"You Little Fool" | ||||
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Single by Elvis Costello and the Attractions | ||||
from the album Imperial Bedroom | ||||
B-side |
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Released | 18 June 1982 | |||
Recorded | 1982 | |||
Studio | AIR (London, UK) | |||
Genre | ||||
Label | F-Beat (UK) | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Geoff Emerick | |||
Elvis Costello and the Attractions singles chronology | ||||
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"You Little Fool" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom . The lyrics detail a teenage girl's romantic encounter with an older man.
The song was released as the first single from Imperial Bedroom, reaching number 52 in the United Kingdom. The song has since seen positive reception from critics and has been performed live by Costello.
Costello has described "You Little Fool" as being "about a teenage girl surrendering to an unworthy, older man". [1] The bridge of the song features lyrics that Costello explains represent the bad advice that the girl is being given by her mother; he explained in an interview:
This mum actually thinks she's being really liberal and is really giving her girl actually no help ... It's the mums that read too many Cosmopolitan magazines and start feeding the kids, you know, "Yeah, read this, read The Sensuous Woman". It's a load of bollocks. [2] [3]
Costello also recalled that, on the song, he attempted to sing in a "slimy-sounding voice" to play the man taking advantage of the girl, noting, "The guy on the chorus sounds like a real horrible person". [2] During a 2016 concert, Costello stated the song was prompted by "romantic misery". [4]
"You Little Fool" features baroque stylings that distinguished the song from his earlier output, most notably through Steve Nieve's harpsichord performance, which was partially dubbed backwards onto the track's closing segment. [5] [6] Costello said of the song's arrangement, "'You Little Fool' sounds wrong when you try to play it with fuzzy guitars. Like what Chuck Berry said, it lost the beauty of the melody". [7] In another interview, Costello emphasized that the song "was deliberately meant to sound archaic, with a harpsichord and 12-string guitar, this phoney kind of... I wanted it to sound like "Vanity Fair" or Left Banke or someone". [8]
At the insistence of Costello's record company, "You Little Fool" was released as the first single from Imperial Bedroom in June 1982. The choice of the song as a single was against Costello's wishes; he had wished to make a "bolder statement" with a song more representative of the album, such as "Beyond Belief" or "Man Out of Time". [5] [9] He explained, "'You Little Fool', which is one of the brightest-sounding tracks until you listen to lyrics, was released purely because it had a hook. I kept saying, 'Well, 'Man Out of Time' is what the album is about, that's the heart of the record'". [9] The two songs on the B-side of the single were the non-album tracks "Big Sister" and "The Stamping Ground". The latter was credited to "the Emotional Toothpaste," which was a pseudonym for Costello. [10]
"You Little Fool" was considered a commercial disappointment, reaching number 52 in the UK. The single was accompanied by a music video, where Costello and the Attractions act in roles relating to the song's lyrics. [11]
"You Little Fool" has generally seen positive reception from critics. At the time of its release, Scott Isler of Trouser Press wrote that the song's "mixture of pathos and contempt will be more reassuring to inflexible Costello fans". [12] Dave McKenna of The Washington Post named the song as one of the tracks on Imperial Bedroom that "were blessed with hooks so memorable they took fans right back to that time they first heard them" at a 2016 concert, while Blender named it one of the songs to download off of Imperial Bedroom. [13] [14] Martin Chilton of The Daily Telegraph ranked the song as Costello's 33rd best. [15]
Costello has performed "You Little Fool" regularly since its release. The song was one of the tracks that Costello performed in a solo acoustic form during his 1986 tour with the Attractions. [16] During performances in 2019, the echoed vocals that Costello overdubbed on the studio version were performed by backing vocalists Briana Lee and Kitten Kuroi. [17]
Chart (1982) | Peak position |
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UK Singles (OCC) [18] | 52 |
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America (1986) with producer T-Bone Burnett had largely featured different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticised the commercialism of British radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
Out of Our Idiot is a compilation album by English musician Elvis Costello, released in 1987 through Demon Records in the United Kingdom. It is composed of rare and previously unreleased Costello recordings dating back to 1979. It was only available as an import in the USA and other markets. The album was credited to "Various Artists" rather than to Costello because the tracks were recorded and credited under a variety of names, including the Costello Show, Elvis Costello and the Attractions, Elvis Costello and the Confederates, the Coward Brothers, Napoleon Dynamite, the Emotional Toothpaste and the MacManus Gang. The songs featured a variety of collaborators, including Jimmy Cliff, Nick Lowe and T-Bone Burnett.
"Man Out of Time" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. With lyrics detailing a political scandal, "Man Out of Time" features a lush arrangement that was a conscious departure from the aggressive style of Costello's previous work.
"From a Whisper to a Scream" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. With lyrics referencing drinking, the song notably features a guest vocal from Squeeze frontman and songwriter Glenn Tilbrook as well as a guitar part from ex-Rumour guitarist Martin Belmont.
"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.
"Brilliant Mistake" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's experiences in America, the song features introspective lyrics and a performance from the Confederates, who performed on the track after his usual backing band the Attractions could not perform to Costello's liking.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"New Lace Sleeves" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1981 album Trust. The first version of the song was written by Costello in 1974 and featured post-war themed lyrics that were largely scrapped in the final recording. In the final version of the song, Costello included lyrics about seduction and power. Musically, the song was performed at a slower tempo and features a band performance praised by Costello. Pete Thomas notably performed a drum beat inspired by songs from Devo and Stevie Wonder.
"Green Shirt" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1979 third album, Armed Forces. Lyrically inspired by the influence of the National Front and the Quisling Clinic in Wisconsin, "Green Shirt" features a vocal recorded by Costello after a "night of carousing".
"This Year's Girl" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1978 album This Year's Model. Inspired by the Rolling Stones song "Stupid Girl", the song's lyrics criticizing fashion saw some critics allege misogyny, a theme which Costello strongly denied was present in the song in subsequent interviews.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
"Beyond Belief" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1982 album, Imperial Bedroom. With vague, hazy lyrics, "Beyond Belief" features an active drum line from a hungover Pete Thomas as well as a frantic vocal line Costello composed after the backing track was completed.
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