Collective Calls (Urban) (Two Microphones) | ||||
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Studio album by | ||||
Released | 1972 | |||
Recorded | 15-16 April 1972 | |||
Studio | Standard Essence Co, London | |||
Genre | Free improvisation | |||
Label | Incus 5 | |||
Evan Parker chronology | ||||
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Collective Calls (Urban) (Two Microphones), subtitled "an improvised urban psychodrama in eight parts", is an album by saxophonist Evan Parker and drummer Paul Lytton. It was recorded in April 1972 at the Standard Essence Co, a small loft space in London, and was released later that year by Incus Records. The album was reissued on CD by Psi Records in 2002. [1] [2] [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Penguin Guide to Jazz | [5] |
In a review for AllMusic, François Couture wrote that the album "was filled with amazing sounds that remain puzzling to this day... The pair explores the very quiet and very loud, unveiling new sounds and textures... the tracks... form a succession of sharp contrasts, with each side of the original LP ending with a short drone piece that leaves the listener clueless. Decades after the fact, Collective Calls still packs an artistic punch." [4]
The authors of The Penguin Guide to Jazz awarded the album 3½ stars, and stated: "these are riveting performances, intensely concentrated and very faithfully captured... the whole has admirable coherence and consistency." [5]
Writing for Bells, Henry Kuntz commented: "the main focus of much of the music is harmonic. Parker's work tends to be in long areas of sound, more defined by timbre than by pitch which, by utilizing rapid changes of embouchure, he is able to surround with several seemingly independent sound sources. There are obvious similarities to some types of electronic music... but while Parker's range is necessarily more limited than most electronic instruments, he is able to move about with greater ease and to impart to his work a greater urgency." [6]
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. The album was initially released on LP in 1976 by Incus Records, and was reissued on CD in 1995 by Chronoscope records with nine additional tracks bearing subtitles from Samuel Beckett, again on CD in 2009 by Psi Records, and again on LP in 2021 by Otoroku Records. The contents of the album, plus a previously-missing track from the studio session, were also included in a 1989 limited-edition box set compilation titled Collected Solos, issued by Cadillac Distribution.
Monoceros is an album of solo soprano saxophone improvisations by British jazz saxophonist Evan Parker. It was recorded directly to disk using the direct-cut technique, with assistance from Numar Lubin, Gerald Reynolds and Michael Reynolds of Nimbus Records. It was initially released on Parker and Derek Bailey's Incus Records label in 1978, and was reissued by Chronoscope (1999), Psi (2015), and Treader (2020).
The Snake Decides is a studio album by British jazz saxophonist Evan Parker. It was released in 1988 on Parker and Derek Bailey's Incus Records label, re-released on Parker's Psi label in 2003, and reissued again in remastered form with new liner notes by Brian Morton on the Otoroku label in 2018.
Paul Lytton is an English free jazz and free improvising percussionist.
Drawn Inward is an album by the Evan Parker Electro-Acoustic Ensemble recorded in December 1998 and released on ECM the following year.
The Redwood Session is an album by saxophonist Evan Parker with bassist Barry Guy and drummer Paul Lytton recorded in 1995 which was the first release on the CIMP label.
Atlanta is a live album by saxophonist Evan Parker. It was recorded in December 1986 in Atlanta, Georgia, and was released by Impetus Records in 1990. On the album, Parker is joined by bassist Barry Guy and drummer Paul Lytton.
Natives and Aliens is an album by the members of the Evan Parker Trio, with guest pianist Marilyn Crispell. It was recorded on May 24, 1996, at Gateway Studios in London, and was released in 1997 by Leo Records.
After Appleby is a double-CD album by the members of the Evan Parker Trio, with guest pianist Marilyn Crispell. One CD was recorded on June 28, 1999, at Gateway Studio in London, while the other was recorded live the following day at the Vortex Jazz Club in London. The recordings took place immediately after the Appleby Jazz Festival, where the musicians performed in a variety of combinations. The album was released in 2000 by Leo Records.
At the Unity Theatre is a live album by saxophonist Evan Parker and drummer Paul Lytton. It was recorded in January 1975 at the Unity Theatre in London, and was released later that year by Incus Records. The album was reissued on CD, with three extra tracks, by Psi Records in 2003.
The Gentle Harm of the Bourgeoisie is a live solo trombone album by Paul Rutherford, his first release under his own name. It was recorded at Unity Theatre, London during 1974, and was initially released on LP in 1976 by Emanem Records. In 1986, Emanem reissued the album on LP, and, in 1997, the label reissued it on CD with an additional track.
The Bishop's Move is a live album that combines two trios, one led by saxophonist Evan Parker, and the other led by saxophonist Peter Brötzmann. It was recorded on May 19, 2003, at the Festival International de Musique Actuelle de Victoriaville in Quebec, Canada, and was released in 2004 by Les Disques Victo. Parker is accompanied by pianist Alexander von Schlippenbach and drummer Paul Lytton, while Brötzmann is joined by bassist William Parker and drummer Hamid Drake.
At the Vortex is a live album by saxophonist Evan Parker, bassist Barry Guy, and drummer Paul Lytton. It was recorded on June 26, 1996, at The Vortex in London, and was released by Emanem Records in 1998.
Live at Maya Recordings Festival is a live album by saxophonist Evan Parker, double bassist Barry Guy, and drummer Paul Lytton. It was recorded during September 23–25, 2011, at the Theater am Gleis in Winterthur, Switzerland, and was released on both vinyl and CD in 2013 by NoBusiness Records.
Naan Tso is an album by the free improvisation ensemble known as Foxes Fox, featuring saxophonist Evan Parker, pianist Steve Beresford, double bassist John Edwards, and drummer Louis Moholo-Moholo. It was recorded on October 27, 2004, at Gateway Studios in London, and was released in 2005 by Psi Records. The album was recorded five years after the group's debut album, and roughly a year prior to the departure of Moholo-Moholo, who moved back to his native South Africa in September 2005 after years of exile in England.
'Smatter is an album by saxophonist Gerd Dudek. It was recorded on February 20, 1998, at Gateway Studios in London, and was issued in 2002 by Psi Records as the label's second release. On the album, Dudek is joined by guitarist John Parricelli, double bassist Chris Laurence, and drummer Tony Levin. The album features three compositions by Kenny Wheeler, including the title track, plus three jazz standards.
Omnivm is a live album by the electronic music duo FURT, consisting of Richard Barrett and Paul Obermayer. Tracks 2 and 3 were recorded on March 9, 2005, at St Oswald's Church, Durham, England, while tracks 1 and 4 were recorded on April 25, 2006, at the Sonic Arts Research Centre in Belfast. The album is dedicated to composer Iannis Xenakis, and was released in 2006 by Psi Records.
Lines Burnt in Light is a live solo soprano saxophone album by Evan Parker. It was recorded on October 11, 2001, at St Michael and All Angels Church, Chiswick, London, and was issued on CD later that year by Psi Records as the label's inaugural release. Track one was recorded prior to the audience's arrival, while the remaining two tracks were recorded in concert. The album is dedicated to the memory of recording engineer Michael Gerzon, and cover art was provided by Roger Ackling.
America 2003 is a two-disc live album by saxophonist Evan Parker, pianist Alexander von Schlippenbach, and drummer Paul Lytton. It documents two concerts presented during a month-long tour of the United States, with disc one recorded on May 1, 2003, at the New Orleans Contemporary Arts Center, and disc two recorded on May 14, 2003, at the Seattle Asian Art Museum. The album was released on CD in 2004 by Psi Records.