The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.
Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce powerful accents with vigorous strokes and a loud metallic click when rimshots are used. In a solo a caixa can express all its potential for improvisation
The snare drum originates from the tabor, a drum first used to accompany the flute. The tabor evolved into more modern versions, such as the kit snare (the type usually included in a drum kit), marching snare, tarol snare, and piccolo snare.[1] Each type is a different size, and there are different playing styles associated with each of them. The snare drum that one might see in a popular music concert is usually used in a backbeat style. In marching bands, it can do the same but is used mostly for a front beat.[citation needed] In comparison with the marching snare, the kit snare is generally smaller in length, while the piccolo is the smallest of the three. The snare drum is easily recognizable by its loud cracking sound when struck firmly with a drumstick or mallet. The depth of the sound varies from one drum to another because of the different techniques and construction qualities of the drum. Some of these qualities are head material and tension, dimensions, and rim and drum shell materials and construction.
The snare drum is constructed of two heads—both usually made of Mylar plastic in modern drums but historically made from calf or goat skin—along with a rattle of beads (metal, plastic, nylon, or gut) called "snares" in close contact with it, on the bottom head, which vibrate when the drum is struck. The snares can also be on the top, as in the tarol snare drum, or on both heads as in the case of the Highland snare drum. The top head is typically called the batter head because that is where the drummer strikes it; the bottom head can also be called the snare head (if the snares are located there). The tension of each head is held constant by tension rods. Tension rod adjustment allows the pitch and tonal character of the drum to be customized by the player. Most snare drums have a lever (the strainer) to engage or disengage contact between the snares and the head, and which also permits adjustment of the snare tension. When the snares are disengaged, the sound of the drum resembles a Floor tom. The rim is the metal or wooden ring around the batter head that holds the head onto the drum and provides tension to the head; the rim can also be used in some playing techniques, notably the rimshot, in which the head and rim are struck together with a single stick to create a clicking, or tapping sound.
Playing
Snare wiresSnares on bottom of a drumSnare strainer
When the top head is struck, the bottom (resonant) head vibrates in tandem, which in turn stimulates the snares and produces a cracking sound.
The drum can be played by striking it with a drum stick or any other form of beater, including brushes, rute and hands, all of which produce a softer-sounding vibration from the snare wires. When using a stick, the drummer may strike the head of the drum, the rim (counterhoop), or the shell.
The snares can be thrown off (disengaged) with a lever on the strainer so that the drum produces a sound reminiscent of a tom-tom.[2]Rimshots are a technique associated with snare drums in which the head and rim are struck simultaneously with one stick (or in orchestral concert playing, a stick placed on the head and the rim struck by the opposite stick). In contemporary and/or pop and rock music, where the snare drum is used as a part of a drum kit, many of the backbeats and accented notes on the snare drum are played as rimshots, due to the ever-increasing demand for their typical sharp and high-volume sound.
A commonly used alternative way to play the snare drum is known as "cross-stick", "rim click", or "side-stick". This is done by holding the tip of the drumstick against the drum head and striking the stick's other end (the butt) against the rim, using the hand to mute the head.[3] This produces a dry high-pitched click, similar to a set of claves, and is especially common in Latin and jazz music. So-called "ghost notes" are very light "filler notes" played in between the backbeats in genres such as funk and rhythm and blues. The iconic drum roll is produced by alternately bouncing the sticks on the drum head, striving for a controlled rebound. A similar effect can be achieved by playing alternating double strokes on the drum, creating a double stroke roll, or very fast single strokes, creating a single stroke roll. The snares are a fundamental ingredient in the pressed (buzz) drum roll, as they help to blend together distinct strokes that are then perceived as a single, sustained sound. The snare drum is the first instrument to learn in preparing to play a full drum kit. Rudiments are sets of basic patterns often played on a snare drum.[4]
Construction
Snare drums may be made from various wood, metal, acrylic, or composite, e.g., fiberglass materials.[5] A typical diameter for snare drums is 14in (36cm). Marching snare drums are deeper (taller) in size than snare drums normally used for orchestral or drum kit purposes, often measuring 12 in deep (tall). Orchestral and drum kit snare drum shells are about 6in (15cm) deep. Piccolo snare drums are even shallower at about 3in (7.6cm) deep. Soprano, popcorn, and firecracker snare drums have diameters as small as 8in (20cm) and are often used for higher-pitched special effects.[2]
Most wooden snare drum shells are constructed in plies (layers) that are heat- and compression-moulded into a cylinder. Steam-bent shells consist of one ply of wood that is gradually rounded into a cylinder and glued at one seam. Reinforcement rings, so-called "re-rings", are often incorporated on the inside surface of the drum shell to keep it perfectly round. Segment shells are made of multiple stacks of segmented wood rings. The segments are glued together and rounded out by a lathe. Similarly, stave shells are constructed of vertically glued pieces of wood into a cylinder (much like a barrel) that is also rounded out by a lathe. Solid shells are constructed of one solid piece of hollowed wood.
The heads or skins used are a batter head (the playing surface on the top of the drum) and a resonant (bottom) head. The resonant head is usually much thinner than the batter head and is not beaten while playing. Rather than calfskin, most modern drums use plastic (Mylar) skins of around 10 mils thickness, sometimes with multiple plies (usually two) of around 7 mils for the batter head. In addition, tone control rings or dots can be applied, either on the outer or inner surface of the head, to control overtones and ringing, and can be found positioned in the centre or close to the edge hoops or both. Resonant heads are usually only a few mils thick, to enable them to respond to the movement of the batter head as it is played. Pipe band requirements have led to the development of a Kevlar-based head, enabling very high tuning, thus producing a very high-pitched cracking snare sound.
A new technique used to improve the sound quality during snare drum construction is symmetrical venting. In contrast to a standard single vent hole, air can easily travel through and around the instrument without getting caught. This rapid movement creates a smoother, stronger sound.
History
The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor).[6][7] Tabors were not always double-headed[8] and not all may have had snares. By the 15th century, the size of the snare drum had increased and had a cylindrical shape. This simple drum with a simple snare became popular with the Swiss mercenary troops who used the fife and drum from the 15th to 16th centuries. The drum was made deeper and carried along the side of the body. Further developments appeared in the 17th century, with the use of screws to hold down the snares, giving a brighter sound than the rattle of a loose snare. During the 18th century, the snare drum underwent changes which improved its characteristic sound. Metal snares appeared in the 20th century. Today the snare drum is used in jazz, pop music and modern orchestral music.[9]
Much of the development of the snare drum and its rudiments is closely tied to the use of the snare drum in the military. In his book, The Art of Snare Drumming, Sanford A. Moeller (of the "Moeller Method" of drumming) states, "To acquire a knowledge of the true nature of the [snare] drum, it is absolutely necessary to study military drumming, for it is essentially a military instrument and its true character cannot be brought out with an incorrect method. When a composer wants a martial effect, he instinctively turns to the drums."
Before the advent of radio and electronic communications, the snare drum was often used to communicate orders to soldiers. American troops were woken up by drum and fife playing about five minutes of music, for example, the well-known Three Camps.[10] Troops were called for meals by certain drum pieces, such as "Peas on a Trencher" or "Roast Beef". A piece called the "Tattoo" was used to signal that all soldiers should be in their tent, and the "Fatigue Call" was used to police the quarters or drum unruly women out of the camp.[11]
Many of these military pieces required a thorough grounding in rudimental drumming; indeed Moeller states that: "They [the rudimental drummers] were the only ones who could do it [play the military camp duty pieces]".[12] Moeller furthermore states that "No matter how well a drummer can read, if he does not know the rudimental system of drumming, it is impossible for him to play 'The Three Camps', 'Breakfast Call', or in fact any of the Duty except the simple beats such as 'The Troop'."[13]
During the late 18th and 19th century, the military bugle largely supplanted the snare and fife for signals. Most modern militaries and scouting groups use the bugle alone to make bugle calls that announce scheduled and unscheduled events of the organization (from First Call to Taps). While most modern military signals use only the bugle, the snare is still retained for some signals, for example, the Adjutant's Call.
Snare drumheads were originally made from calfskin. The invention of the plastic (Mylar) drumhead is credited to a drummer named Marion "Chick" Evans, who made the first plastic drumhead in 1956.[14]
Drum rudiments seem to have developed with the snare drum; the Swiss fife and drum groups are sometimes credited with their invention.[15] The first written rudiment was drawn up in Basel, Switzerland in 1610.[16] Rudiments with familiar names—such as the single paradiddle, flam, drag, ratamacue, and double stroke roll, also called the "ma-ma da-da" roll—are listed in Charles Ashworth's book in 1812.[17]
Definitions
Military drum/field drum: a snare drum with a diameter of 14–16 in and 9–16 in deep, with a wood or metal shell and the two heads stretched by tensioning screws. It has a snare-release lever to activate or deactivate a minimum of eight metal, gut, or plastic snares. The term came into use in 1837 with the invention of the tensioning-screw mechanism. While it frequently placed on a stand, it can also be played without the stand, screws and the lever in marching configuration.[18] Also called a Tamburo Militare in Italian, a Militär-Trommel in German, a Tambor in Spanish, a Tamboer in Dutch or a Tambour Militaire or Tambour D'ordonannce in French, or uncommonly a Street Drum in English.[19]
Side drum: a common British and Scottish Highlands term for a snare drum.[20] Also known as a Piccolo Cassa or Tamburo Piccolo in Italian, Kleine Trommel in German, Caja in Spanish, or Caisse Claire in French.[19] Refers commonly to an orchestral snare drum in America, while in the Commonwealth it refers to a marching snare.
Tabor: a large drum with a single snare on the batter head used in the Middle Ages and sometimes called for in orchestral repertoire. Also known as a Tenor Drum, a Tamburello in Italian, a Tamburin in German, or a Tambourin Provençal in French.[19] Not to be confused with the Scottish pipe band tenor drum which has no snare.
Marching snares are typically 12in (30cm) deep and 14in (36cm) wide. The larger design allows for a deeper-sounding tone, one that is effective for marching bands.[21] Many marching snares are built to withstand high amounts of tension, tightened by a drum key. They are often played with a heavier and thicker stick, more commonly referred to as "marching sticks". Snares are often nylon or gut.
Similar to a marching snare, pipe band snares are deep and tuned quite tightly. The major difference is that they feature a second set of snare wires beneath the batter head, along with the normal set on the resonant head.[22] This gives them an even more crisp and snappy sound. Snare drummers form an integral part of pipe bands, accompanying the bagpipes, and playing music written to fit the pipe tunes. A bass drummer and several tenor drummers, who also perform visual representations of the music, known as flourishing, add to the percussion section of a pipe band. The music played by pipe band snare drummers can be technically difficult, and requires a high degree of rudimental ability, similar to that of marching bands. Pipe Band snare normally use the traditional grip.
Drum kit snare
Drum kit snares are usually about a third to half the depth of a marching snare. They are typically 14in (36cm) in diameter and 5,5+1⁄2,6,6+1⁄2 or 7in (13,14,15,17 or 18cm), with 8in (20cm) depths also available.[21] Typically uses coiled metal snare wires.
Piccolo snare
The piccolo snare is a type of snare used by drummers seeking a higher-pitched sound from their snare. Because the piccolo snare has a narrower depth than that of the marching snare or set snare, a higher-pitched "pop" is more widely associated with it. Although the piccolo snare has a more distinctive, unique sound, it has some downsides. Because of the "sharper" sound of the piccolo, its sound travels further and is picked up by microphones further away during recording, making it difficult to record effectively.[23] There are many kinds of piccolo snare which can be piccolos, including the popcorn, soprano and standard snares. Popcorn snares typically have a diameter of 10in (25cm), sopranos 12–13in (30–33cm), and standard piccolos 14in (36cm).[23] A well-known user of the piccolo snare was Neil Peart, the drummer of Rush, who used a 13in (33cm) X Shell Series Piccolo.
Orchestral snare
Orchestral snare drums usually conform to the dimensions of drum kit snares, but often have a calf skin head or a synthetic approximation of a natural head material. They also typically use snares made of metal cable, gut, synthetic cord, or nylon,[21] with some orchestral snare strainers supporting 3 different materials simultaneously and the ability to tune each bundle of snare material independently.[24]
Tabor
The tabor snare dates back to around the 14th century, and was used for marching beats in wars. It is a double-headed drum with a single snare strand, and was often played along with the three-holed pipe flute. The dimensions vary with the different types of tabor. It is typically 4+1⁄2in (11cm) wide and around 11–13in (28–33cm) in diameter.[25]
Tarol
The tarol snare has similar dimensions to the kit snare. The major distinction is that the snares in this type are on the top head rather than the bottom one.
Caixa malacacheta
"Caixa" meaning "box". This is a simple 12 or 14in (30 or 36cm) diameter, 8in (20cm) deep snare typical of Samba played in Southern Brasil. Made from aluminum or steel with the snare wires on top, it can be played from a sling or "em cima" – on the shoulder to project the sound.
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.
A drum kit is a collection of drums, cymbals, and sometimes other auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals.
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished.
Snare technique is the technique used to play a snare drum.
A drum roll is a technique used by percussionists to produce a sustained sound for the duration of a written note.
All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by drawing the bow across the string; it is accomplished upon the drum and allied percussion instruments by the roll.
THE SNARE DRUM ROLL.
The roll consists of an even reiteration of beats sufficiently rapid to prohibit rhythmic analysis. To produce an impression of sustentation, these beats must be absolutely even both in power and in sequence. Uneven beats in a roll destroy the impression of sustentation. Evenness is then the primary quality to strive for in roll; speed is the secondary quality to strive for.
There are two possible ways of producing an absolutely even sequence: (1) hand alternation of single stroke and (2) hand alternation of double strokes...The snare drum roll is produced by hand alternation of double strokes.
The "open roll" is produced by [initially] slow hand alternation. Two strokes in each hand alternately are produced by wrist movement and each beat should follow its predecessor in clock-like precision.
A rimshot is a percussion technique used to produce an accented snare drum backbeat. The sound is produced by simultaneously hitting the rim and head of the drum with a drum stick.
Marching percussion instruments are percussion instruments specially designed to be played while moving. This is achieved by attaching the drum(s) to a special harness worn by the drummer, although not all marching bands use such harnesses and instead use traditional baldrics to sling their drums.
In rudimental drumming, a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of field drumming, where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also fundamental. This tradition of drumming originates in military drumming and it is a central component of martial music.
A tenor drum is a membranophone without a snare. There are several types of tenor drums.
A tabor, tabour, tabret, tambour de Provence, Provençal tambourin or Catalan tamborí is a portable snare drum, typically played either with one hand or with two drumsticks. The word "tabor" is an English variant of the Persian word tabīr, meaning "drum"—cf. Catalan: tambor, French: tambour, Italian: tamburo Militaries may use the tabor as a marching instrument; it can accompany parades and processions.
The Basel drum is a two-headed rope-tension drum. It takes its name from its origin in Basel. This percussion instrument is best known from the Carnival of Basel, where it is played by more than 2000 drummers. They are called Tambouren in Swiss German or Tambourins in French. There is no typical number of players for marching-bands including this instrument. Anything between three and fifty drummers may be seen in such a formation.
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
Keith "Lucky" Lehrer is a drummer from Los Angeles, California associated with several influential LA punk rock bands. He was originally trained in jazz then played in a number of LA punk rock bands, particularly the Circle Jerks, Redd Kross, Bad Religion, Darby Crash Band and LA's Wasted Youth, among others. Lehrer also appeared in three notable documentary films charting the punk rock music scene. He is the brother of LA's Wasted Youth guitarist Chett Lehrer. Lehrer also teaches drums, with notable students being future Bad Religion drummers Pete Finestone and Bobby Schayer. He was an early developer of hardcore punk drumming and he has been called the "Godfather of hardcore drumming". Lehrer was voted the best punk drummer of all-time by fanzine Flipside.
Drum hardware is the set of parts of a drum or drum kit that are used to tension, position, and otherwise support the instruments themselves.
Sanford Augustus Moeller (1878–1960) was an American rudimental drummer, national champion, educator, and author. He was born in Albany, New York on February 16, 1878, and he began his music education by studying the piano.
A drum stick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion.
A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between 6 and 20 inches in diameter, though floor toms can go as large as 24 inches (61 cm).
In music, a drum stroke is a movement which produces a single or multiple notes on drums or other percussion instruments such as cymbals. There are several types of strokes: five basic single strokes, double strokes, and other multiple strokes such as triples, quadruples, or buzzes of indeterminate number.
In percussion, grip refers to the manner in which the player holds the sticks or mallets, whether drum sticks or other mallets.
Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones. Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and resonance, and to produce the sound that fits the music. Some drums such as timpani and rototoms are tuned to a definite pitch. Drums are tuned by tightening or loosening the tension rods or ropes, which control the tension on the drumhead. Additional techniques such as muffling may also be used to affect resonance.
References
↑ James Blades, et al. "Drum." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 13 February 2017.
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