"Everyday I Write the Book" | ||||
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Single by Elvis Costello and the Attractions | ||||
from the album Punch the Clock | ||||
B-side | "Heathen Town" | |||
Released | 1983 | |||
Genre | New wave, soul | |||
Length | 3:54 | |||
Label | F-Beat | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Clive Langer, Alan Winstanley assisted by Gavin Greenaway, Colin Fairley | |||
Elvis Costello and the Attractions singles chronology | ||||
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"Everyday I Write the Book" is a song written by Elvis Costello, from Punch the Clock , an album released in 1983 by Elvis Costello and the Attractions. It peaked at 28 on the UK Singles Chart and was their first top 40 hit single in the U.S., [1] [2] peaking at No. 36 on the Billboard Hot 100. [3]
In an interview from November 1998, Costello said "Everyday I Write the Book" was "a song I wrote in ten minutes almost as a challenge to myself. I thought, maybe I could write just a simple, almost formula song and make it mean something. I was quite happy with it and I tried to do it in a kind of lovers-rock type arrangement and I wasn't happy with it and then ended up putting this other kind of rhythm to the song, which was written originally as a kind of Merseybeat knock off...I invested less emotionally in it than any other songs from that time yet it's the one that everyone warmed to." [4]
Costello also cited Nick Lowe and Rockpile as an influence on the song; he explained, "[Lowe] has always been a songwriter from whom I've taken cues — see his song 'When I Write the Book,' and my song 'Everyday I Write the Book'." [5]
The lyrics draw various parallels between romance and the process of writing a book. The narrator identifies himself as "a man with a mission in two or three editions" and tells his lover "your compliments and your cutting remarks are captured here in my quotation marks." He also compares the stages of their relationship with chapters in a book, saying:
Chapter One, we didn't really get along
Chapter Two; I think I fell in love with you
You said you'd stand by me in the middle of Chapter Three
But you were up to your old tricks in Chapters Four, Five and Six [6]
The music video for "Everyday I Write the Book" was directed by Don Letts [7] and has been called a "classic MTV hit" [2] and features footage of Elvis Costello and the Attractions performing in a studio with female backup singers Claudia Fontaine and Caron Wheeler dressed in African clothing and kente cloth headwraps. Footage of Costello and his bandmates performing is mingled with footage showing celebrity lookalikes of Prince Charles and Diana, Princess of Wales, Charles incongruously doing household chores and Diana watching television in a middle class domicile. Clips of the silent films being watched by Diana are included in the montage. [8]
When Prince Charles appears wielding a rapier and wearing a swashbuckler costume like that of the actors in the silent film, Princess Diana rolls her eyes and returns her attention to the television. Further attempts by Prince Charles to impress his spouse—including presenting her with a red rose and jumping through a flaming hoop—are similarly rebuffed as she is more interested in the romances depicted on her television. Costello later commented that he had "no idea" of the reason for the interspersed royalty scenes, which were, he says, the director's idea. [7] At one point, the singer drops two stone tablets similar to those in the classic film The Ten Commandments [8] and they are smashed.
The single was backed with the non-album B-side "Heathen Town", which Costello described as his answer song to the Flying Burritos Brothers' "Sin City". [9] It later was released on the compilation Out of Our Idiot .
Cash Box said that "a typically witty lyric and song structure uses literary metaphors, female backup vocals, and multitextured keyboard-based arrangement in living up to the songwriter’s rep as a pop tunesmith nonpareil." [10] A reviewer for AllMusic described this song and one other as the best on Punch the Clock and said they work well as "shiny pop singles." [11] A writer for Stylus Magazine wrote it is one of three best songs on that album and that its "fractured keyboards" feature the most successful use of the "overdub cut-and-paste style." [12] Robert Christgau included this song among those Elvis Costello hits "you like so much you think you understand them." [13] According to one source, the theme of the song's "hopeless pop romantic" lyrics are about "struggling to make his marriage work." [2] [14]
I like singing it now, but I don't much care for the record.
— Costello in a June 2009 interview [15]
Costello has referred to "Everyday I Write the Book" as "a bad Smokey Robinson song"; [2] in a June 1994 Central Park concert, it was one of only two of his best-known songs performed without remaining faithful to the original recording, with Costello instead performing it in what he called its "original" version. [16] A review of an August 2009 performance at the Ravinia Festival with "the Sugarcanes" was described as having its "hooky chorus turned into a dour lament". [17] In October 2015 Costello performed an acoustic version of the song as the conclusion to on stage book tour interviews promoting his memoir Unfaithful Music & Disappearing Ink (2015). [18]
The song was re-released on the 1985 compilation album The Best of Elvis Costello and The Attractions , [13] the 1994 compilation album The Very Best of Elvis Costello and The Attractions 1977–86 , and twice (1999 and 2001) on The Very Best of Elvis Costello , on first the PolyGram label then the Rhino label. It is also included on the 2007 compilation The Best of Elvis Costello: The First 10 Years . The song appeared in 1998 on the soundtrack album for The Wedding Singer'. [19]
In 2010, in appearances premiering within a month of each other, the song was chosen by both Robert Harris [20] and Nick Park [21] as one of their "Desert Island Discs."
Chart (1983) | Peak position |
---|---|
UK Singles (OCC) [22] | 28 |
US Billboard Hot 100 | 36 |
US Top Rock Tracks | 33 |
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Nicholas Drain Lowe is an English singer-songwriter, musician and producer. A noted figure in pub rock, power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with being a vocalist, Lowe plays guitar, bass guitar, piano and harmonica.
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America (1986) with producer T-Bone Burnett had largely featured different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
"(What's So Funny 'Bout) Peace, Love, and Understanding" is a 1974 song written by English singer/songwriter Nick Lowe. Initially released by Lowe with his band Brinsley Schwarz on their 1974 album The New Favourites of... Brinsley Schwarz, the song was released as a single and did not chart.
The Very Best of Elvis Costello is a compilation album by English musician Elvis Costello, first released on 21 September 1999 through Polygram Records. The album spanned his recorded work from 1977 through 1998. It was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series.
The Very Best of Elvis Costello and The Attractions 1977–86 is a compilation album by Elvis Costello and the Attractions, released in 1994.
Brutal Youth is an album by English musician Elvis Costello, released in 1994. It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980).
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
"I Knew the Bride (When She Used to Rock 'n' Roll)" is a song written by Nick Lowe and first popularized by Dave Edmunds. It was released on Edmunds's 1977 album Get It and a year later in a live version by Nick Lowe's Last Chicken in the Shop on Live Stiffs Live.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True. A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.