate their individual sounds and typical patterns to an all-encompassing unity." [7]
Writing for Jazzwise , Daniel Spicer stated: "the three of them trade in a dense, information-rich music through which they seem to achieve the holy grail of free-improvisation: the group mind." [8]
In an article for JazzTimes , Thomas Conrad commented: "The excitement comes from the spikes and crescendos, but even more from the overwhelming extravagance of detail. You can drown in the seas of this trio... Parker, Guy and Lytton celebrate the act of making music itself. They celebrate sound itself. Noise and melody are not as different as we thought." [9]
Point of Departure's Jason Bivins stated that the album "is as powerful as anything the trio have done in recent years," and remarked: "the trio never lingers overlong in any particular place, nor do they change arbitrarily or too rapidly. It's as exploratory and organic as ever... There remains nothing like this group. Truly glorious." [10]
Derek Taylor of Dusted Magazine wrote that the album is "affirmation that free isn't just a face value signifier, but something deeper and more elemental. With maestros such as Parker, Guy and Lytton it's a mantra that means every encounter will contain the means for finding something worthwhile and apart regardless of what's arisen before from their enduring associations." [11]
In a review for The Whole Note, Stuart Broomer noted that the album's "dominant texture is that of philosophical dialogue, a rapid conversation in which participants discourse while responding to the simultaneous intrusions of partners in the fray, who may quibble or launch counter-offensives, sending the first speaker to submit background material or new support for his previous theses." [12]
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Barre Phillips is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center.
Irène Schweizer is a Swiss jazz and free improvising pianist. She was born in Schaffhausen, Switzerland.
The Vortex Jazz Club is a music venue in London, England. It was founded by David Mossman in the 1988.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Clarence "Herb" Robertson is a jazz trumpeter and flugelhornist. He was born in Piscataway, New Jersey and attended the Berklee School of Music. He has recorded solo albums and has worked as a sideman for Tim Berne, Anthony Davis, Bill Frisell, George Gruntz, Paul Motian, Bobby Previte, and David Sanborn.
Philipp John Paul Wachsmann is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom.
Paul Lytton is an English free jazz and free improvising percussionist.
Ithaca is an album by bassist Barry Guy, pianist Marilyn Crispell, and drummer Paul Lytton. It was recorded on January 14 and 15, 2003, at Radio Studio DRS in Zurich, Switzerland, and was released in 2004 by Intakt Records.
Inscape–Tableaux is an album by bassist Barry Guy. It was recorded on May 18 and 19, 2000, at Rote Fabrik in Zürich, Switzerland, and was released in 2001 by Intakt Records. On the album, which features a seven-part composition by Guy, he plays bass and directs members of his New Orchestra: Evan Parker and Mats Gustafsson on saxophone, Hans Koch on saxophone and clarinet, Herb Robertson on trumpet, Johannes Bauer on trombone, Per Åke Holmlander on tuba, Marilyn Crispell on piano, and Paul Lytton and Raymond Strid on percussion.
Natives and Aliens is an album by the members of the Evan Parker Trio, with guest pianist Marilyn Crispell. It was recorded on May 24, 1996, at Gateway Studios in London, and was released in 1997 by Leo Records.
After Appleby is a double-CD album by the members of the Evan Parker Trio, with guest pianist Marilyn Crispell. One CD was recorded on June 28, 1999, at Gateway Studio in London, while the other was recorded live the following day at the Vortex Jazz Club in London. The recordings took place immediately after the Appleby Jazz Festival, where the musicians performed in a variety of combinations. The album was released in 2000 by Leo Records.
Oort–Entropy is an album by bassist Barry Guy. It was recorded in May and July, 2004, at SWR Studio in Baden-Baden, Germany, and was released in 2005 by Intakt Records. On the album, which features a three-part composition by Guy, he plays bass and conducts members of his New Orchestra: Evan Parker and Mats Gustafsson on saxophone, Hans Koch on bass clarinet, Herb Robertson on trumpet, Johannes Bauer on trombone, Per Åke Holmlander on tuba, Agustí Fernández on piano, and Paul Lytton and Raymond Strid on percussion. Oort–Entropy is the group's second recording, following 2001's Inscape–Tableaux.
Harmos is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition.
Double Trouble is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records.
Double Trouble Two is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records.
At the Vortex is a live album by saxophonist Evan Parker, bassist Barry Guy, and drummer Paul Lytton. It was recorded on June 26, 1996, at The Vortex in London, and was released by Emanem Records in 1998.
Zurich Concerts is a double live album by Barry Guy and the London Jazz Composers' Orchestra featuring recordings of two large-scale compositions, one by Guy, the other by guest artist Anthony Braxton. The Guy work was recorded on November 11, 1987, at Rote Fabrik in Zürich, while the Braxton work was recorded on March 27, 1988, at the same location. The album was initially released on LP in 1988 by Intakt Records, and was reissued on CD in 1995.
Live at Maya Recordings Festival is a live album by saxophonist Evan Parker, double bassist Barry Guy, and drummer Paul Lytton. It was recorded during September 23–25, 2011, at the Theater am Gleis in Winterthur, Switzerland, and was released on both vinyl and CD in 2013 by NoBusiness Records.
Medicine Buddha is a live album by violinist Billy Bang and double bassist William Parker. It was recorded on May 8, 2009, at the Rubin Museum of Art in New York City, and was released in 2014 by NoBusiness Records.