Windmill Lane Recording Studios (earlier Windmill Lane Studios) is a recording studio in Dublin, Ireland. It was originally opened in 1978 by Brian Masterson and James Morris on Windmill Lane, and it subsequently relocated in 1990 to its current location at 20 Ringsend Road, Dublin 4, where it still operates as one of Ireland's largest recording studios.
The studios have become a tourist attraction which is open to the public. The studio also headquarters Pulse College, delivering industry training courses.[1]
History of old location
Windmill Lane Recording Studios was originally opened by recording engineer Brian Masterson and James Morris in 1978 and was first located in the Dublin Docklands on Windmill Lane, just off Sir John Rogerson's Quay. It was originally used to record traditional Irish music, notably by Planxty.[2]:262–267
However, no Irish rock band recorded in the studios until U2.[3] The drums on Boy were recorded in the reception area of the recording studios, due to producer Steve Lillywhite's desire to achieve "this wonderful clattery sound".[3] They had to wait until the receptionist went home in the evenings, as the phone rang through the day and even occasionally in the evening.[3]
The studios were expanded in the 1980s under the supervision of Andy Munro of Munro Acoustics. Much of the work was done specifically for U2's album The Joshua Tree. In 1990 the main studio moved to a new location on Ringsend Road, also in the Docklands.[5]
Windmill Lane in Dublin in September 1994. The studios are on the left. On the near left, a fan has written out in blue on the pavement the lyrics to the U2 song "One".
Following the move, the Windmill Lane building continued to house various post-production facilities.[4] These included Windmill Lane Pictures[6] (a video post-production facility), incorporating Number 4 (an audio post-production facility), Trend Studios (audio mastering), and a number of other related services.
The original studio buildings were covered in graffiti from fans, who had made a pilgrimage from all over the world—many attracted by the studio's historical connection with U2.[4][7] The original location of the studios was recommended as a tourist attraction by publications such as The New York Times in 2008.[7]
Windmill Lane Studios was known for its graffiti, here seen in 2008.
Plans to construct a six-storey office block on the old site led to criticism from local resident groups in early September 2008.[6]
The Windmill Lane site was then bought by property investment company Hibernia REIT in 2015, who announced in 2014 that it had purchased the loans held against the Hanover Building on Windmill Lane, Dublin, for €20.16 million and an adjoining one-acre development site for €7.5 million. A plan was made to develop it into offices, retail spaces, and residential units.[8]
The original Windmill Lane Studios structure was demolished on 3 April 2015 by Hibernia REIT, with the exception of Open Gallery 3 where U2 recorded. The firm announced plans to retain a 20-metre stretch of the studio wall famous for its fan graffiti. Options for the future of the wall include recreating it in the atrium of the new Windmill Lane building, giving the wall to Dublin City Council, U2, or any other interested party for reconstruction or reuse in an alternative setting. Another possibility is donating the wall to a charity so that they can auction pieces of it to U2 fans around the world.
The studio remained empty from 2006 onwards, although reports circulated which linked Van Morrison with purchasing the studio for his own personal use that August.[4][9] Morrison had previously recorded several albums there, including Back on Top, Magic Time, and Pay the Devil.[9] In January 2008 the studio was used to record "The Ballad of Ronnie Drew".[10]
In 2009 Naomi Moore, Aidan Alcock, and Tony Perrey took over Windmill Lane and updated the studios.[citation needed]
In mid-February 2012 the studio issued an appeal to artists who recorded there to collect their master tapes, stating they will otherwise be destroyed. The studio noted the tapes, numbering over 1,000 and weighing a tonne, were recorded before digital technology and were both deteriorating and taking up valuable space.[11][12] Subsequently all tapes owned by Island Records were recovered by the label.[13]
On 20 February 2020 the studio launched a visitor experience.[citation needed]
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