The didgeridoo is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the yiḏaki, or more recently by some, mandapul. In the Bininj Kunwok language of West Arnhem Land it is known as mako.
The French horn is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B♭ is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist.
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments.
Fionn mac Cumhaill, often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is the leader of the Fianna bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. The tales of Fionn and his fiann form the Fianna Cycle or Fenian Cycle, much of it narrated by Fionn's son, the poet Oisín.
Fianna were small warrior-hunter bands in Gaelic Ireland during the Iron Age and early Middle Ages. A fian was made up of freeborn young men, often from the Gaelic nobility of Ireland, "who had left fosterage but had not yet inherited the property needed to settle down as full landowning members of the túath". For most of the year they lived in the wild, hunting, cattle raiding other Irish clans, training, and fighting as mercenaries. Scholars believe the fian was a rite of passage into manhood, and have linked fianna with similar young warrior bands in other early European cultures.
The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the air and embouchure.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The Gaelic revival was the late-nineteenth-century national revival of interest in the Irish language and Irish Gaelic culture. Irish had diminished as a spoken tongue, remaining the main daily language only in isolated rural areas, with English having become the dominant language in the majority of Ireland.
The Fenian Cycle, Fianna Cycle or Finn Cycle is a body of early Irish literature focusing on the exploits of the mythical hero Finn or Fionn mac Cumhaill and his warrior band the Fianna. Sometimes called the Ossianic Cycle after its narrator Oisín, it is one of the four groupings of Irish mythology along with the Mythological Cycle, the Ulster Cycle, and the Kings' Cycles. Timewise, the Fenian cycle is the third, between the Ulster and Kings' cycles. The cycle also contains stories about other famous Fianna members, including Diarmuid, Caílte, Oisín's son Oscar, and Fionn's rival Goll mac Morna.
Prehistoric music is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within music archaeology.
The ancient carnyx was a wind instrument used by the Celts during the Iron Age, between c. 200 BC and c. AD 200. It was a type of trumpet made of bronze with an elongated S shape, held so that the long straight central portion was vertical and the short mouthpiece end section and the much wider bell were horizontal in opposed directions. The bell was styled in the shape of the head of an open-mouthed boar or other animal.
Whisky Supper is the fifth album released by the Wicked Tinkers
The prehistory of Ireland has been pieced together from archaeological evidence, which has grown at an increasing rate over the last decades. It begins with the first evidence of permanent human residence in Ireland around 10,500 BC and finishes with the start of the historical record around 400 AD. Both the beginning and end dates of the period are later than for much of Europe and all of the Near East. The prehistoric period covers the Palaeolithic, Mesolithic, Neolithic, Bronze Age and Iron Age societies of Ireland. For much of Europe, the historical record begins when the Romans invaded; as Ireland was not invaded by the Romans its historical record starts later, with the coming of Christianity.
The chromatic trumpet of Western tradition is a fairly recent invention, but primitive trumpets of one form or another have been in existence for millennia; some of the predecessors of the modern instrument are now known to date back to the Neolithic era. The earliest of these primordial trumpets were adapted from animal horns and sea shells, and were common throughout Europe, Africa, India and, to a lesser extent, the Middle East. Primitive trumpets eventually found their way to most parts of the globe, though even today indigenous varieties are quite rare in the Americas, the Far East and South-East Asia. Some species of primitive trumpets can still be found in remote places, where they have remained largely untouched by the passage of time.
Deductions about the music of the ancient Celts of the La Tène period and their Gallo-Roman and Romano-British descendants of Late Antiquity rely primarily on Greek and Roman sources, as well as on archaeological finds and interpretations including the reconstruction of the Celts' ancient instruments. Most of the textual information centers on military conflicts and on maybe the most prominent Celtic instrument of its time, the carnyx.
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies.
This is a description of Neolithic sites in Kosovo. The warm, humid climate of the Holocene which came soon after the ice melting of the last glacial period brought changes in nature which were reflected in humans, flora and fauna. This climatic stabilization influenced human life and activities; human society is characterized by changes in community organization and the establishment of permanent settlements in dry places, near riverbanks and on fertile plateaus.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.
Nafir, also nfīr, plural anfār, Turkish nefir, is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the nafīr is depicted in battle scenes. In Christian culture, it displaced or was played alongside of the curved tuba or horn, as seen in artwork of about the 14th century A.D.
Trumpet found on the bottom of Loughnashade (Loch na Séad in Irish, 'Lake of Treasures').
Loughnashade trumpet, 1st century B.C.
Tip of Loughnashade trumpet.
