"Sulky Girl" | ||||
---|---|---|---|---|
Single by Elvis Costello | ||||
from the album Brutal Youth | ||||
B-side | "A Drunken Man's Praise of Sobriety" | |||
Released | 21 February 1994 | |||
Genre | New wave | |||
Label | Warner Bros. | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Mitchell Froom | |||
Elvis Costello singles chronology | ||||
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"Sulky Girl" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth . The song was one of those on the album that featured Costello performing with his longtime backing band the Attractions, who reunited during the course of the album's recording. As such, Costello singled out the song as an instance of the band's ability to play loudly and aggressively.
"Sulky Girl" was released as the first single from Brutal Youth in 1994 and became Costello's highest charting UK single in eleven years, although Costello chalked up this success to successful promotion by Warner Bros. as opposed to organic commercial appeal. The song's classic Attractions style garnered the song critical acclaim and the song has since appeared on Costello compilation albums.
Costello wrote "Sulky Girl" shortly after a one-day writing spree by Costello where he composed six of the songs that would appear on the Brutal Youth album. [1] [2]
The track was one of the songs on Brutal Youth that featured Costello's reunited backing band the Attractions. Costello later named "13 Steps Lead Down" and "Sulky Girl" as "reminders that [the Attractions] could also be a pretty great rock and roll band". [2] Recalling the sessions in a 1994 interview, he stated:
We hit the end of the chorus, and it was just roaring. Everybody was taking it as far as they could. It was the first time we'd played anything hard since coming back. Mitchell Froom came out of the control room, and it looked like what he'd heard had parted his hair. This band can plaster you against the back wall when it wants to. [3]
"Sulky Girl" was released as the first single from Brutal Youth in the UK. The B-side is "A Drunken Man's Praise of Sobriety", where Costello sings the Yeats poem of the same name over an instrumental. [4] The song's traditional sound made it a candidate for commercial success, to the point that Phillip Leblond of Rock & Folk said of the song, "Think of that: on this album, there is a single by Elvis Costello THAT COULD BECOME A HIT! Don't move, I'm going to call Warner..." [5]
The single reached number 22 in the UK, the highest charting Costello single there since "Pills and Soap" in 1983. Despite this, Costello did not view the single as an organic hit and credited it to record company promotion: "'Sulky Girl' they'd managed to chart and we'd gone on Top of the Pops — but basically it was the usual major record company hocus-pocus that got us into the charts, it didn't actually sell convincingly." [6] The song was not released as a single in the US; a writer for the Washington Post described it as "a great new song that radio won't play." [7]
The song has since appeared on an EP of the same name as well as on the compilation albums Extreme Honey and The Very Best of Elvis Costello .
"Sulky Girl" saw positive reception from music writers upon its release. In a column for Melody Maker , Greg Dulli of Afghan Whigs praised the song, commenting, "This is a throwback for Elvis. But he's throwing back to himself. I like this, A lot of sounds going on. He sings the hell out of a tune. Layer after layer of irony, he can't be any other way. ... He's a brilliant satirist — he should probably write books. It's very bitter. I wonder if he wrote it about Cait?" [8] Rolling Stone noted, that the "signature riff of 'Sulky Girl' harkens back to the stripped-down style of My Aim Is True ," [9] while CD Review wrote, "'Sulky Girl' trots out three different chorus hooks, all of them killer." [10] Hot Press observed, that on the song, Costello and the Attractions are "revamping their typically abrasive and claustrophobic sound and soldering the whole lot to a thoroughly modern 1990's sensibility. All the word play of Armed Forces is present but so too, in an uncanny and rather frightening manner, is that unmistakable sound of the cascading keyboards of 'Oliver's Army.'" [11]
Retrospectively, Jeremy Allen of The Guardian called it a "classic", [12] while Anthony Breznican wrote, "I fell hard for 'Sulky Girl,' as I tended to do in real life." [13] Gary Stewart of Trunkworthy praised "the chorus and that melody, which is instantly catchy and so inspired it makes even the most jaded music snob think of the dreaded cliche, 'How does he come up with this?'" [14] Diffuser.fm praised the song's "raw vitality." [15]
Paste Magazine ranked "Sulky Girl" as the fourth greatest Elvis Costello song, stating that on Brutal Youth, "Costello was free to let his ravaged vocals tatter in and around soaring power-pop ballads, the best of which is 'Sulky Girl,' a song comparing the narrator’s current partner with another, less sure but still desirable woman who ran away from home, dyed her hair and adopted a new name." [16]
Chart (1994) | Peak position |
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UK Singles (OCC) [17] | 22 |
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English songwriter, singer, record producer, author and television presenter. Music critics consider Costello to be one of the most gifted and versatile songwriters of his generation. His first album, My Aim Is True (1977), is widely regarded as one of the best debut albums in popular music history. The album spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave music genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979) sold more than 400,000 copies in Britain. He has had more modest commercial success in the US but has earned much praise among music critics. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. His fifth consecutively produced album by Nick Lowe, who was assisted by engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze vocalist Glenn Tilbrook and the Rumour guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".
Blood & Chocolate is the eleventh studio album by the British rock singer and songwriter Elvis Costello, released in the United Kingdom as Demon Records XFIEND 80, and in the United States as Columbia 40518. It is his ninth album with his long-standing backing band known as 'The Attractions'. After his previous album King of America with producer T-Bone Burnett and different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions. It peaked at No. 16 on the UK Albums Chart, and No. 84 on the Billboard 200. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Blood & Chocolate finished at number 9. The album was also included in the book 1001 Albums You Must Hear Before You Die. In 2000 it was voted number 475 in Colin Larkin's All Time Top 1000 Albums.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve, Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Brutal Youth is an album by Elvis Costello, released in 1994. This album contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). About half the album features a band consisting of Costello (guitar), Steve Nieve (keyboards) and Pete Thomas (drums) with Nick Lowe on bass. Costello himself plays bass on two tracks, and the complete Attractions line-up appears with Costello on tracks 3, 4, 6, 9 and 10.
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"Clubland" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Written in 1980, the song was performed live in festivals before the album's release. The lyrics, inspired by the band's most recent tour, describe life in nightclubs, while the music includes inspiration from The Police.
"You Little Fool" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. The lyrics detail a teenage girl's romantic encounter with an older man.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"Blue Chair" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song first appeared on Costello's 1986 album, Blood & Chocolate. First intended for Costello's previous album King of America, the song was scrapped during that session and reworked with the Attractions around Steve Nieve's piano part.
"13 Steps Lead Down" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth. Written quickly during a day-long session, the song features lyrics referencing El Escorial and the twelve-step recovery movement. The track is one of those on Brutal Youth that features the reunited Attractions, Costello's longtime backing band.
"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.
"London's Brilliant Parade" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth. Written as a reflection on Costello's birth city of London, the song features lyrics based on his recollection of London during the 1960s as well as music inspired by the Kinks. The song was one of those on the album that featured Costello performing with his longtime backing band the Attractions, who reunited during the course of the album's recording. As such, Costello singled out the song as an instance of the band's ability to perform sophisticatedly.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello and recorded by Elvis Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"Riot Act" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1980 album Get Happy!!. Costello wrote the song as a response to the controversy that had surrounded him in his professional and personal life, particularly relating to his incident in Columbus, Ohio. Recorded originally as a stripped-down acoustic demo, the song was fleshed out in the studio with the Attractions.
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