Shleep

Last updated

Shleep
Shleepalbumcover.png
Studio album by
Released26 September 1997
Recorded1996–1997
Venue Phil Manzanera's Gallery Studio, Chertsey
Genre Progressive rock, art rock, Canterbury scene, experimental rock
Length53:39
Label Hannibal, Thirsty Ear
Producer Alfreda Benge, Brian Eno, Robert Wyatt
Robert Wyatt chronology
A Short Break
(1992)
Shleep
(1997)
Dondestan (Revisited)
(1998)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
Pitchfork Media 8.6/10 [2]
Rolling Stone Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [3]
Uncut Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]

Shleep is the seventh album by Canterbury scene and progressive rock veteran and musician Robert Wyatt, released in 1997.

Contents

The album brought together a diverse range of musicians from a range of genres. After Wyatt's largely one-man recordings of the 1980s, Shleep marked a return to featuring other artistes as on his 1970s albums. The balance of his discography would follow suit. The Wire named Shleep its record of the year in its annual critics' poll. [5]

Track listing

All tracks composed by Robert Wyatt and Alfreda Benge; except where indicated

  1. "Heaps of Sheeps" – 4:56
  2. "The Duchess" (Wyatt) – 4:18
  3. "Maryan" (Wyatt, Philip Catherine) – 6:11
  4. "Was a Friend" (Wyatt, Hugh Hopper) – 6:09
  5. "Free Will and Testament" (Wyatt, Mark Kramer) – 4:13
  6. "September the Ninth" – 6:41
  7. "Alien" – 6:47
  8. "Out of Season" – 2:32
  9. "A Sunday in Madrid" – 4:41
  10. "Blues in Bob Minor" (Wyatt) – 5:46
  11. "The Whole Point of No Return" (Paul Weller) – 1:25
  12. "September in the Rain" (bonus re-release track) – 2:31

Personnel

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References

  1. Ankeny, Jason. Shleep at AllMusic
  2. Pitchfork Media review
  3. Rolling Stone review [ dead link ]
  4. MacDonald, Ian (October 1997). "Truth and beauty". Uncut . No. 5. p. 86.
  5. "97 Rewind: 50 Records of the Year" . The Wire. No. 167. London. January 1998. p. 35 via Exact Editions.