Watching the Detectives (song)

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"Watching the Detectives"
CostelloWatching.jpg
Single by Elvis Costello
Released14 October 1977 (1977-10-14)
Genre
Length3:45
Label Stiff (UK)/Columbia (US)
Songwriter(s) Elvis Costello
Producer(s) Nick Lowe
Elvis Costello singles chronology
"(The Angels Wanna Wear My) Red Shoes"
(1977)
"Watching the Detectives"
(1977)
"(I Don't Want to Go to) Chelsea"
(1978)
Music video
"Watching the Detectives" on YouTube

"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics. [3]

Contents

Costello's fourth single overall, "Watching the Detectives" was his first hit single on any national chart, peaking at number 15 in the UK and also charting modestly in Canada and Australia. The song featured on Rolling Stone's 500 Greatest Songs of All Time at number 363.

Background and recording

Costello wrote the song while in the suburbs of London before he became a professional musician. He had listened to the Clash's first album, which he initially thought sounded "terrible", but changed his opinion upon listening to it again. "By the end, I stayed up all night listening to it on headphones, and I thought it was great. Then I wrote 'Watching the Detectives'". [4]

The song, produced by Nick Lowe, was recorded in May 1977. Steve Goulding and Andrew Bodnar played drums and bass guitar on the recording respectively and both were from Graham Parker's band, The Rumour. [5] Keyboard overdubs were added later by Steve Nason (later known as Steve Nieve), who was 19 years-old at the time of the recording session. [5] Costello suggested a piano arrangement that resembled the work of Bernard Herrmann, although Nieve was unfamiliar with his playing. The end result was what Costello described as a "galloping piano thing that rushes the beat" that still echoed the "sudden jarring gestures that Hermann would use a lot." [6]

Costello considers "Watching the Detectives" his favourite song from the first five years of his career. [7] He later performed the song with a big band arrangement, which he admitted was "a desecration to people who love the tenseness of the original recording", but explained that "the story that's going on, and the musical allusions in the original arrangements, relate very much to the realization of this song as an orchestral piece using the film music feeling and the swing rhythms of '50s detective shows." [7]

Release and reception

"Watching the Detectives" was the first top 40 hit in the UK Singles Chart for Costello, reaching number 15 and spending a total of eleven weeks in the chart. [8] It also charted in several other countries including Australia, where it reached number 35, and Canada, where it reached number 60. In the United States it reached number 108 on the Hot 100.

The UK and US singles (released in October and November 1977 respectively) had different B-sides. The UK single was backed by two live tracks from an August 7 performance at the Nashville Club, and these live tracks were credited to Elvis Costello and the Attractions. (This was the first appearance of The Attractions on a record; the A-side is billed solely to Costello.) The US single is backed by "Alison", the lead track from Costello's second UK single.

In its review of the song, Cash Box said that it had "a subtle reggae beat and a sinister James Bond/Secret Agent guitar." [9] Rolling Stone called the song "a clever but furious burst of cynicism" that was a "indisputably classic". [10] [11] Allmusic's Mark Deming described the song as "a skeletal minor-key melody that slowly but effectively wound itself into a solid knot of fierce emotional tension, pushing the bitter lyrical atmosphere further into the darkness". [12]

Track listing

UK Stiff Records release

  1. "Watching the Detectives"
  2. "Blame it on Cain (live)"
  3. "Mystery Dance (live)"

US Columbia Records release

  1. "Watching the Detectives"
  2. "Alison"

Personnel

Inclusion on albums

The song was not included on the original UK releases of either My Aim Is True , which preceded it, or This Year's Model , which followed in March 1978. It was, however, added to the US release of My Aim Is True (March 1978) and to the Scandinavian release of This Year's Model the same year. [13] Two live versions of "Watching the Detectives" from 1978 were released, one from 6 March on the Canadian promotional album Live at the El Mocambo , and another from 4 June on the Live at Hollywood High EP, which came with initial copies of the Armed Forces album (January 1979).

A later live version was included in the Costello & Nieve box-set in 1996. A live medley of "Watching the Detectives" and "My Funny Valentine" recorded in Tokyo was included on the Cruel Smile album by Elvis Costello & the Impostors in 2002. The studio version was also included on several 'best of' compilations of Costello's work, including Ten Bloody Marys & Ten How's Your Fathers (1980, Stiff), The Best of Elvis Costello – The Man (1985, Telstar), Girls Girls Girls (1989, Demon), The Very Best of Elvis Costello and the Attractions (1994, Demon), and The Very Best of Elvis Costello (1999, Universal TV). [8] It was also included on the Argentinian print of This Year's Model in 1978.

Cover versions and legacy

Jazz singer Jenna Mammina covered the song on her debut album Under the Influence in 1999. [14] Toto covered the song on Through the Looking Glass in 2002. The Henry Girls covered the song on their album December Moon in 2011. Duran Duran covered the song on their 1995 album Thank You.

The reggae beat of "Watching the Detectives" provided Swedish pop band Gyllene Tider with inspiration for the composition of their debut single "Flickorna på TV2" ("The Girls on Channel Two") in 1979, [15] [16] which reached number one on the Swedish singles chart in February 1980, [17] launching the career of the band and vocalist Per Gessle. [18]

Related Research Articles

<span class="mw-page-title-main">Elvis Costello</span> English singer-songwriter (born 1954)

Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.

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My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.

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<span class="mw-page-title-main">Flickorna på TV2</span> 1979 single by Gyllene Tider

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