Antoine-Joseph "Adolphe" Sax was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the flute and clarinet.
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.
The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled.
The pitch of a brass instrument corresponds to the lowest playable resonance frequency of the open instrument. The combined resonances resemble a harmonic series. The fundamental frequency of the harmonic series can be varied by adjusting the length of the tubing using the instrument's valve, slide, key or crook system, while the player's embouchure, lip tension and air flow serve to select a specific harmonic from the available series for playing. The fundamental is essentially missing from the resonances and is impractical to play on most brass instruments, but the overtones account for most pitches.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The tuba is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. Tuba is Latin for "trumpet".
The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. It is a piston-valve brass instrument with a bore that is mostly conical, like the higher pitched flugelhorn and alto (tenor) horn, but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument.
The tenor horn is a brass instrument in the saxhorn family and is usually pitched in E♭. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece.
The mellophone is a brass instrument typically pitched in the key of F, though models in E♭, D, C, and G have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. The mellophone is used as the middle-voiced brass instrument in marching bands and drum and bugle corps in place of French horns, and can also be used to play French horn parts in concert bands and orchestras.
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭3, D3 or C3. This gives a tessitura written range, notated in treble clef, of C3 – F6, which sounds B♭0 – E♭4. Some early instruments were pitched in C; Arnold Schoenberg's Fünf Orchesterstücke specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed.
The baritone saxophone is a member of the saxophone family of instruments, larger than the tenor saxophone, but smaller than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E♭.
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B♭, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
The ophicleide is a family of conical-bore keyed brass instruments invented in early 19th-century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B♭ took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later upright derivatives. By the end of the 19th century however, it had been largely superseded by early forms of the modern tuba, developed from valved ophicleides.
Marching brass instruments are brass instruments specially designed to be played while moving. Most instruments do not have a marching version - only the following have marching versions:
The brass section of the orchestra, concert band, and jazz ensemble consist of brass instruments, and is one of the main sections in all three ensembles. The British-style brass band contains only brass and percussion instruments.
The helicon is a brass musical instrument in the tuba family. Most are B♭ basses, but they also commonly exist in E♭, F, and tenor sizes, as well as other types to a lesser extent.
The subcontrabass tuba is a rare instrument of the tuba family built an octave or more below the modern contrabass tuba. Only a very small number of these giant novelty instruments have ever been built. Most are pitched in 36’ BBB♭ an octave lower than the BB♭ contrabass tuba, its fundamental B♭-1 corresponding to a practically inaudible 15 Hz.
The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844. It was designed for the mounted bands of the French military, probably as a substitute for the French horn. The saxotrombas comprised a family of half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The instrument is often confused with the closely related saxhorn.
The saxtuba is an obsolete valved brasswind instrument conceived by the Belgian instrument-maker Adolphe Sax around 1845. The design of the instrument was inspired by the ancient Roman cornu and tuba. The saxtubas, which comprised a family of half-tube and whole-tube instruments of varying pitches, were first employed in Fromental Halévy's opera Le Juif errant in 1852. Their only other public appearance of note was at a military ceremony on the Champ de Mars in Paris in the same year. The term "saxtuba" may also refer to the bass saxhorn.