Modern didgeridoo designs are distinct from the traditional Australian Aboriginal didgeridoo, and are innovations recognized by musicologists. [1] [2] Didgeridoo design innovation started in the late 20th century using non-traditional materials and non-traditional shapes. The design changes include features that are similar to more familiar musical instruments like the trombone and natural horn. [1] [3]
The modern didgeridoo design innovations differ from traditional authentic digeridoos because they are not made by Indigenous Australians in a traditional style and do not use eucalyptus branches hollowed by termites. [1] [4] Some didgeridoo design innovations, like the sliding didgeridoos, are also multi-tonal, unlike monotonal traditional didgeridoos. [3] Like traditional didgeridoos, modern didgeridoo innovations produce a drone sound and are classified as aerophones.
The sliding didgeridoo, or didgiphone, uses a telescopic mechanism to create a variable pitch instrument, and can be made from plastic, aluminium or wood. [5] [6]
Invented by didgeridoo player Charlie McMahon, the Didjeribone design is a cross between the didgeridoo and trombone, and consists of two plastic tubes placed inside the other. [2] [7] The sliding inner tube creates nine different tones, similar to the trombone mechanism. This enables the pitch to be varied mid-song, unlike traditional didgeridoos. As a result of eliminating the monotonal aspects of traditional didgeridoos, the Didjeribone can be used in horn concertos. [3] The Didjeribone has a pitch range from high G to low B. The length is 65" extended, and 37.5" closed. [3] The flared end also gives a brighter and louder sound. [7]
Scott Dunbar independently created a version of the variable pitch didgeridoo instrument called the slide didge in the early 1990s. The slide didge was the world's first commercially sold variable pitch didgeridoo, and Scott later produced the world's first timber slide didge.
The travel didgeridoos are also called traveller didgeridoo or compact didgeridoos, indicating the compact size originally designed for portability by folding the length of the didgeridoo. [6] They are made from wood, plastic or resin, and are usually monotonal.
The original "Didjbox" was invented by Marko Johnson in 1995. The first production line didgebox was released in 1999. Since then, numerous versions of didgebox have been developed, including the traveler box, obelisk box, didj flute, meditator and mindblower. The didgebox is monotonal and made in the specific keys C, D, and E.
The Biking PVC Didgeridoo, also named as a Cyclophonica Didge and Bike Didge, was developed by the Cyclophonica Bicycle Orchestra, founded in 1999 in Rio de Janeiro- Brazil. It is built with a number of 50 mm PVC pipe sections and 90-degrees curved PVC connections. The complete length is approx. 1200 mm, producing a steady C drone sound and a G overblowing tone. The construction method includes cutting the cylindrical parts, joining them with the connections and making a "mouthpiece" from the pipe end by heating it up and molding it to better adapt in the player's mouth. The main interesting features are that it can be used while the player is cycling - with no accident risks to the audience or player- and that a trained performer is able to make circular breathing while doing the physical work required for biking with the Cyclophonica [8]
The spiral didgeridoo is also known variously as a spiral didge, spiralidoo, didgehorn or snail didgeridoo. Its spiral shape makes it more like a natural horn, and instruments are monotonal in C, C#, D, E, and F. The construction method includes splitting the wood, carving, and gluing back together to form the basic instrument. [9]
A keyed didgeridoo (having keys somewhat like those of a saxophone, allowing the performer to play melodically) was developed in the late 20th century by the U.S. didgeridoo player Graham Wiggins (stage name Dr. Didg) and used on his CDs Out of the Woods (1995) (in the track "Sun Tan") and Dust Devils (2002) (in the tracks "T'Boli" and "Sub-Aqua"). Wiggins built the unique and somewhat unwieldy instrument in 1990 at the physics workshop of Oxford University, from which he earlier obtained his Ph.D. [10]
Multidrone didgeridoos have been created by William Thoren, a U.S didgeridoo player and crafter. The construction method and technique was developed in 2008 that gives a didgeridoo the possibility to produce multiple drone notes on a single didgeridoo. William has designed a larger cup-shaped mouthpiece with a concave face that is close to double the diameter of a regular didgeridoo mouthpiece. This mouthpiece gives a player more room to control the vibration of their lips at frequencies below the traditional drone. The technique is similar to playing pedal tones on a brass instrument. The desired tone is different from that provided by brass, and therefore the embouchure used to play it is different from that used for brass. The most prominent playable note on these instruments is always one octave below the fundamental didgeridoo drone. Several other drone-notes can be played below the fundamental as well, and these correlate with notes that exist in the harmonic series above the drone.
The "closed end didgeridoo" was invented by Richard Marquette in 2009. Created by leaving end opposite of mouthpiece closed. Then holes and designs are carved and drilled into the closed end for the sound to flow out.
In 2015 Aidin Ardjomandi won A’DESIGN Award [11] by inventing a new brand musical instrument, the Celloridoo, which was a hybrid one by a combination of Cello and the Didgeridoo. The aerophone part of Celloridoo is played with continuously vibrating lips to produce the drone while using a special breathing technique called circular breathing. This requires breathing in through the nose whilst simultaneously expelling stored air out of the mouth using the tongue and cheeks and the chordophone part is played with a bow. A chordophone needs a Pegbox, a neck and a resonance box, and an aerophone needs a pipe and a mouthpiece so the pipe under the mouthpiece became to peg box and neck to install finger board on it, and the lowest part of it became to a resonance box to install bridges, holes and keep the strings. [12] [13] [14] [15] [16] [17] [18]
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.
The didgeridoo is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the yiḏaki, or more recently by some, mandapul. In the Bininj Kunwok language of West Arnhem Land it is known as mako.
The French horn is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B♭ is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B♭ or C trumpet.
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player.
Circular breathing is a breathing technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by inhaling through the nose while simultaneously pushing air out through the mouth using air stored in the cheeks.
The bazooka is a brass musical instrument several feet in length which incorporates telescopic tubing like the trombone. Radio comedian Bob Burns is credited with inventing the instrument in the 1910s, and popularized it in the 1930s. It was also played by jazz musicians Noon Johnson and Sanford Kendrick.
The jug used as a musical instrument is an empty jug played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays.
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes.
An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement.
The Garbage-Men is an American musical group of youths from Sarasota, Florida teaching sustainability through music. The band promotes recycling, a green eco-friendly message, by playing music on instruments they make from garbage and recycled materials. The Garbage-Men perform their instrumental interpretations of classic hits for audiences large and small at various venues including street festivals, science museums, and charity events. They can often be seen busking on street corners, including a show in Times Square, NYC.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.