"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
Scottish folk music is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh Song". After the Reformation, the secular popular tradition of music continued, despite attempts by the Kirk, particularly in the Lowlands, to suppress dancing and events like penny weddings. The first clear reference to the use of the Highland bagpipes mentions their use at the Battle of Pinkie Cleugh in 1547. The Highlands in the early seventeenth century saw the development of piping families including the MacCrimmons, MacArthurs, MacGregors and the Mackays of Gairloch. There is also evidence of adoption of the fiddle in the Highlands. Well-known musicians included the fiddler Pattie Birnie and the piper Habbie Simpson. This tradition continued into the nineteenth century, with major figures such as the fiddlers Niel and his son Nathaniel Gow. There is evidence of ballads from this period. Some may date back to the late Medieval era and deal with events and people that can be traced back as far as the thirteenth century. They remained an oral tradition until they were collected as folk songs in the eighteenth century.
(James) Hamish Scott Henderson was a Scottish poet, songwriter, communist, intellectual and soldier. He was a catalyst for the folk revival in Scotland. He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Born in Blairgowrie, Perthshire on the first Armistice Day 11 November 1919, to a single mother, Janet Henderson, a Queen's Nurse who had served in France, and was then working in the war hospital at Blair Castle. His name was recorded at registration as James but he preferred the Scots form Hamish.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
Jeannie Robertson was a Scottish folk singer.
Jean Ruth Ritchie was an American folk singer, songwriter, and Appalachian dulcimer player, called by some the "Mother of Folk". In her youth she learned hundreds of folk songs in the traditional way, many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads. In adulthood, she shared these songs with wide audiences, as well as writing some of her own songs using traditional foundations.
"The Elfin Knight" is a traditional Scottish folk ballad of which there are many versions, all dealing with supernatural occurrences, and the commission to perform impossible tasks. The ballad has been collected in different parts of England, Scotland, Ireland, the US, and Canada. As is the case with most traditional folk songs, there have been countless completely different versions recorded of the same ballad. The first broadside version was printed before 1674, and the roots of the song may be considerably older.
Herding Cats is the second studio album by Gaelic Storm, released in 1999. The band was still riding on their fame from their onscreen performance in the 1997 film Titanic.
John Strachan (1875–1958) was a Scottish farmer and Traditional singer of Bothy Ballads including several old and influential versions of the famous Child Ballads. He had a huge repertoire of traditional songs, and was recorded by the likes of James Madison Carpenter, Alan Lomax and Hamish Henderson.
Jimmy MacBeath (1894–1972) was a Scottish Traveller and Traditional singer of the Bothy Ballads from the north east of Scotland. He was both a mentor and source for fellow singers during the mid 20th century British folk revival. He had a huge repertoire of songs, which were recorded by Alan Lomax and Hamish Henderson.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. Other variants and/or titles include "The Gallows Pole", "The Gallis Pole", "Hangman", "The Prickle-Holly Bush", "The Golden Ball", and "Hold Up Your Hand, Old Joshua She Cried." In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Andrew Lammie", also known as Mill o' Tifty or Mill o' Tifty's Annie, is a traditional Scottish ballad, set in Aberdeenshire, and catalogued as Child ballad 233. It tells the story of an ill-fated romance between Annie, the daughter of the miller at Tifty, and Andrew Lammie, the trumpeter for the lord of nearby Fyvie Castle. The romance is thwarted by Annie's ambitious family, who disapprove of the trumpeter's low rank. In most versions, the ballad ends with Annie's death at the hands of her brother.
Johnie Cock is a traditional Scottish folk ballad, listed as the 114th Child Ballad and number 69 in the Roud Folk Song Index.
"Eppie Morrie" is one of the Child Ballads, and is of Scottish origin. The author and date are unknown, and as is common with ballads of this type and period, several versions exist. It was printed in James Maidment's anthology A North Country Garland in 1824. That version is reprinted in James Kinsley's The Oxford Book of Ballads, 1969. Although the lyrics were transcribed by Francis James Child, it is uncertain if the original melody has been retained. The earliest recordings are from the performances of Jimmy MacBeath in 1951 and later Ewan MacColl; a more recent version by Andrew Calhoun forms part of his border folk song anthology Telfer's Cows.
The Bonnie House of Airlie is a traditional Scottish folk song of the seventeenth century, telling the tale of the raid by Archibald Campbell, Earl of Argyll, on Airlie Castle, the home of James Ogilvy, Earl of Airlie, in the summer of 1640. A broadsheet version first appeared in 1790 and it received formal publication as number 199 in Francis Child's collection The English and Scottish Popular Ballads of 1882.
A cornkister is a Doric song, generally a comic song, written during the late nineteenth or early twentieth centuries, in the tradition of the bothy ballads. The name refers to the cornkist used to measure oats sufficient to feed a plough horse on the farms of Northeast Scotland at that time. The reason for the association was that it was assumed that the singers—or one of the listeners—sat on top of the cornkist while singing and kicked their heels against it in time to the music. Nowadays most cornkisters are known via recordings made by entertainers of the 1920s and 1930s such as Willie Kemp, G. S. Morris or by later imitators such as Andy Stewart.
Belle Stewart, born Isobella McGregor, was a Scottish Traveller traditional singer. Her biography, Queen Amang the Heather: the Life of Belle Stewart, was written by her daughter, Sheila Stewart, and published in 2006.
"Broom of the Cowdenknowes", also known as "Bonny May", is a traditional Scottish love ballad,. It has been traced to the seventeenth century, but its exact origin is unknown.
