"Shipbuilding" is a song with lyrics by Elvis Costello and music by Clive Langer. [1] Written during the Falklands War of 1982, Costello's lyrics highlight the irony of the war bringing back prosperity to the traditional shipbuilding areas of Clydeside , Merseyside (Cammell Laird), North East England and Belfast (Harland and Wolff) [2] to build new ships to replace those being sunk in the war, whilst also sending off the sons of these areas to fight and, potentially, lose their lives in those same ships. According to Robert Sandall, the best version of the song is the one recorded and released as a single by English singer-songwriter Robert Wyatt in August 1982 a few months after the Falklands War, although it was not a hit until it was re-released eight months later on the first anniversary of the conflict. [1]
In September 2013, Elvis Costello and the Roots released an answer song written in the perspective of the other side of the conflict, called "Cinco Minutos con Vos" ("Five Minutes with You"). The song is a duet partly sung in Argentinian Spanish by La Marisoul. [3]
"Shipbuilding" | ||||
---|---|---|---|---|
Single by Robert Wyatt | ||||
B-side | ||||
Released | 20 August 1982 (reissued 22 April 1983) | |||
Recorded | 1982 | |||
Length | 3:04 | |||
Label | Rough Trade | |||
Songwriter(s) | Music: Clive Langer Lyrics: Elvis Costello | |||
Producer(s) | Elvis Costello, Clive Langer and Alan Winstanley (credited as "Clangwinstello") | |||
Robert Wyatt singles chronology | ||||
| ||||
Music video | ||||
Robert Wyatt – Shipbuilding on YouTube |
According to Clive Langer, he had written the tune for Robert Wyatt but was not happy with the lyrics that he had written himself. Langer played the tune to Elvis Costello at a party hosted by Nick Lowe, and within days Costello had produced what he described as "the best lyrics I've ever written". [2] In a 1983 interview with NME , Mark Bedford of Madness, who played double bass on the single, recounted the history of the song:
At first Robert Wyatt wasn't involved. The original plan was to release four different versions of the song, which was then called 'Ten to Nine', as an EP with four different guest vocalists. There were going to be versions of the song by Elvis, Clive and Steve Allen [Langer's former bandmate in the 1970s group Deaf School], but once Elvis had done some more work on the lyrics and changed the song to 'Shipbuilding', they decided to approach Robert Wyatt and his version was so special that it came out as a straight single. [4]
Wyatt himself recalled, "Geoff (Travis, head of Rough Trade Records) sent me a cassette saying this is a pretty good song, you ought to sing it. So I tried it out and it sounded good. The musical setting was nothing to do with me. Elvis had already recorded a vocal for it – very good vocal – and it was going to come out in the same form with him singing on it. I went in and did a vocal in a couple of hours with Mr. Costello producing, and that was it ... I had no expectations of it at all. All I thought about was singing it in tune!" [5]
The Robert Wyatt version was originally released as a single on Rough Trade on 20 August 1982, [6] but failed to chart. It was re-released on 22 April 1983 [7] when it reached number 35 in the UK Singles Chart, [8] marking the first ever UK Top 40 entry for Rough Trade.
The single was released in five different sleeves, all featuring sections from two of Stanley Spencer's series of eight panels entitled Shipbuilding on the Clyde which were painted in the 1940s. [5] Four of the sleeves featured two different sections each from "Riggers" and "Riveters", which folded out into four-page leporello pictures. The panels themselves were donated to the Imperial War Museum in London: they are now on rotating display at the Riverside Museum in Glasgow on loan from the Imperial War Museum. [9]
The single was acclaimed by the music press, with the NME writers voting it their third favourite song of 1982. [10] Wyatt's version of the song was a favourite of English musician David Bowie. [11]
Langer and Costello discuss the writing of "Shipbuilding" in a BBC Radio 4 programme, Soul Music, first broadcast March 2013. [12]
All except Wyatt are uncredited on the record.
Chart (1983) | Peak position |
---|---|
New Zealand (Recorded Music NZ) [13] | 27 |
UK Singles (OCC) [14] | 35 |
"Shipbuilding" | |
---|---|
Song by Elvis Costello & the Attractions | |
from the album Punch the Clock | |
Released | 5 August 1983 |
Recorded | January–April 1983 |
Length | 4:53 |
Songwriter(s) | Music: Clive Langer Lyrics: Elvis Costello |
Producer(s) | Clive Langer & Alan Winstanley, assisted by Gavin Greenaway & Colin Fairley |
Official audio | |
"Shipbuilding" on YouTube |
Costello recorded his own version of the song for his 1983 album Punch the Clock , featuring a performance by jazz trumpeter Chet Baker. Other versions have been recorded by Suede (for The Help Album , a charity album), Tasmin Archer (whose version was a UK top 40 hit in 1994), Graham Coxon, June Tabor, the Unthanks, Hue and Cry and the Bad Shepherds.[ citation needed ]
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Robert Wyatt is a retired English musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a 40-year solo career.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
"Straight to Hell" is a song by the Clash from their album Combat Rock. It was released as a double A-side single with "Should I Stay or Should I Go" on 17 September 1982 in 12" and 7" vinyl format.
"Scary Monsters (and Super Creeps)" is a song by the English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"Cat People (Putting Out Fire)" is a song recorded by the English singer-songwriter David Bowie as the title track of the 1982 erotic horror film Cat People. Bowie became involved with the track after director Paul Schrader reached out to him about collaborating. The song was recorded at Mountain Studios in Montreux, Switzerland in July 1981. Bowie wrote the lyrics, which reflected the film, while the Italian producer Giorgio Moroder composed the music, which is built around only two chord changes.
"Modern Love" is a song written by the English singer-songwriter David Bowie. It was released as the opening track on his 1983 album Let's Dance and issued as the third single from the album later in the year. Co-produced by Bowie and Nile Rodgers of the American band Chic, it is a rock song that contains elements of new wave music. It was recorded at the Power Station in Manhattan and was one of the first tracks recorded for the album. It was performed by Bowie on the Serious Moonlight Tour, where it often closed the shows. A music video for the song, directed by Jim Yukich and featuring a performance of the song during the tour, was released in 1983 and played frequently on MTV.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
The Very Best of Elvis Costello and The Attractions 1977–86 is a compilation album by Elvis Costello and the Attractions, released in 1994.
Nothing Can Stop Us is a compilation album by Robert Wyatt released in 1982.
Clive Langer is an English record producer and songwriter, active from the mid-1970s onwards.
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
Mark Saunders is a British record producer and audio engineer who has worked on a number of albums since the 1980s, with artists including the Cure, David Byrne, Erasure, and Tricky.
"Man Out of Time" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. With lyrics detailing a political scandal, "Man Out of Time" features a lush arrangement that was a conscious departure from the aggressive style of Costello's previous work.
Easy Pieces is the second studio album by the British rock and pop band Lloyd Cole and the Commotions. It was released on Polydor Records in the UK on 18 November 1985 and included the hit singles "Brand New Friend", "Lost Weekend" and "Cut Me Down". The title of the album derives from the American drama film Five Easy Pieces (1970), which Cole described as "one of my very favourite films", saying, "I want to write at least five songs out of that film".
"High Fidelity" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about an adulterous couple where one member still hopes for reconciliation, "High Fidelity" reflected the personal struggles that Costello had been suffering at the time as a result of increased fame and controversy. Musically, the song was influenced by Motown and was initially performed in a slower style inspired by David Bowie's Station to Station.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
Shipbuilding is a mini album by the English singer Tasmin Archer, released in the US in 1994. Archer decided to follow up her successful 1992 debut Great Expectations with an EP of four covers of songs written by Elvis Costello, which was released in January 1994 in the singer's homeland of the UK. The four-track EP peaked at No. 40 on the UK Singles Chart. Costello admired the covers.