Pipe (instrument)

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Pipe
Potterpipe.png
Classification
Playing range
1-2 octaves
Related instruments

A pipe is a tubular wind instrument in general, or various specific wind instruments. [1] The word is an onomatopoeia, and comes from the tone which can resemble that of a bird chirping [ citation needed ].

Contents

With just three holes, a pipe's range is obtained by overblowing to sound at least the second or the third harmonic partials.

Folk pipe

Examples of Polish folk pipe made of willow bark (fujarka [pl]), which may be up to 40 cm long Fujarka 0211.jpg
Examples of Polish folk pipe made of willow   bark ( fujarka  [ pl ]), which may be up to 40 cm long

Fipple flutes are found in many cultures around the world. Often with six holes, the shepherd's pipe is a common pastoral image. Shepherds often piped both to soothe the sheep and to amuse themselves. Modern manufactured six-hole folk pipes are referred to as pennywhistle or tin whistle. The recorder is a form of pipe, often used as a rudimentary instructional musical instrument at schools, but versatile enough that it is also used in orchestral music.

Tabor pipe

The three-holed pipe is a form of the folk pipe which is usually played with one hand, while the other hand plays a tabor or other drone instrument such as a bell or a psalterium (string-drum).

A minstrel playing tabor and pipe Pipetaborchristmasminstrel.png
A minstrel playing tabor and pipe

In English this instrument is properly called simply a pipe, but is often referred to as a tabor pipe to distinguish it from other instruments. The tabor pipe has two finger holes and one thumb hole. In the English tradition, these three holes play the same notes as the bottom three holes of a tin whistle, or tone, tone, semitone. Other tabor pipes, such as the French galoubet, the Picco pipe, the Basque txistu and xirula, the Aragonese chiflo or the Andalusian gaita of Huelva and gaita rociera, [3] are tuned differently.

A much larger (typically 150 to 170 cm long), sophisticated 3-hole pipe played is the Slovak fujara , made of two connected parallel pipes of different lengths. This is not to be mistaken with the Polish single pipe ( fujara, fujarka), which is a much smaller (up to 40 cm) old-fashioned instrument usually made of willow bark. [2] The latter also exists in locally modified modern versions (also played, [4] for example, in Toronto at "The Pride of Poland", [5] a 2005 concert featuring symphonic and Polish folk music).

Similar to both the Slovak and Polish instruments is the Czech fujara. [6]

The pipe and tabor was a common combination throughout Asia in the medieval period, and remains popular in some parts of Europe and the Americas today. The English pipe and tabor had waned in popularity, but had not died out before a revival by Morris dance musicians in the early 20th century.

Traditionally made of cane, bone, ivory, or wood, today pipes are also available made of metal and of plastic.

Flageolet

A 19th-century flageolet Flageolet ebene, argent et nacre.JPG
A 19th-century flageolet

The flageolet was developed from the tabor pipe, in France, and became an orchestral instrument. [7] Its lower three holes were configured the same as a tabor pipe, with two on front and one on back. A second set of three holes was added above this. The mouthpiece had a unique configuration with a sponge inside.

Used as orchestral instruments into the 19th Century, the flageolet was given keys, like in the orchestral flute.

Diaulos

A diaulos was an ancient Greek wind instrument composed of two pipes (aulos), which were played similar to an oboe. [8] The two pipes were connected at their base and often of different lengths. Circular breathing was sometimes used by the performer. [9]

Reed pipe

A reed pipe is an instrument which is similar in construction to the fipple flutes but instead of a whistle mouthpiece, has a (usually) double reed, like the oboe.

Hornpipe

Hornpipes are instruments with one or more pipes that have single reeds that terminate in a resonator made of horn. Simple instruments may consist of little more than the reed, the pipe, and the resonator. More complex instruments may have multiple pipes held in a common yoke, multiple resonators, or horn mouthpieces to facilitate playing. They are known from a broad region extending from India in the east to Spain in the west that includes north Africa and most of Europe. [10]

See also

Related Research Articles

<span class="mw-page-title-main">Bagpipes</span> Woodwind instrument

Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.

<span class="mw-page-title-main">Flute</span> Brass instrument

The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist.

<span class="mw-page-title-main">Woodwind instrument</span> Family of musical wind instruments

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<span class="mw-page-title-main">Tin whistle</span> Six-holed woodwind instrument

The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.

<span class="mw-page-title-main">Ocarina</span> Ancient wind musical instrument

The ocarina is a wind musical instrument; it is a type of vessel flute. Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone.

The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, Riverdance, Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music.

Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player.

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<span class="mw-page-title-main">Fipple</span> Musical instrument

The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself.

<span class="mw-page-title-main">Flageolet</span> Woodwind musical instrument

The flageolet is a woodwind instrument and a member of the fipple flute family which includes recorders and tin whistles. Its invention was erroneously ascribed to the 16th-century Sieur Juvigny in 1581. There are two basic forms of the instrument: the French, having four finger holes on the front and two thumb holes on the back; and the English, having six finger holes on the front and sometimes a single thumb hole on the back. The latter was developed by English instrument maker William Bainbridge, resulting in the "improved English flageolet" in 1803. There are also double and triple flageolets, having two or three bodies that allowed for a drone and countermelody. Flageolets were made until the 19th century.

<span class="mw-page-title-main">Willow flute</span>

The willow flute, also known as sallow flute, is a Nordic folk flute, or whistle, consisting of a simple tube with a transverse fipple mouthpiece and no finger holes. The mouthpiece is typically constructed by inserting a grooved plug into one end of the tube, and cutting an edged opening in the tube a short distance away from the plug.

<span class="mw-page-title-main">Pipe and tabor</span>

Pipe and tabor is a pair of instruments played by a single player, consisting of a three-hole pipe played with one hand, and a small drum played with the other. The tabor (drum) hangs on the performer's left arm or around the neck, leaving the hands free to beat the drum with a stick in the right hand and play the pipe with thumb and first two fingers of the left hand.

<span class="mw-page-title-main">Fujara</span> Large Slovakian shepherds flute

The fujara is a large wind instrument of the tabor pipe class. It originated in central Slovakia as a sophisticated folk shepherd's overtone fipple flute of unique design in the contrabass range.

<i>Dentsivka</i>

The dentsivka is a woodwind musical instrument with a fipple (mouthpiece). In traditional instruments, the tuning varies with the length of the tube. It is made in a variety of different sizes: the piccolo, prima, alto, tenor, and bass.

<span class="mw-page-title-main">Three-hole pipe</span>

The three-hole pipe, also commonly known as tabor pipe or galoubet, is a wind instrument designed to be played by one hand, leaving the other hand free to play a tabor drum, bell, psalterium or tambourin à cordes, bones, triangle or other percussive instrument.

<span class="mw-page-title-main">Txistu</span>

The txistu is a kind of fipple flute that became a symbol for the Basque folk revival. The name may stem from the general Basque word ziztu "to whistle" with palatalisation of the z. This three-hole pipe can be played with one hand, leaving the other one free to play a percussion instrument.

<span class="mw-page-title-main">Wind instrument</span> Class of musical instruments with air resonator

A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.

<span class="mw-page-title-main">Double flute</span>

The double flute is an ancient category of wind instrument, a set of flutes that falls under more than one modern category in the Hornbostel Sachs system of musical instrument classification. The flutes may be double because they have parallel pipes that are connected with a single duct. They may be "double vertical flutes" without a duct. There is also a double-transverse flutes.

References

  1. Oxford English Dictionary , 3rd edition, s.v.
  2. 1 2 (in Polish)Budownictwo drzewne i wyroby z drzewa w dawnej Polsce. vol. 2, pp. 27 & 28 (English title: Wooden architecture and wooden artifacts in historic Poland), Warszawa  1909.
  3. "Flauta y tamboril. Gaita de Huelva, gaita rociera, gaita andaluza". Archived from the original on 2016-02-20.
  4. Krzeptowski playing on small pipe folk instrument (Polish: polska "fujara, fujarka" góralska), foto: Robert Rozowski" Archived 2011-07-15 at the Wayback Machine from Rozbicki.com Archived 2009-11-28 at the Wayback Machine also in Google Images Archived 2009-11-03 at the Wayback Machine , Retrieved 2009-12-12
  5. "The Pride". Archived from the original on 2009-11-03. Retrieved 2009-11-27.
  6. In Google Images: image 1 Archived 2007-07-01 at the Wayback Machine , image 2 from www.folklorika.cz Archived 2009-06-21 at the Wayback Machine , Retrieved 2009-12-12
  7. "The Project Gutenberg eBook of The Morris Book by Cecil J. Sharp". Archived from the original on 2007-09-27.
  8. "Ancient Greek Music and Musical Instruments". www.hellenicaworld.com. Retrieved 2019-10-13.
  9. "The diaulos (double-aulos)". kotsanas.com. Retrieved 2019-10-13.
  10. Baines, Anthony C (1995). Bagpipes, 3rd ed. Occasional Papers on Technology. Oxford: Pitt Rivers Museum.