Saxhorn

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Saxhorn
Saxhornbasse.jpg
A modern 5-valved bass saxhorn.
Brass instrument
Classification
Hornbostel–Sachs classification 423.232
(Valved aerophone sounded by lip vibration)
DevelopedMid 19th century by Adolphe Sax
Playing range
Saxhorn
As written in treble clef, for three-valved instruments. Instruments with four or more valves can play to low C♯ (marked V).
Related instruments
Modern saxhorns: Other instruments:

The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass.

Contents

The saxhorn family

A catalogue showing various Adolphe Sax instruments, including saxhorns, saxophones, and saxotrombas. Adolphe Sax instrument catalogue.jpg
A catalogue showing various Adolphe Sax instruments, including saxhorns, saxophones, and saxotrombas.

The saxhorns form a family of seven brass instruments (although at one point ten different sizes seem to have existed). Designed for band use, they are pitched alternately in E and B, like the saxophone group.

Modern saxhorns still manufactured and in use:

Historically, much confusion exists as to the nomenclature of the various instruments in different languages.

The following table lists the members of the saxhorn family as described in the orchestration texts of Hector Berlioz and Cecil Forsyth, the J. Howard Foote catalog of 1893, and modern names. The modern instrument names continue to exhibit inconsistency, denoted by a "/" between the two names in use. In the table "Pitch" means the concert pitch of notational Middle C on each instrument (2nd partial, no valves depressed) in scientific pitch notation.

FooteBerliozForsythModernPitch
---Sopranino in C/B---C5/B4
Soprano in ESopranino in ESopranino/Soprano in E---E4
Alto in BSoprano in BSoprano/Alto in BflugelhornB3
Alto in ETenor in EAlto in EAlto/Tenor in Ealto/tenor hornE3
Tenor in BBaritone in BTenor in BTenor/Baritone in Bbaritone hornB2
Baritone in BBass in BBass in BBaritone/Bass in Beuphonium
Bass in EContrabass in EBass in EBass in EE bass tubaE2
---Contrabass in BContrabass in BContrabass in BBB contrabass tubaB1
Contrabass in EContrabass in low E---E1
---Bourdon in BB0

This list is not exhaustive of historic nomenclature for the saxhorns, for which there may exist no comprehensive and authoritative source.

Ranges of individual members

The saxhorn is based on the same three-valve system as most other valved brass instruments. Each member of the family is named after the root note produced by the second partial with no valves actuated. Each member nominally possesses or possessed the typical three-valve brass range from the note one tritone below that root note (second partial, all valves actuated) to the note produced by eighth partial with no valves actuated, i.e., the note two octaves above the root note.

All the modern members of the family are transposing instruments written in the treble clef with the root note produced by the second partial with no valves actuated being written as middle C, though the baritone horn often plays bass clef parts, especially in concert band music and when playing parts written for the trombone.

History

Developed during the mid-to-late 1830s, the saxhorn family was patented in Paris in 1845 by Adolphe Sax. During the 19th century, the debate as to whether the saxhorn family was truly new, or rather a development of previously existing instruments, was the subject of prolonged lawsuits. [2]

Throughout the mid-1850s, Sax continued to experiment with the instrument's valve pattern.

The Trojan March (Marche Troyenne) of the Berlioz opera Les Troyens (185658) features an on-stage band which includes a family of saxhorns. The Royal Hunt and Storm (Chasse Royale) from the same opera uses them orchestrally. Sir John Eliot Gardiner wanted to use them in his 2003 recording, but was unable to borrow them from major conservatoires; he was eventually put in touch with a private collector who loaned him a set. [3]

Saxhorns were popularized by the distinguished Distin Quintet, who toured Europe during the mid-19th century. This family of musicians, publishers and instrument manufacturers had a significant impact on the growth of the brass band movement in Britain during the mid- to late-19th century.

The saxhorn was the most common brass instrument in American Civil War bands. The over-the-shoulder variety of the instrument was used, as the backward-pointing bell of the instrument allowed troops marching behind the band to hear the music.

Contemporary works featuring this instrument are Désiré Dondeyne's Tubissimo for bass tuba or saxhorn and piano (1983), Olivier Messiaen's Et exspecto resurrectionem mortuorum (1964), and Dmitri Shostakovich's "March of the Soviet Militia" (1970).

See also

Related Research Articles

<span class="mw-page-title-main">Adolphe Sax</span> Belgian musical instrument inventor (1814–1894)

Antoine-Joseph "Adolphe" Sax was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba, and redesigned the bass clarinet in a fashion still used to the present day. He played the flute and clarinet.

<span class="mw-page-title-main">Brass instrument</span> Class of musical instruments

A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term labrosone, from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar.

<span class="mw-page-title-main">Euphonium</span> Brass instrument

The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.

<span class="mw-page-title-main">Flugelhorn</span> Brass musical instrument

The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet, but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modelled.

<span class="mw-page-title-main">Pitch of brass instruments</span>

The pitch of a brass instrument corresponds to the lowest playable resonance frequency of the open instrument. The combined resonances resemble a harmonic series. The fundamental frequency of the harmonic series can be varied by adjusting the length of the tubing using the instrument's valve, slide, key or crook system, while the player's embouchure, lip tension and air flow serve to select a specific harmonic from the available series for playing. The fundamental is essentially missing from the resonances and is impractical to play on most brass instruments, but the overtones account for most pitches.

<span class="mw-page-title-main">Trombone</span> Brass instrument played with a slide

The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.

<span class="mw-page-title-main">Tuba</span> Brass instrument

The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".

<span class="mw-page-title-main">Baritone horn</span> Low-pitched brass instrument

The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. It is a piston-valve brass instrument with a bore that is mostly conical, like the smaller and higher pitched flugelhorn and tenor horn, but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument.

<span class="mw-page-title-main">Tenor horn</span> Brass instrument in the saxhorn family

The Tenor horn is a brass instrument in the saxhorn family and is usually pitched in E. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece.

<span class="mw-page-title-main">Mellophone</span> Brass instrument

The mellophone is a brass instrument used in marching bands and drum and bugle corps in place of French horns. It is a middle-voiced instrument, typically pitched in the key of F, though models in E, D, C, and G have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. It can also be used to play French horn parts in concert bands and orchestras.

<span class="mw-page-title-main">Valve trombone</span> Brass instrument in the trombone family with valves

The valve trombone is a brass instrument in the trombone family that has a set of valves to vary the pitch instead of a slide. Although it has been built in sizes from alto to contrabass, it is the tenor valve trombone pitched in B♭ an octave lower than the trumpet which has seen the most widespread use. The most common models have three piston valves. They are found in jazz and popular music, as well as marching bands in Europe, where they are often built with rotary valves and were widely used in orchestras in the 19th century.

<span class="mw-page-title-main">Baritone saxophone</span> Lowest-pitched saxophone in common use

The baritone saxophone is a member of the saxophone family of instruments, larger than the tenor saxophone, but smaller than the bass. It is the lowest-pitched saxophone in common use — the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E.

<span class="mw-page-title-main">Ophicleide</span> 19th century keyed brass instrument

The ophicleide is a family of conical-bore keyed brass instruments invented in early 19th-century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B took root over the course of the 19th century in military bands and as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later upright derivatives. By the end of the 19th century, however, it had been largely superseded by early forms of the modern tuba, developed from valved ophicleides.

English Folk Song Suite is one of English composer Ralph Vaughan Williams' most famous works. It was first published for the military band as Folk Song Suite and its premiere was given at Kneller Hall on 4 July 1923, conducted by Lt Hector Adkins. The piece was then arranged for full orchestra in 1924 by Vaughan Williams' student Gordon Jacob and published as English Folk Song Suite. The piece was later arranged for British-style brass band in 1956 by Frank Wright and published as English Folk Songs Suite. All three versions were published by Boosey & Hawkes; note the use of three different titles for the three different versions. The suite uses the melodies of nine English folk songs, six of which were drawn from the collection made by Vaughan Williams' friend and colleague Cecil Sharp.

<span class="mw-page-title-main">Marching brass</span> Brass instruments specially designed to be played while moving

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<span class="mw-page-title-main">Brass section</span>

The brass section of the orchestra, concert band, and jazz ensemble consist of brass instruments, and is one of the main sections in all three ensembles. The British-style brass band contains only brass and percussion instruments.

<span class="mw-page-title-main">Helicon (instrument)</span> Musical instrument in the tuba family

The helicon is a brass musical instrument in the tuba family. Most are B basses, but they also commonly exist in E, F, and tenor sizes, as well as other types to a lesser extent.

<span class="mw-page-title-main">Subcontrabass tuba</span> Very low pitched instrument in the tuba family

The subcontrabass tuba is a rare instrument of the tuba family built an octave or more below the modern contrabass tuba. Only a very small number of these large novelty instruments have ever been built. Most are pitched in thirty-six-foot (36′) BBB♭ an octave lower than the BB♭ contrabass tuba, their fundamental note B♭-1 corresponding to a frequency of 15 Hz – such a slow vibration that it can scarcely be perceived as a note.

<span class="mw-page-title-main">Saxotromba</span> Musical instrument

The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844. It was designed for the mounted bands of the French military, probably as a substitute for the French horn. The saxotrombas comprised a family of half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The instrument is often confused with the closely related saxhorn.

<span class="mw-page-title-main">Saxtuba</span> 19th century brass instrument

The saxtuba is an obsolete valved brass wind instrument conceived by the Belgian instrument-maker Adolphe Sax around 1845. The design of the instrument was inspired by the ancient Roman cornu and tuba. The saxtubas, which comprised a family of half-tube and whole-tube instruments of varying pitches, were first employed in Fromental Halévy's opera Le Juif errant in 1852. Their only other public appearance of note was at a military ceremony on the Champ de Mars in Paris in the same year. The term "saxtuba" may also refer to the bass saxhorn.

References

  1. "Greg's Brass History Page – Flugelhorn History". Alsmiddlebrasspages.com. Retrieved 2018-03-13.
  2. The British Brass Band : A Musical and Social History. Oxford University Press. 2000. p. 169. ISBN   0-19-816698-2.
  3. Pullinger, Mark (19 February 2019). "Berlioz 150: Sir John Eliot Gardiner on Les Troyens and Benvenuto Cellini". bachtrack.com. Retrieved 8 July 2021.

Discography