Spike | ||||
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Studio album by | ||||
Released | 6 February 1989 | |||
Recorded | 1987–1988 | |||
Studio |
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Genre | ||||
Length | 63:50 | |||
Label | Warner Bros. | |||
Producer | ||||
Elvis Costello chronology | ||||
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Singles from Spike | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Blender | [3] |
Chicago Tribune | [4] |
Entertainment Weekly | C+ [5] |
Los Angeles Times | [6] |
NME | 10/10 [7] |
Q | [8] |
Rolling Stone | [9] |
Uncut | [10] |
The Village Voice | B [11] |
Spike is the 12th studio album by English singer-songwriter Elvis Costello, released in 1989 by Warner Bros. Records. It was his first album for the label and first release since My Aim Is True without the Attractions. It peaked at No. 5 on the UK Albums Chart and also reached the Billboard 200 at No. 32, thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7. [12]
In 1987, Costello began writing with Paul McCartney for the latter's Flowers in the Dirt album. They composed a dozen songs together, which showed up on multiple albums by McCartney and Costello. [13] : 3 Two of those songs appear on this album, "Pads, Paws and Claws" and the hit single "Veronica".
As his first album for a new label, in his own words Costello had the budget of "a small independent movie", and having in mind the blueprint for five different albums, decided to make all of them. [13] : 4 He brought back his foil from King of America , T-Bone Burnett, to facilitate the sessions and produce the album. Studio time was booked in four different locations: Ocean Way in Hollywood; Southlake Studios in New Orleans; Windmill Lane Studios in Dublin; and AIR Studios in London. [13] : 25 Four different groups of musicians were assembled in each location. Writing credits on the album are given to both Elvis Costello and Declan MacManus, Costello's birth name.
The single "Veronica" peaked at No. 31 on the UK singles chart and at No. 19 in America, his best showing ever on the Billboard Hot 100. It also reached No. 1 on the US Modern Rock chart. "This Town" was also released as a single but missed both of the main singles chart in both nations. An extended play single was also released for "Baby Plays Around", peaking at No. 65 in the UK.
The second track, "Let Him Dangle", is a protest song opposing capital punishment, recounting the 1953 conviction and execution of Derek Bentley.
The seventh track, "Tramp the Dirt Down", is a fiery lament, depicting Costello's anger at the Thatcher government and its effect on Britain's society. In the song, Costello expresses his desire to live long enough to see Margaret Thatcher die and vows, "I'll stand on your grave and tramp the dirt down." "I wish I'd written 'Tramp the Dirt Down'," said singer Natalie Merchant. [14] The song reached No. 79 on the iTunes chart following Thatcher's death in April 2013. [15] In addition, he played this song at Glastonbury 2013 having previously performed it there on the Pyramid Stage in 1987.
Lyrics are given in the booklet for the eighth track, "Stalin Malone", but the album recording is an instrumental and does not include vocals. A version with a recitation of the lyrics as poetry appears on the 2001 bonus disc.
The album cover was designed by Jeri and John Heiden. [16] Costello described the image to the BBC in 1989: "I had this image of the beloved entertainer in captivity, as we see him now hung up on the wall. That's kind of what the record companies do now; they go out and shoot their artists and hang them up like a trophy in the boardroom." [17]
The album was released initially on compact disc in 1989. As part of the Rhino Records reissue campaign for Costello's back catalogue from Demon/Columbia and Warners, it was re-released in 2001 with 17 additional tracks on a bonus disc. The bonus disc included three tracks with Nick Lowe on bass and Attractions drummer Pete Thomas for use as b-sides, recorded at Wessex Sound Studios after the Spike mixing sessions. [13] : 7
All tracks written by Elvis Costello, except where noted; track timings taken from Rhino 2001 reissue.
Tracks 1–12 are solo demo recordings.
Weekly charts
| Year-end charts
|
Year | Single | Chart | Peak position |
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1989 | "Veronica" | Billboard Hot 100 [25] | 19 |
Billboard Alternative Songs [26] | 1 | ||
UK Singles Chart [27] | 31 | ||
Australian Singles Chart [28] | 27 |
}
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [29] | Gold | 100,000^ |
United States (RIAA) [30] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Mighty Like a Rose is the 13th studio album by the British rock singer and songwriter Elvis Costello, released in 1991 on compact disc as Warner Brothers 26575. The title is presumably a reference to the pop standard "Mighty Lak' a Rose", and although that song does not appear on the album, the words of its first stanza are quoted in the booklet of the 2002 reissue. It peaked at No. 5 on the UK Albums Chart, and at No. 55 on the Billboard 200.
Whatever is the first solo album by the American singer-songwriter Aimee Mann, released in 1993.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America (1986) with producer T-Bone Burnett had largely featured different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
Off the Ground is the ninth solo studio album by Paul McCartney, released on 1 February 1993. As his first studio album of the 1990s, it is also the follow-up to the well received Flowers in the Dirt (1989).
The Delivery Man is the 21st studio album by Elvis Costello, released on 21 September 2004 through Lost Highway Records. It was recorded with the Imposters at Sweet Tea Studio in Oxford, Mississippi. It peaked at No. 40 on the Billboard 200.
The Very Best of Elvis Costello is a compilation album by English musician Elvis Costello, first released on 21 September 1999 through Polygram Records. The album spanned his recorded work from 1977 through 1998. It was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series.
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Bros. Records. It is his tenth and final album with his long-standing backing band the Attractions, and the last album he delivered under his contract to the Warner Bros. label, his contract expiring with a further compilation album, Extreme Honey. It peaked at number 28 on the UK album chart, and at number 53 on the Billboard 200.
For the Stars is a collaboration album by classically trained Swedish mezzo-soprano Anne Sofie von Otter and Elvis Costello, released in 2001.
Extreme Honey: The Very Best of Warner Brothers Years is a compilation album by Elvis Costello, released in 1997. The album spanned songs from 1989 to 1997 that Costello had released under his contract with Warner Bros. Records.
The River in Reverse is a collaboration album by Elvis Costello and Allen Toussaint, released in 2006. It received a Grammy nomination for Best Pop Vocal Album.
"Veronica" is a song by Elvis Costello, released in 1989 as the lead single from the album Spike. The song was co-written by Costello with Paul McCartney, and was co-produced with T-Bone Burnett and Kevin Killen, and features Paul McCartney on his iconic Höfner bass. In 2004, Entertainment Weekly voted it one of Costello's top ten greatest tunes.
"My Brave Face" is a song by the English musician Paul McCartney, released as a single from his 1989 album, Flowers in the Dirt. Written by McCartney and Elvis Costello, "My Brave Face" is one of the most popular songs from Flowers in the Dirt. It peaked at number 18 in the United Kingdom and at number 25 in the United States. It was McCartney's last top 40 hit on the Billboard Hot 100 until his 2014 collaboration with Kanye West, "Only One", and was the last Billboard top 40 hit by any former Beatle as a solo artist.
"This One" is a single from Paul McCartney's 1989 album, Flowers in the Dirt. The song reached number 18 on the UK singles chart. It also reached number 8 on the Ö3 Austria Top 40 in Austria, number 31 in the Dutch Top 40 in the Netherlands, number 40 on the Media Control Charts in Germany and number 14 in Japan.
"Figure of Eight" is a song from Paul McCartney's 1989 album, Flowers in the Dirt.
National Ransom is a studio album by English singer-songwriter Elvis Costello, released on 25 October 2010 through the Hear Music label. It was recorded in Nashville and Los Angeles with American songwriter and producer T Bone Burnett. The album's cover art is made by Maakies creator Tony Millionaire.
The Costello Album, also The McCartney/MacManus Collaboration, is a Paul McCartney album that includes work from his 1987–88 songwriting collaboration with Elvis Costello. The album includes demo recordings made by Paul and Elvis in the throes of their collaboration, other demos of some songs by Costello and McCartney individually, live performances by Costello, and two duo live performances taken from a 1995 benefit concert at the Royal College of Music. A planned album credited to both was abandoned, initial work-ups appearing in the 2017 deluxe edition reissue to McCartney's Flowers in the Dirt. These recordings were unknown to the public until 1998 when they surfaced as an unofficial compact disc titled The McCartney/MacManus Collaboration.
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