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The Very Best of Elvis Costello | ||||
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Greatest hits album by | ||||
Released | 2 August 1999 | |||
Recorded | 1977–1998 | |||
Genre | New wave, punk rock, pub rock, power pop, pop rock | |||
Length | 154:07 | |||
Label | Polygram | |||
Producer | Elvis Costello, Burt Bacharach, T-Bone Burnett, Geoff Emerick, Larry Kalman Hirsch, Trevor Jones, Kevin Killen, Nick Lowe, Clive Langer, Billy Sherrill, Alan Winstanley | |||
Elvis Costello chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Very Best of Elvis Costello is a compilation album on two compact discs by Elvis Costello, sampling his recorded work from the years 1977 through 1998. First issued on Polygram Records on 21 September 1999, it was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series. A one-disc version was also released.
All songs written by Elvis Costello unless otherwise indicated.
Declan Patrick MacManus OBE, known professionally as Elvis Costello, is an English singer-songwriter and record producer. He has won multiple awards in his career, including Grammy Awards in 1999 and 2020, and has twice been nominated for the Brit Award for Best British Male Artist. In 2003, he was inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on its list of the 100 Greatest Artists of All Time.
Imperial Bedroom is the seventh studio album by English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production being mainly handled by Geoff Emerick; it was the artist's first album of original material not produced by Nick Lowe. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Mighty Like a Rose is the 13th studio album by the British rock singer and songwriter Elvis Costello, released in 1991 on compact disc as Warner Brothers 26575. The title is presumably a reference to the pop standard "Mighty Lak' a Rose", and although that song does not appear on the album, the words of its first stanza are quoted in the booklet of the 2002 reissue. It peaked at No. 5 on the UK Albums Chart, and at No. 55 on the Billboard 200.
Spike is the 12th studio album by the British rock singer and songwriter Elvis Costello, and his first since My Aim Is True without the Attractions, released on compact disc as Warner Brothers 25848. It was his first album for the label and peaked at No. 5 on the UK Albums Chart. It also reached No. 32 on the Billboard 200 thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7.
Punch the Clock is the eighth studio album by English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, one of England's biggest pop production teams at the time, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from a horn section, the TKO Horns, and backing vocalists, Afrodiziak.
Blood & Chocolate is the eleventh studio album by the British rock singer and songwriter Elvis Costello, released in the United Kingdom as Demon Records XFIEND 80, and in the United States as Columbia 40518. It is his ninth album with his long-standing backing band known as 'The Attractions'. After his previous album King of America with producer T-Bone Burnett and different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions. It peaked at No. 16 on the UK Albums Chart, and No. 84 on the Billboard 200. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Blood & Chocolate finished at number 9. The album was also included in the book 1001 Albums You Must Hear Before You Die. In 2000 it was voted number 475 in Colin Larkin's All Time Top 1000 Albums.
King of America is the tenth studio album by British rock singer and songwriter Elvis Costello, credited to "The Costello Show featuring the Attractions and Confederates" in the UK and Europe and to "The Costello Show featuring Elvis Costello" in North America. Released on 21 February 1986, it peaked at No. 11 on the UK album chart and No. 39 on the Billboard 200. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, King of America finished at No. 2, and it was also selected as one of Rolling Stone magazine's top twenty albums of the year. In 2000, it was voted No. 540 in Colin Larkin's All Time Top 1000 Albums.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve, Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
Peter Michael Thomas is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s.
Flowers in the Dirt is the eighth studio solo album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
Goodbye Cruel World is the ninth studio album by English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. It was produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock. Recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist, the problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Brothers. It peaked at number 28 on the UK album chart, and at No. 53 on the Billboard 200. It is his tenth and final album with his long-standing backing band known as 'The Attractions', and the last album he delivered under his contract to the Warner Brothers label, his contract expiring with a further compilation album, Extreme Honey.
The Very Best of Elvis Costello and The Attractions 1977–86 is a 1994 compilation album by Elvis Costello and The Attractions.
For the Stars is a 2001 album by classically trained Swedish mezzo-soprano Anne Sofie von Otter and Elvis Costello.
The Best of Elvis Costello and the Attractions is a 1985 compilation album by English musician Elvis Costello and his backing band the Attractions, the first of what would be many career-spanning compilation albums of previously released material for Costello.
Out of Our Idiot is a 1987 compilation album of rare and previously unreleased recordings dating back to 1979 by Elvis Costello, which was released in the UK on Demon Records. It was only available as an import in the USA and other markets. The album was credited to "Various Artists" rather than to Costello because the tracks were recorded and credited under a variety of names, including The Costello Show, Elvis Costello and the Attractions, Elvis Costello and the Confederates, The Coward Brothers, Napoleon Dynamite, The Emotional Toothpaste and The MacManus Gang. The songs featured a variety of collaborators, including Jimmy Cliff, Nick Lowe and T-Bone Burnett.
"Man Out of Time" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. With lyrics detailing a political scandal, "Man Out of Time" features a lush arrangement that was a conscious departure from the aggressive style of Costello's previous work.
"Everyday I Write the Book" is a song written by Elvis Costello, from Punch the Clock, an album released in 1983 by Elvis Costello and the Attractions. It peaked at 28 on the UK Singles Chart and was their first top 40 hit single in the US, peaking at No. 36 on the Billboard Hot 100.
"You Little Fool" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. The lyrics detail a teenage girl's romantic encounter with an older man.
The Costello Album, also The McCartney/MacManus Collaboration, is a Paul McCartney album that includes work from his 1987–88 songwriting collaboration with Elvis Costello. The album includes demo recordings made by Paul and Elvis in the throes of their collaboration, other demos of some songs by Costello and McCartney individually, live performances by Costello, and two duo live performances taken from a 1995 benefit concert at the Royal College of Music. A planned album credited to both was abandoned, initial work-ups appearing in the 2017 deluxe edition reissue to McCartney's Flowers in the Dirt. These recordings were unknown to the public until 1998 when they surfaced as an unofficial compact disc titled The McCartney/MacManus Collaboration.