Live at the El Mocambo | ||||
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Live album by | ||||
Released | 12 October 1993 / 29 September 2009 | |||
Recorded | 6 March 1978 | |||
Venue | The El Mocambo, Toronto, Ontario, Canada | |||
Genre | Punk rock, new wave | |||
Length | 48:59 | |||
Label | Demon/Rykodisc (1993) Hip-O Select (2009) | |||
Elvis Costello and The Attractions chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork | 8.4/10 [2] |
Record Collector | [3] |
Uncut | [4] |
Live at the El Mocambo is a 1993 live album by Elvis Costello and the Attractions. Recorded on March 6, 1978, from a live radio broadcast by CHUM-FM in Toronto. A tape of the broadcast was obtained by the Canadian division of CBS records and released as an exclusive Canadian promotional album in the same year. As the show's fame began to grow, it became heavily bootlegged. [3] [5]
It was first legally made available with the release (as Live at El Mocambo) either as disc 4 of the 2½ Years 4CD box set or to US purchasers of the first three CDs, in exchange for tokens included in the CD packaging, directly from Rykodisc. The concert was reissued, as a mainstream release, on 29 September 2009 by Hip-O Records, with the same content of the 1978 promotional album.
All songs written by Elvis Costello. "Less Than Zero (Dallas version)" was not recorded in Dallas, the title indicates that this version of the song has lyrics which were rewritten to refer to Lee Harvey Oswald and the Assassination of John F. Kennedy in Dallas, rather than British political figure Oswald Mosley.
with:
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.
Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticised the commercialism of British radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
2+1⁄2 Years is a box set by English musician Elvis Costello, released in 1993. It contained the expanded edition of Costello's first three albums plus an official release of the often bootlegged Live at the El Mocambo album.
The discography of the English singer-songwriter Elvis Costello includes 33 studio albums, 6 live albums, 17 compilation albums, 6 tribute albums, 2 extended plays, 62 singles and 4 box sets. This page distinguishes between United States and United Kingdom release dates and record labels. Of note are the reissue series, Costello's back catalogue having undergone reissue three times by three different companies.
Ten Bloody Marys & Ten How's Your Fathers is a compilation album by the English singer-songwriter Elvis Costello and his backing band the Attractions, comprising tracks not previously released on albums. It is largely made up of B-sides, but features one previously unreleased recording. It was released only in the United Kingdom, initially only on cassette, though later in other formats.
Taking Liberties is a compilation album by English singer-songwriter Elvis Costello, consisting of tracks not previously released on his albums as released in the United States. It is largely made up of B-sides, but features three previously unreleased recordings. It was released only in the US and Canada; its track listing is very similar to that of the UK release Ten Bloody Marys & Ten How's Your Fathers. The differences are that on the latter, the tracks "Night Rally", "Sunday's Best" and "(I Don't Want to Go to) Chelsea" are replaced by "Watching the Detectives", "Radio, Radio" and "(What's So Funny 'Bout) Peace, Love, and Understanding".
"Less than Zero" is the debut single by Elvis Costello, released in 1977 on Stiff Records. It is the eighth track on Costello's debut album, My Aim Is True. Written about British fascist Oswald Mosley, the song features what AllMusic described as a "slow, slinky [and] sinister" melody.
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
Live Stiffs Live is a live album released in 1978 by Stiff Records. It compiles concert performances by several of the record label's artists recorded during the "Live Stiffs Tour", which ran from 3 October to 5 November 1977.
Live at Hollywood High is a recording by Elvis Costello and the Attractions from a 1978 concert at Hollywood High School in Los Angeles, California. Three songs from the concert were originally included as a bonus 7" vinyl EP that sold with initial pressings of the Armed Forces album in 1979. A 2002 re-issue of Armed Forces added six tracks to the three from the EP and placed them in proper running order. In 2010, the Hip-O Select label released a full version of Live at Hollywood High with all 20 tracks from the concert on one CD.
"Girls Talk" is a new wave song written by Elvis Costello and first recorded by Dave Edmunds in 1978. Costello gave an early version of the song to Edmunds, who reworked the song and released it on his album Repeat When Necessary. Edmunds' version peaked at number four on the UK Singles Chart and number 12 in Ireland, becoming one of Edmunds' most successful career singles.
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"13 Steps Lead Down" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth. Written quickly during a day-long session, the song features lyrics referencing El Escorial and the twelve-step recovery movement. The track is one of those on Brutal Youth that features the reunited Attractions, Costello's longtime backing band.
"Lipstick Vogue" is a song by Elvis Costello. It was recorded by him with the Attractions as the penultimate track of his 1978 album This Year's Model. In his album notes for Girls Girls Girls Costello recalled that the song was inspired by "the rhythms of the Metropolitan line colliding with a song by The Byrds called 'I See You'. I didn't mention this bit to Pete Thomas at the time, so what you hear is all his own work". Allmusic reviewer Tom Maginnis wrote that it "serves as a showcase for the new group's extraordinary energy and impressive skill, while Costello plays the role of the scornful cynic, spitting bitter words of one who has suffered third-degree burns at the hands of love".
"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True. A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.
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