"Watching the Detectives" | ||||
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Single by Elvis Costello | ||||
Released | 14 October 1977 | |||
Genre | ||||
Length | 3:45 | |||
Label | Stiff (UK)/Columbia (US) | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Nick Lowe | |||
Elvis Costello singles chronology | ||||
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Music video | ||||
"Watching the Detectives" on YouTube |
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics. [3]
Costello's fourth single overall, "Watching the Detectives" was his first hit single on any national chart, peaking at number 15 in the UK and also charting modestly in Canada and Australia. The song featured on Rolling Stone's 500 Greatest Songs of All Time at number 363.
Costello wrote the song while in the suburbs of London before he became a professional musician. He had listened to the Clash's first album, which he initially thought sounded "terrible", but changed his opinion upon listening to it again. "By the end, I stayed up all night listening to it on headphones, and I thought it was great. Then I wrote 'Watching the Detectives'". [4]
The song, produced by Nick Lowe, was recorded in May 1977. Steve Goulding and Andrew Bodnar played drums and bass guitar on the recording respectively and both were from Graham Parker's band, The Rumour. [5] Keyboard overdubs were added later by Steve Nason (later known as Steve Nieve), who was 19 years-old at the time of the recording session. [5] Costello suggested a piano arrangement that resembled the work of Bernard Herrmann, although Nieve was unfamiliar with his playing. The end result was what Costello described as a "galloping piano thing that rushes the beat" that still echoed the "sudden jarring gestures that Hermann would use a lot." [6]
Costello considers "Watching the Detectives" his favourite song from the first five years of his career. [7] He later performed the song with a big band arrangement, which he admitted was "a desecration to people who love the tenseness of the original recording", but explained that "the story that's going on, and the musical allusions in the original arrangements, relate very much to the realization of this song as an orchestral piece using the film music feeling and the swing rhythms of '50s detective shows." [7]
"Watching the Detectives" was the first top 40 hit in the UK Singles Chart for Costello, reaching number 15 and spending a total of eleven weeks in the chart. [8] It also charted in several other countries including Australia, where it reached number 35, and Canada, where it reached number 60. In the United States it reached number 108 on the Hot 100.
The UK and US singles (released in October and November 1977 respectively) had different B-sides. The UK single was backed by two live tracks from an August 7 performance at the Nashville Club, and these live tracks were credited to Elvis Costello and the Attractions. (This was the first appearance of The Attractions on a record; the A-side is billed solely to Costello.) The US single is backed by "Alison", the lead track from Costello's second UK single.
In its review of the song, Cash Box said that it had "a subtle reggae beat and a sinister James Bond/Secret Agent guitar." [9] Rolling Stone called the song "a clever but furious burst of cynicism" that was a "indisputably classic". [10] [11] Allmusic's Mark Deming described the song as "a skeletal minor-key melody that slowly but effectively wound itself into a solid knot of fierce emotional tension, pushing the bitter lyrical atmosphere further into the darkness". [12]
The song was not included on the original UK releases of either My Aim Is True , which preceded it, or This Year's Model , which followed in March 1978. It was, however, added to the US release of My Aim Is True (March 1978) and to the Scandinavian release of This Year's Model the same year. [13] Two live versions of "Watching the Detectives" from 1978 were released, one from 6 March on the Canadian promotional album Live at the El Mocambo , and another from 4 June on the Live at Hollywood High EP, which came with initial copies of the Armed Forces album (January 1979).
A later live version was included in the Costello & Nieve box-set in 1996. A live medley of "Watching the Detectives" and "My Funny Valentine" recorded in Tokyo was included on the Cruel Smile album by Elvis Costello & the Impostors in 2002. The studio version was also included on several 'best of' compilations of Costello's work, including Ten Bloody Marys & Ten How's Your Fathers (1980, Stiff), The Best of Elvis Costello – The Man (1985, Telstar), Girls Girls Girls (1989, Demon), The Very Best of Elvis Costello and the Attractions (1994, Demon), and The Very Best of Elvis Costello (1999, Universal TV). [8] It was also included on the Argentinian print of This Year's Model in 1978.
Jazz singer Jenna Mammina covered the song on her debut album Under the Influence in 1999. [14] Toto covered the song on Through the Looking Glass in 2002. The Henry Girls covered the song on their album December Moon in 2011. Duran Duran covered the song on their 1995 album Thank You.
The reggae beat of "Watching the Detectives" provided Swedish pop band Gyllene Tider with inspiration for the composition of their debut single "Flickorna på TV2" ("The Girls on Channel Two") in 1979, [15] [16] which reached number one on the Swedish singles chart in February 1980, [17] launching the career of the band and vocalist Per Gessle. [18]
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Gyllene Tider is a Swedish pop group fronted by Roxette singer, guitarist, and songwriter Per Gessle. They are one of the best-selling Swedish bands ever and have had numerous hits in Scandinavia, starting with their breakthrough song "Flickorna på TV2", in 1980. Since breaking up in 1985, the band has held regular reunions, with the latest one taking place in 2023.
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.
Graham Thomas Parker is an English singer-songwriter, who is best known as the lead singer of the British band Graham Parker & the Rumour.
Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by English musician Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Steve Nieve is an English musician and composer. In a career spanning more than 40 years, Nieve has been a member of Elvis Costello's backing bands the Attractions and the Imposters, as well as Madness. He has also experienced success as a prolific session musician, featured on a wide array of other artists' recordings.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticised the commercialism of British radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
"(What's So Funny 'Bout) Peace, Love, and Understanding" is a 1974 song written by English singer/songwriter Nick Lowe. Initially released by Lowe with his band Brinsley Schwarz on their 1974 album The New Favourites of... Brinsley Schwarz, the song was released as a single and did not chart.
Painted from Memory is a collaboration album by Elvis Costello and Burt Bacharach, released on 29 September 1998 through Mercury Records, a division of Universal Music Group.
My Flame Burns Blue is the twenty-second album by Elvis Costello, released on Deutsche Grammophon. It consists of recordings from the North Sea Jazz Festival in July 2004, made with Steve Nieve and The Metropole Orkest conducted by Vince Mendoza. It peaked at No. 2 on the Billboard Jazz albums chart and at No. 188 on the Billboard 200.
The discography of the English singer-songwriter Elvis Costello includes 33 studio albums, 6 live albums, 17 compilation albums, 6 tribute albums, 2 extended plays, 62 singles and 4 box sets. This page distinguishes between United States and United Kingdom release dates and record labels. Of note are the reissue series, Costello's back catalogue having undergone reissue three times by three different companies.
Taking Liberties is a compilation album by English singer-songwriter Elvis Costello, consisting of tracks not previously released on his albums as released in the United States. It is largely made up of B-sides, but features three previously unreleased recordings. It was released only in the US and Canada; its track listing is very similar to that of the UK release Ten Bloody Marys & Ten How's Your Fathers. The differences are that on the latter, the tracks "Night Rally", "Sunday's Best" and "(I Don't Want to Go to) Chelsea" are replaced by "Watching the Detectives", "Radio, Radio" and "(What's So Funny 'Bout) Peace, Love, and Understanding".
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"Flickorna på TV2" is a song by Swedish pop group Gyllene Tider, written by their vocalist Per Gessle and guitarist Mats "MP" Persson. It originated in a song named "Farlig terräng" and was inspired by Elvis Costello and the Attractions single "Watching the Detectives" (1977). Gessle re-wrote the lyrics after hearing a revue by Hasse Alfredsson which included a sexual joke about a television set; Gessle related this to the attractive female television presenters who appeared on Sweden's Television's channel SVT2. The song was recorded in August 1979 at EMI's studio in Stockholm.
"Ska vi älska, så ska vi älska till Buddy Holly" is a song by Swedish rock band Gyllene Tider, written by their vocalist Per Gessle and guitarist Mats "MP" Persson. Gessle composed the lyrics to the song in February 1979 during the 20th anniversary of Buddy Holly's death. He was lyrically inspired by a poem written by one of his friends. The lyrics were set to an older musical boogie song written by Persson. Musically, "Ska vi älska" is a boogie rock power pop song characterized by a repeating guitar riff and organ hook. Lyrically, the song features several references to popular culture, and is about a woman who wants to make love listening to the music of Buddy Holly, who is mentioned by named during the chorus. The song was recorded at EMI's studio in Stockholm during August and September 1979.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.