"Girls Talk" | ||||
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Single by Dave Edmunds | ||||
from the album Repeat When Necessary | ||||
B-side | "Bad is Bad" | |||
Released | 25 May 1979 | |||
Recorded | 1978 | |||
Genre | ||||
Length | 3:25 | |||
Label | Swan Song | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Dave Edmunds | |||
Dave Edmunds singles chronology | ||||
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"Girls Talk" | ||||
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Single by Elvis Costello and the Attractions | ||||
A-side | "I Can't Stand Up for Falling Down" | |||
Released | March 1980 | |||
Recorded | 1979 | |||
Length | 1:56 | |||
Label | F-Beat (UK) Columbia (USA) | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Nick Lowe | |||
Elvis Costello and the Attractions singles chronology | ||||
|
"Girls Talk" is a new wave song written by Elvis Costello and first recorded by Dave Edmunds in 1978. Costello gave an early version of the song to Edmunds, who reworked the song and released it on his album Repeat When Necessary . Edmunds' version peaked at number four on the UK Singles Chart and number 12 in Ireland, becoming one of Edmunds' most successful career singles.
Costello later released his version of the song as a B-side to his version of "I Can't Stand Up for Falling Down", a rendition featuring a soul-inflected arrangement with a prominent bass line performed by Attractions bassist Bruce Thomas. Both Edmunds' and Costello's versions have attracted critical acclaim.
In the liner notes for the 2002 Rhino reissue of Get Happy!! , Costello stated that the record was about women's gossip. [2]
The most successful version of the song was by Dave Edmunds, to whom Costello says he donated the song "in a moment of drunken bravado." [2] [3] Edmunds said, "Elvis came to the studio one day, and he said, 'I've got a song for you.' And he gave me a cassette. Now, it wasn't very good – it was just him on a guitar, and he was rushing through it at a furious pace. At first I couldn't see it. I really liked the complete new arrangement and feel that I put to it. I'm not sure Elvis liked it, mind you. He's quite an intense person and he's quick to point out things that he doesn't like." [4]
Released in June 1979, Edmunds' version charted at number 4 on the UK Singles Chart, [3] spending 11 weeks on the chart. It was his final top ten hit in that country. [5] The single additionally reached number 65 on the US Hot 100, a rare commercial success for Edmunds there. The success of Edmunds' version also boosted Costello's reputation as a coverable songwriter; Edmunds later joked while introducing the song at a concert, "Here's a song by Elvis Costello, and he thanks you from the bottom of his wallet." [6]
Costello recorded a version which was released as the B-side of his single "I Can't Stand Up for Falling Down", [7] and was a fixture of the set lists for his tours for some time after it was recorded. [8] Bassist Bruce Thomas commented that it started out as a "country song" before the band rearranged it around Thomas' bass line, [9] which Costello compared to the bass part from "A Love Supreme". [10]
A music video was produced for the song. It features Edmunds and Rockpile playing on the roof of the Warner Brothers Records building in Midtown Manhattan as well as assorted shots of people walking through Manhattan. [11]
"Girls Talk" has seen critical acclaim since its release. In a 1979 article, The New York Times wrote of Edmunds' version, "Mr. Edmunds tackles the sort of airy pop lyricism that is Mr. Lowe's specialty with consummate taste and skill." [12] The Miami Herald opined in 1980, "When Edmunds did 'Girls Talk,' he stole the song away from Costello and made it his own." [13] AllMusic referred to the Edmunds take as a "classic" in a retrospective review. [14]
Costello's version has also attracted acclaim. Stewart Mason of AllMusic gave the song a positive review retrospectively, complimenting the tone of "suppressed menace", and saying that "it features some of his sharpest lyrics of the era". [8] In addition, Debra Rae Cohen of Rolling Stone said that although Edmunds' version was "cocky [and] rowdy", "Costello restores the tune's paranoiac underpinnings with the nervous quaver of his voice and soft keyboard parts that echo like footfalls". [15] Musician Aimee Mann included Costello's version on her list of "songs that made her," commenting, "I used to cover 'Girls Talk' live for a while. I was so crazy about that song." [16]
Weekly charts
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Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
"Oliver's Army" is a song written by English musician Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
"Alison" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True on Stiff Records. Costello claimed the song was written as an ode to a woman he saw working at a supermarket, though he has remained vague on the meaning. Though Costello's single never charted, it has become one of his most famous songs.
Brutal Youth is an album by English musician Elvis Costello, released in 1994. It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980).
Taking Liberties is a compilation album by English singer-songwriter Elvis Costello, consisting of tracks not previously released on his albums as released in the United States. It is largely made up of B-sides, but features three previously unreleased recordings. It was released only in the US and Canada; its track listing is very similar to that of the UK release Ten Bloody Marys & Ten How's Your Fathers. The differences are that on the latter, the tracks "Night Rally", "Sunday's Best" and "(I Don't Want to Go to) Chelsea" are replaced by "Watching the Detectives", "Radio, Radio" and "(What's So Funny 'Bout) Peace, Love, and Understanding".
"I Can't Stand Up for Falling Down" is a song written by Homer Banks and Allen Jones. Originally recorded by soul duo Sam & Dave in 1967, the song was famously covered by new wave musician Elvis Costello with his backing band the Attractions in 1980 for their album Get Happy!!.
"Man Out of Time" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. With lyrics detailing a political scandal, "Man Out of Time" features a lush arrangement that was a conscious departure from the aggressive style of Costello's previous work.
"Leave My Kitten Alone" is a song written by Little Willie John, Titus Turner, and James McDougal, first recorded by Little Willie John and released in 1959 as a single through King Records. It is an R&B song that follows a 24-bar blues format.
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"High Fidelity" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about an adulterous couple where one member still hopes for reconciliation, "High Fidelity" reflected the personal struggles that Costello had been suffering at the time as a result of increased fame and controversy. Musically, the song was influenced by Motown and was initially performed in a slower style inspired by David Bowie's Station to Station.
"New Amsterdam" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about the New World and New York, the recording of the song that appears on Get Happy!! was a demo that Costello had recorded in Pimlico.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"Blue Chair" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song first appeared on Costello's 1986 album, Blood & Chocolate. First intended for Costello's previous album King of America, the song was scrapped during that session and reworked with the Attractions around Steve Nieve's piano part.
"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
"Riot Act" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1980 album Get Happy!!. Costello wrote the song as a response to the controversy that had surrounded him in his professional and personal life, particularly relating to his incident in Columbus, Ohio. Recorded originally as a stripped-down acoustic demo, the song was fleshed out in the studio with the Attractions.
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