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Brass instrument | |
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Classification | |
Hornbostel–Sachs classification | 423.121.22 (Natural trumpets – an aerophone, with vibrating air enclosed within the instrument, the player's lips cause the air to vibrate directly, the player's lips are the only means of changing the instrument's pitch, the instrument is tubular, the player blows into the end of the tube, the tube is bent or folded, the instrument has a mouthpiece) |
Developed | Antiquity; modern forms, c. 17th century |
Playing range | |
Related instruments | |
Sound sample | |
More articles or information | |
The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the air and embouchure.
This section needs additional citations for verification .(January 2023) |
The English word bugle comes from a combination of words. From French, it reaches back to cor buglèr and bugleret, indicating a signaling horn made from a small cow's horn. Going back further, it touches on Latin, buculus, meaning bullock. Old English also influences the modern word with bugle, meaning "wild ox." [1]
The name indicates an animal's (cow's) horn, which was the way horns were made in Europe after the fall of the Western Roman Empire. [2] The modern bugle is made from metal tubing, and that technology has roots which date back to the Roman Empire, as well as to the Middle East during the Crusades, where Europeans re-discovered metal-tubed trumpets and brought them home. [3]
Historically, horns were curved trumpets, conical, often made from ox or other animal horns, from shells, from hollowed ivory such as the olifant. [2] [4] There existed another tradition of trumpets made of straight metal tubes of brass or silver that went back in Europe as far as the Greeks (salpinx) and Romans (Roman tuba), and further back to the Etruscans, Assyrians and Egyptians (King Tut's Trumpet). [3] After the fall of Rome, when much of Europe was separated from the remaining Eastern Roman Empire, the straight, tubular sheet-metal trumpet disappeared and curved horns were Europe's trumpet. [5]
The sheet-metal tubular trumpet persisted in the Middle East and Central Asia as the nafir and karnay, and during the Reconquista and Crusades, Europeans began to build them again, having seen these instruments in their wars. [3] [6] The first made were the añafil in Spain and buisine in France and elsewhere. Then Europeans took a step that hadn't been part of trumpet making since the Roman (buccina and cornu); they figured out how to bend tubes without ruining them and by the 1400s were experimenting with new instruments. [3] [7]
Whole lines of brass instruments were created, including initially examples like the clarion and the natural trumpet. [8] These were bent-tube variations that shrunk the long tubes into a manageable size and controlled the way the instruments sounded. [8] One of the variations was to create "sickle shaped" horn or "hunting horns" in the 15th century. [8] By the 18th century, Germans had created a "half moon" shaped horn called the halbmondbläser, used by Jäger battalions. [8] [9] During the last quarter of the 18th century, or by 1800, the half-moon horn was bent further into a loop, possibly first by William Shaw (or his workshop) of London. [8] [10] The instrument was used militarily at that point as the "bugle horn." [10]
In 1758, the Halbmondbläser (half-moon) was used by light infantry from Hanover, and continued until after 1813. [8] It was crescent-shaped (hence its name) and comfortably carried by a shoulder strap attached at the mouthpiece and bell. It first spread to England where as the "bugle horn" it was gradually accepted by the light dragoons (1764), the Grenadier Guards (1772), light artillery (1788) and light infantry. [8] [11]
18th-century cavalry did not normally use a standard bugle, but rather an early trumpet that might be mistaken for a bugle today, as it lacked keys or valves, but had a more gradual taper and a smaller bell, producing a sound more easily audible at close range but with less carrying power over distance. The earliest bugles were shaped in a coil – typically a double coil, but also a single or triple coil – similar to the modern horn, and were used to communicate during hunts and as announcing-instruments for coaches (somewhat akin to today's automobile horn). Predecessors and relatives of the bugle included the post horn, the Pless horn (sometimes called the "Prince Pless horn"), the bugle horn, and the shofar, among others. The ancient Roman army used the buccina.
Pitch control is done by varying the player's air and embouchure. [8] [12] Consequently, the bugle is limited to notes within the harmonic series. Scores for standard bugle calls use the five notes of the "bugle scale".
The bugle is used mainly in the military, where the bugle call is used to indicate the daily routines of camp. Historically, the bugle was used in the cavalry to relay instructions from officers to soldiers during battle. They were used to assemble the leaders and to give marching orders to the camps.
The bugle is also used in Boy Scout troops and in the Boys' Brigade.
The Rifles, an infantry regiment in the British Army, has retained the bugle for ceremonial and symbolic purposes, as did other rifle regiments before it. When originally formed in 1800, the Rifle Corps were the first dedicated light infantry unit in the British Army and were allowed a number of unique accouterments that were believed to be better suited for skirmishing, such as their green jackets. Other infantry used drums when marching and had whistles to signal when skirmishing, but the Rifle Corps was a much larger body of men that would be expected to spread out over a large area under a single commander. As a result, the bugle was taken from cavalry traditions because signals could pass much further without the need for repeats. The buglers in each battalion are headed by the bugle major, a senior non-commissioned officer holding the rank of sergeant or above.
The bugle has also been used as a sign of peace in the case of a surrender. [13]
In most military units, the bugle can be fitted with a small banner or tabard (occasionally gold fringed) with the arms of its reporting service branch or unit. [14]
In military tradition, the Last Post or Taps is the bugle call that signifies the end of the day's activities. It is also sounded at military funerals to indicate that the soldier has gone to his final rest and at commemorative services such as Anzac Day in Australia and New Zealand and Remembrance Day in Canada [15]
The cornet is sometimes erroneously considered a valved bugle, but the cornet was derived from more narrow-bored instruments, the French cornet de poste (lit. ' post horn ') and cor de chasse (lit. 'hunting horn').
Keyed bugles (German : Klappenhorn) were invented in the early 19th century. In England, a patent for one design was taken out by Joseph Halliday in 1811 and became known as the Kent bugle. This bugle established itself in military band music in Britain and America, and its popularity is indicated by the existence of many published method books and arrangements. [16] It was in wide use until about 1850 by which time it had been largely replaced by the cornet. Richard Willis, appointed the first bandmaster of the United States Military Academy's West Point Band in 1817, wrote and performed many works for the keyed bugle. [17]
Since the mid 19th century, bugles have been made with piston valves.
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.
The cornet is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B♭. There is also a soprano cornet in E♭ and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett.
The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modelled.
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B♭ or C trumpet.
The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from 51 to 63 cm (20 to 25 in) in length, usually described as in G. The note sounded with all finger-holes covered is A3, which can be lowered a further whole tone to G by slackening the embouchure. The name cornett comes from the Italian cornetto, meaning "small horn".
The word lituus originally meant a curved augural staff, or a curved war-trumpet in the ancient Latin language. This Latin word continued in use through the 18th century as an alternative to the vernacular names of various musical instruments.
The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. It is a piston-valve brass instrument with a bore that is mostly conical, like the smaller and higher pitched flugelhorn and tenor horn, but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument.
The buisine and the añafil were variations of a type of straight medieval trumpet usually made of metal, also called a herald's trumpet. While arguably the same instrument, the two names represent two separate traditions, in which a Persian-Arabic-Turkic instrument called the Nafir entered European culture in different places and times.
The Vincent Bach Corporation is a US manufacturer of brass instruments that began early in the early Twentieth Century and still exists as a subsidiary of Conn-Selmer, a division of Steinway Musical Instruments. The company was founded in 1918 by Austrian-born trumpeter Vinzenz Schrottenbach.
The ophicleide is a family of conical-bore keyed brass instruments invented in early 19th-century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B♭ took root over the course of the 19th century in military bands and as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later upright derivatives. By the end of the 19th century, however, it had been largely superseded by early forms of the modern tuba, developed from valved ophicleides.
A signal instrument is a musical instrument which is not only used for music as such, but also fit to give sound signals as a form of auditive communication, usually in the open air. Signal instruments are often contrasted with melodic and diatonic or chromatic instruments. To make the message audible at a distance, percussion and brass instruments, which are generally loud, are chiefly used for this purpose. There are contemporary instruments which evolved from signal instruments, such as the natural horn evolving to the trumpet.
The oldest musical signaling instrument is the drum. Signal drums are still used in parts of Africa, although more as a kind of newspaper than military device...The African [slit] drum does not communicate by rhythm or beat, but rather by tone [relative pitch and/or timbre]...As early as 500 BCE, the Persians used kettle drums both to control cavalry formation and frighten their enemies. [In Europe,] The snare drum was the standard battlefield infantry communications device from the 1700s until well into the 1860s...Trumpets, horns, and drums were used in ancient Greek and Roman armies and navies...By the reign of Alexander the Great, trumpets and fifes...were used to control the phalanx of his army. Perhaps the earliest recorded use of specific signals via musical tones were...used by Genghis Khan's Mongol cavalry in the late twelfth and early thirteenth centuries...Trumpets are undoubtedly the longest-used military musical signal instrument.
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays.
The Distin family was an ensemble of British musicians in the 19th century who performed on brass instruments, and from 1845 promoted the saxhorn. One of them, Henry Distin, later became a noted brass instrument manufacturer in the United Kingdom and United States.
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes.
The chromatic trumpet of Western tradition is a fairly recent invention, but primitive trumpets of one form or another have been in existence for millennia; some of the predecessors of the modern instrument are now known to date back to the Neolithic era. The earliest of these primordial trumpets were adapted from animal horns and sea shells, and were common throughout Europe, Africa, India and, to a lesser extent, the Middle East. Primitive trumpets eventually found their way to most parts of the globe, though even today indigenous varieties are quite rare in the Americas, the Far East and South-East Asia. Some species of primitive trumpets can still be found in remote places, where they have remained largely untouched by the passage of time.
A fanfare band, fanfare corps, fanfare battery, fanfare team, horn and drum corps, bugle band, drum and bugle corps, or trumpet and drum band is a military or civilian musical ensemble composed of percussion instruments, bugles, natural horns and natural trumpets. Fanfare bands are the descendants of the old medieval trumpet and drum teams that sounded fanfares on important occasions and are related to drum and bugle corps internationally.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.
The keyed bugle is a wide conical bore brass instrument with tone holes operated by keys to alter the pitch and provide a full chromatic scale. It was developed from the bugle around 1800 and was popular in military bands in Europe and the United States in the early 19th century, and in Britain as late as the 1850s.
A fanfare trumpet, also called a herald trumpet, is a brass instrument similar to but longer than a regular trumpet, capable of playing specially composed fanfares. Its extra length can also accommodate a small ceremonial banner that can be mounted on it.
Nafir, also nfīr, plural anfār, Turkish nefir, is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the nafīr is depicted in battle scenes. In Christian culture, it displaced or was played alongside of the curved tuba or horn, as seen in artwork of about the 14th century A.D.
...trumpet disappeared from Europe after the fall of Rome and was not reintroduced until the time of the crusades, when instruments were taken from the Saracens... In Western art before the crusades...animal horns are generally shown.
There is no evidence available on the use of the trumpet in Europe after the fall of the Roman Empire. It made its appearance again from the Orient, via the Crusades, beginning in the eleventh centuru
It is generally acknowledged...that the cylindrical bore instruments were borrowed from the East. Perhaps those buccins Turcs and cors sarrasinois which the Crusading chroniclers record included the nafīr and karnā...
The looped trumpet is a European development adopted by Eastern cultures; from the 14th century new forms of trumpets with curved tubes started to appear in Europe, and European instruments then began to supersede the straight trumpet in Islamic societies.
The other variable that impacts brass instrument pitch and tone is air. Air can be thought of in many different ways, including quantity and speed. More air or faster air passing through the aperture results in a higher pitch and a fuller tone. Less air or slower air passing through the aperture results in a lower pitch and a softer tone.