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The Very Best of Elvis Costello | ||||
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Greatest hits album by | ||||
Released | 2 August 1999 | |||
Recorded | 1977–1998 | |||
Genre | New wave, punk rock, pub rock, power pop, pop rock | |||
Length | 154:07 | |||
Label | Polygram | |||
Producer | Elvis Costello, Burt Bacharach, T-Bone Burnett, Geoff Emerick, Larry Kalman Hirsch, Trevor Jones, Kevin Killen, Nick Lowe, Clive Langer, Billy Sherrill, Alan Winstanley | |||
Elvis Costello chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Very Best of Elvis Costello is a compilation album by English musician Elvis Costello, first released on 21 September 1999 through Polygram Records. The album spanned his recorded work from 1977 through 1998. It was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series.
All songs written by Elvis Costello unless otherwise indicated.
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Mighty Like a Rose is the 13th studio album by the British rock singer and songwriter Elvis Costello, released in 1991 on compact disc as Warner Brothers 26575. The title is presumably a reference to the pop standard "Mighty Lak' a Rose", and although that song does not appear on the album, the words of its first stanza are quoted in the booklet of the 2002 reissue. It peaked at No. 5 on the UK Albums Chart, and at No. 55 on the Billboard 200.
Spike is the 12th studio album by English singer-songwriter Elvis Costello, released in 1989 by Warner Bros. Records. It was his first album for the label and first release since My Aim Is True without the Attractions. It peaked at No. 5 on the UK Albums Chart and also reached the Billboard 200 at No. 32, thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America (1986) with producer T-Bone Burnett had largely featured different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
Peter Michael Thomas is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s.
Bruce Thomas is an English bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Bros. Records. It is his tenth and final album with his long-standing backing band the Attractions, and the last album he delivered under his contract to the Warner Bros. label, his contract expiring with a further compilation album, Extreme Honey. It peaked at number 28 on the UK album chart, and at number 53 on the Billboard 200.
The Very Best of Elvis Costello and The Attractions 1977–86 is a compilation album by Elvis Costello and the Attractions, released in 1994.
The Juliet Letters is a studio album by the British rock singer and songwriter Elvis Costello and British string quartet Brodsky Quartet, released in 1993 by Warner Bros. Records. Costello described the album as "a song sequence for string quartet and voice and it has a title. It's a little bit different. It's not a rock opera. It's a new thing." It peaked at No. 18 on the UK Albums Chart, and at No. 125 on the Billboard 200.
For the Stars is a collaboration album by classically trained Swedish mezzo-soprano Anne Sofie von Otter and Elvis Costello, released in 2001.
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
"Everyday I Write the Book" is a song written by Elvis Costello, from Punch the Clock, an album released in 1983 by Elvis Costello and the Attractions. It peaked at 28 on the UK Singles Chart and was their first top 40 hit single in the U.S., peaking at No. 36 on the Billboard Hot 100.
The Costello Album, also The McCartney/MacManus Collaboration, is a Paul McCartney album that includes work from his 1987–88 songwriting collaboration with Elvis Costello. The album includes demo recordings made by Paul and Elvis in the throes of their collaboration, other demos of some songs by Costello and McCartney individually, live performances by Costello, and two duo live performances taken from a 1995 benefit concert at the Royal College of Music. A planned album credited to both was abandoned, initial work-ups appearing in the 2017 deluxe edition reissue to McCartney's Flowers in the Dirt. These recordings were unknown to the public until 1998 when they surfaced as an unofficial compact disc titled The McCartney/MacManus Collaboration.