All This Useless Beauty | ||||
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Studio album by | ||||
Released | 14 May 1996 | |||
Recorded | 1995–1996 | |||
Length | 48:21 | |||
Label | Warner Bros. | |||
Producer | Geoff Emerick, Elvis Costello | |||
Elvis Costello and the Attractions chronology | ||||
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Singles from All This Useless Beauty | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Chicago Tribune | [2] |
Encyclopedia of Popular Music | [3] |
Entertainment Weekly | A− [4] |
The Guardian | [5] |
Los Angeles Times | [6] |
NME | 7/10 [7] |
Pitchfork | 7.5/10 [8] |
Q | [9] |
Rolling Stone | [10] |
Uncut | [11] |
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Bros. Records. It is his tenth and final album with his long-standing backing band the Attractions, and the last album he delivered under his contract to the Warner Bros. label, his contract expiring with a further compilation album, Extreme Honey . It peaked at number 28 on the UK album chart, and at number 53 on the Billboard 200.
In its original conception, the album was to be a two-disc set of songs written for other artists, entitled A Case for Song, with backing by a diverse array of musicians, influenced by his participation in the 1995 Meltdown Festival. [12] Aspects of this concept survived to the final album, as four songs previously released by others made it to the final track listing: "The Other End of the Telescope", co-written with Aimee Mann and originally recorded by 'Til Tuesday; "You Bowed Down", recorded by Roger McGuinn; "All This Useless Beauty" and "I Want to Vanish", recorded by June Tabor. [13] The title is a sarcastic reference to what Costello thought would be the fate of the album. [14]
Instead, Costello hired the Attractions, and recorded the songs at Windmill Lane Studios in Dublin and Westside Studios in London with production by Geoff Emerick and engineering by Jon Jacobs. "Complicated Shadows" had been intended for Johnny Cash, and "Why Can't A Man Stand Alone?" for Sam Moore, but neither singer elected to record them. [15] Another of his collaborations with Paul McCartney appears, "Shallow Grave".
Unusually, six tracks were released as singles in either the United Kingdom or the United States; "It's Time", "Little Atoms", "The Other End of the Telescope", "Distorted Angel", "All This Useless Beauty" and "You Bowed Down". Four of these—"Little Atoms", "The Other End of the Telescope", "Distorted Angel", and "All This Useless Beauty"—were released the same month as part of a limited-time promotion campaign, with each single featuring covers of songs from the album by other artists, such as Lush, Sleeper, and Tricky. [16] Costello, who described the release as a "pop art project" where each single was deleted one week after its initial launch, explained:
It's like leaving trails everywhere. What it is it's fun. The danger of making a record, particularly one that reconsiders older material, is that it's too easy to define. Inside the easy definition, there's all this life, melodies, ideas, loads of things. There's a danger of putting music like this into a glass case, and I refuse to do that. [16]
"It's Time" charted at number 58 in the UK, while all of the four limited promotional releases but "Distorted Angel" reached the 90s on the UK charts. "You Bowed Down" reached number eight on the Billboard Adult Alternative Songs chart.
The album was released initially on compact disc, cassette & LP in 1996. As part of the Rhino Records reissue campaign for Costello's back catalogue from Demon/Columbia and Warners, it was re-released in 2001 with 17 additional tracks on a bonus disc. Additional tracks continued the album's initial concept, tracks intended for recording by or in collaboration with other artists. [17] "The Days Take Care of Themselves" and "The Comedians" had been written for Roy Orbison, his recording of the latter appearing on Mystery Girl , while "The Only Flame in Town" had been intended for Aaron Neville. "The World's Great Optimist", another collaboration with Aimee Mann, appeared on her Bachelor No. 2 album (as "The Fall of the World's Own Optimist"), and Johnny Cash recorded "Hidden Shame" on Boom Chicka Boom (1990). [17] This reissue is out of print, the album reissued again by Universal Music Group after its acquisition of Costello's complete catalogue in 2006.
All tracks written by Elvis Costello, except where noted; track lengths taken from the 2001 Rhino reissue.
Tracks 4, 6, 7, and 9–16 are solo demo recordings.
The Attractions
Additional musicians
Chart (1996) | Peak position |
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US Billboard 200 [18] | 53 |
Single
Year | Title | Chart | Position |
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1996 | "It's Time" | UK Singles Chart [19] | 58 |
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Mighty Like a Rose is the 13th studio album by the British rock singer and songwriter Elvis Costello, released in 1991 on compact disc as Warner Brothers 26575. The title is presumably a reference to the pop standard "Mighty Lak' a Rose", and although that song does not appear on the album, the words of its first stanza are quoted in the booklet of the 2002 reissue. It peaked at No. 5 on the UK Albums Chart, and at No. 55 on the Billboard 200.
Spike is the 12th studio album by English singer-songwriter Elvis Costello, released in 1989 by Warner Bros. Records. It was his first album for the label and first release since My Aim Is True with no appearance by the Attractions. It peaked at No. 5 on the UK Albums Chart and also reached the Billboard 200 at No. 32, thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, and his ninth album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 September 1986 through Demon and Columbia Records. After mostly using outside musicians for his previous album King of America, Costello reunited the Attractions and his former producer Nick Lowe for Blood & Chocolate. Recorded in London during a period of heightened tensions between Costello and the Attractions, the tracks were recorded quickly, mostly live in first takes, while the band were set up simultaneously in the same room at Olympic Studios. The Pogues' bassist Cait O'Riordan sang backing vocals on two tracks.
King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
Peter Michael Thomas is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s.
Bruce Thomas is an English bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
The Very Best of Elvis Costello is a compilation album by English musician Elvis Costello, first released on 21 September 1999 through Polygram Records. The album spanned his recorded work from 1977 through 1998. It was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series.
Brutal Youth is an album by English musician Elvis Costello, released in 1994. It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980).
Costello & Nieve is a limited edition five-disc live album by Elvis Costello and Steve Nieve, released in 1996. It was recorded in Los Angeles, San Francisco, Chicago, Boston and New York City.
For the Stars is a collaboration album by classically trained Swedish mezzo-soprano Anne Sofie von Otter and Elvis Costello, released in 2001.
Extreme Honey: The Very Best of Warner Brothers Years is a compilation album by Elvis Costello, released in 1997. The album spanned songs from 1989 to 1997 that Costello had released under his contract with Warner Bros. Records.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"You Bowed Down" is a song written by Elvis Costello, first released by Roger McGuinn on his album Back from Rio. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
"Complicated Shadows" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1996 album, All This Useless Beauty.
The Costello Album, also The McCartney/MacManus Collaboration, is a Paul McCartney album that includes work from his 1987–88 songwriting collaboration with Elvis Costello. The album includes demo recordings made by Paul and Elvis in the throes of their collaboration, other demos of some songs by Costello and McCartney individually, live performances by Costello, and two duo live performances taken from a 1995 benefit concert at the Royal College of Music. A planned album credited to both was abandoned, initial work-ups appearing in the 2017 deluxe edition reissue to McCartney's Flowers in the Dirt. These recordings were unknown to the public until 1998 when they surfaced as an unofficial compact disc titled The McCartney/MacManus Collaboration.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.