Swedish cowhorn

Last updated
Norstmo Halvar Halvarson, Malung, playing the cowhorn Norstmo Halvar Halvarson - SMV - MM 0290.tif
Nörstmo Halvar Halvarson, Malung, playing the cowhorn

The Swedish cowhorn (Swedish : kohorn) is a primitive musical instrument constructed from the natural horn of livestock. The instrument has no separate mouthpiece and is blown similarly to a trumpet but with much greater force. There are two types of traditional cowhorns: one without finger holes for scaring off bears and wolves while herding livestock in the forest ("tuthorn") and one with three or four finger holes for calling the domestic animals or other people ("vallhorn"). The cowhorn was used in the Swedish transhumance or fäbodkultur, an ancient system of moving the cattle to remote summer pastures, thus making more efficient use of scarce resources. This was mostly women's work, which is why women excelled at cowhorn playing. Different melodies carried different meanings such as "one of my cows is missing" or "stop looking, your cow is here". Cows, sheep and goats would have each their own melody which made them come back from their foraging. Cowhorns were also played for entertainment, for dancing or for devotions. A testimony of its long-standing tradition, the oldest extant Swedish cowhorn with finger holes dates to the 6th century.

In contemporary music, cowhorns have been used by musicians such as Swedish trumpeter Håkan Hardenberger. [1]

See also

Related Research Articles

<span class="mw-page-title-main">Renaissance music</span> Western musical period between the 15th and 17th centuries

Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.

<span class="mw-page-title-main">Recorder (musical instrument)</span> Woodwind instrument

The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.

<span class="mw-page-title-main">Cornett</span> Early wind instrument with a cup mouthpiece

The cornett, cornetto, or zink is a wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.

<span class="mw-page-title-main">Lur</span> Long natural horn

A lur, also lure or lurr, is a long natural blowing horn without finger holes that is played with a brass-type embouchure. Lurs can be straight or curved in various shapes. The purpose of the curves was to make long instruments easier to carry and to avoid directing the loud noise at nearby people.

<i>Ney</i> Wind instrument (type of flute)

The ney, is an end-blown flute that figures prominently in Persian music, Turkish music and Arabic music. In some of these musical traditions, it is the only wind instrument used. The ney has been played continually for 4,500–5,000 years in ancient Egypt, making it one of the oldest musical instruments still in use.

<span class="mw-page-title-main">Fife (instrument)</span> Woodwind musical instrument

A fife is a small, high-pitched, transverse aerophone, that is similar to the piccolo. The fife originated in medieval Europe and is often used in fife and drum corps, military units, and marching bands. Someone who plays the fife is called a fifer. The word fife comes from the German Pfeife, meaning pipe, which comes from the Latin word pipare.

<span class="mw-page-title-main">Tenor saxophone</span> Type of saxophone

The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".

<span class="mw-page-title-main">Alboka</span> Traditional Basque woodwind instrument

The Basque alboka is a single-reed woodwind instrument consisting of a single reed, two small diameter melody pipes with finger holes and a bell traditionally made from animal horn. Additionally, a reed cap of animal horn is placed around the reed to contain the breath and allow circular breathing for constant play. In the Basque language, an alboka player is called albokari. The alboka is usually used to accompany a tambourine singer.

<span class="mw-page-title-main">Natural trumpet</span> Early form of trumpet preceding the invention of keys or valves

A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series.

<span class="mw-page-title-main">Practice chanter</span>

A bagpipe practice chanter is a double-reed woodwind instrument, principally used as an adjunct to the Great Highland bagpipe. As its name implies, the practice chanter serves as a practice instrument: firstly for learning to finger the different melody notes of bagpipe music, and to practice new music.

<span class="mw-page-title-main">Jouhikko</span> Lyre

The jouhikko is a traditional, two- or three-stringed bowed lyre, from Finland and Karelia. Its strings are traditionally of horsehair. The playing of this instrument died out in the early 20th century but has been revived and there are now a number of musicians playing it.

<span class="mw-page-title-main">Willow flute</span>

The willow flute, also known as sallow flute, is a Nordic folk flute, or whistle, consisting of a simple tube with a transverse fipple mouthpiece and no finger holes. The mouthpiece is typically constructed by inserting a grooved plug into one end of the tube, and cutting an edged opening in the tube a short distance away from the plug.

<span class="mw-page-title-main">Duda</span> Traditional bagpipe of Hungary

The Hungarian duda is the traditional bagpipe of Hungary. It is an example of a group of bagpipes called Medio-Carparthian bagpipes.

<span class="mw-page-title-main">Hydraulophone</span> Hydraulic musical instrument

A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water where sound is generated or affected hydraulically. The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals.

<span class="mw-page-title-main">Svirel</span>

Svirel is a Slavic wind instrument of the end-blown flute type used in Russia, Belarus, and Ukraine. It is a parallel-bore flute. Six-hole versions are similar to the tin whistle; ten-holes are fully chromatic.

The walpipe is an instrument described by some anglophone sources as a bagpipe used in Lapland.

<span class="mw-page-title-main">Taonga pūoro</span> Māori traditional musical instruments

Taonga pūoro are the traditional musical instruments of the Māori people of New Zealand.

<span class="mw-page-title-main">Bluegrass mandolin</span>

Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.

<span class="mw-page-title-main">Music technology</span> Use of technology by musicians

Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, playback or record songs or pieces; or to analyze or edit music.

<span class="mw-page-title-main">Music technology (mechanical)</span>

Mechanical music technology is the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, play back or record songs or pieces; or to analyze or edit music. The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to make simple flutes. Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings. Ancient Egyptians also used wind instruments such as double clarinets and percussion instruments such as cymbals. In Ancient Greece, instruments included the double-reed aulos and the lyre. Numerous instruments are referred to in the Bible, including the horn, pipe, lyre, harp, and bagpipe. During Biblical times, the cornet, flute, horn, organ, pipe, and trumpet were also used. During the Middle Ages, hand-written music notation was developed to write down the notes of religious Plainchant melodies; this notation enabled the Catholic church to disseminate the same chant melodies across its entire empire.

References

  1. Schweitzer, Vivien (2006-10-22). "MUSIC: CLASSICAL RECORDINGS; Does Music Need to Come With Stories Attached?". The New York Times. ISSN   0362-4331 . Retrieved 2023-08-24.