The following is a list and biographical sketch of notable euphonists from around the world:
Name | Dates | Biography |
---|---|---|
Brian Bowman | 1946 - | A former soloist with the U.S. Navy and U.S. Air Force Bands and the Bicentennial Band. He retired as Regent's Professor of Music (Euphonium) in the College of Music at the University of North Texas (UNT) in 2018 following 19 years of service. |
Harold Brasch | 1916-1984 | Known as "Mr. Euphonium" on mid-twentieth century radio and a soloist for the United States Navy Band between 1936 and 1956. Brasch was an early advocate of British compensating euphoniums in the United States. [1] [2] [3] |
Tyrone Breuninger | 1939-2012 | A former trombonist in the Philadelphia Orchestra, was solo euphonium and assistant conductor of the Atlantic Brass Band, and Professor of Euphonium at Rowan University. |
John S. "Buddy" Burroughs | 1916-1988 | A former player with the "President's Own" United States Marine Band (1935–66); known for his vast music collection. [4] |
Nicholas Childs | 1961 - | music director of the Black Dyke Band |
Colonel Michael J. Colburn (USMC - ret.) | 1964 - | former player with the "President's Own" United States Marine Band (1987–2004) and Director of the Marine Band (2004–2014) |
Leonard Falcone | 1899 - 1985 | solo artist, arranger and professor of euphonium at Michigan State University The annual Falcone International Tuba and Euphonium Competition at Twin Lake Michigan was established in his honor in 1986 to advance the art of Euphonium playing, sponsor new works for the instrument, and promote new talent. |
Adam Frey | soloist artist, commissioned more than 200 works involving the euphonium, founder of the International Euphonium Tuba Festival (founded in 2004), President-Elect of the International Tuba Euphonium Association, 2 recordings with the New Zealand Symphony Orchestra, and Yamaha Performing Artist. | |
Trevor Groom | former principal Euphonium for the GUS Band, Kettering, England. First to perform the Joseph Horovitz Euphonium Concerto at the Royal Albert Hall in 1972. [5] | |
Shoichiro Hokazono | 1969 - | former soloist with the Central Band of the Japanese Air Self-Defense Force [6] |
James Jackson | former Principal Euphonium in the United States Coast Guard Band and instructor at the University of Connecticut and The Hartt School [7] | |
Derick Kane | principal Euphonium of The International Staff Band of The Salvation Army [8] | |
Arthur W. Lehman | 1917-2009 | student of Harold Brasch and Simone Mantia. Euphonium section leader and very active Soloist with the President's Own U.S. Marine Band from 1947 - 1972. Instrumental in introducing the concept of large-bore, self-compensating Euphoniums to United States players. Developed the "Lehman Special" mouthpieces |
Glenn Van Looy | 1991 - | professional free lance musicians who has roots in brass bands and has awards in multiple countries as a soloist. |
Earle Louder | 1932 - 2021 | former soloist with the U.S. Navy Band, retired professor at Morehead State University; now soloist with the New Sousa Band and guest soloist with many other groups. Former student of the late Leonard Falcone. |
Alan Lourens | 1966 - | head of the UWA Conservatorium of Music |
/ Simone Mantia | 1873-1951 | soloist with the John Philip Sousa Band (1896–1903) — left the Sousa Band to join the Pryor Band |
Rich Matteson | 1929-1993 | groundbreaking jazz euphonium player, former faculty member at the University of North Texas, and founding member of the Tubajazz Consort |
Steven Mead | 1962 - | professional soloist, clinician for Besson/Buffet Crampon and professor of euphonium at the Royal Northern College of Music |
Toru Miura | 1948 - | professor at the Kunitachi College of Music soloist and clinician |
Jukka Myllys | 1963 - | euphonium soloist of the Finnish Defence Force Band. Soloist and clinician; trombonist with the Oulu Symphony Orchestra. [9] [10] |
John Perfetto | former euphonium with the Sousa Band 1904-1920 following Simone Mantia. Instrument manufacturer Col. Charles G. Conn wrote to Perfetto "Of all the musicians who have used my instruments in the past, I have regarded you as the squarest and best". [11] [12] | |
Alfred James Phasey | 1834-1888 | accomplished player of the euphonium, ophicleide and other brass instruments. He is credited with widening the bore of the euphonium to improve the tone. He was an expert player playing with many musical companies and wrote a tutor for the instrument. |
Joseph M. Raffayola | Former euphonist with the Sousa Band from 1892 to 1903; teacher of Simone Mantia. [13] [14] | |
Hurahel Sato | 1900 - 1986 | A noted pioneer Asian artist. [1] |
Danny Vinson | 1957 - | A former soloist with the U.S. Coast Guard Band and instructor of euphonium at the Universities of Connecticut and Rhode Island. Currently instructor of euphonium at the University of Houston and instructor of low brass at the University of Texas at Tyler, Kilgore College, and East Texas Baptist University. [7] |
David Werden | A former soloist with the United States Coast Guard band and respected brass resource. [15] [16] | |
Matthew White | A student of Mead and Thornton, White won multiple prestigious competitions prior to his graduation from college. White is a Besson Performing Artist and, until his abrupt departure for personal reasons in January 2014, served as solo euphonium of the Cory Band for 20 months. [17] [18] [19] | |
Ray Young | 1932–1999 | The former professor of low brass at The University of Southern Mississippi and Louisiana Tech University. [20] [21] |
Kiane Zawadi | 1932– | Also known as Barnard McKinney, a jazz euphonium and trombone player, worked with artists such as Freddie Hubbard and Yusef Lateef. |
Dr. Mark Jenkins | The current principal euphonium of President's Own U.S. Marine Band in Washington, D.C., adjunct euphonium professor at George Mason University, and student of Brian s. | |
Poppy Hepworth | 2010- | One of two current first euphoniums in the Robin Hood Youth Orchestra in Nottingham and former principle euphonium or the Robin Hood Youth Orchestra Interconnect |
Liam Walker | 2008- | The lead euphonium player in the Robin Hood Youth Orchestra and rated one of the best in the world |
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.
The sousaphone is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa, it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads of the band. Like the tuba, sound is produced by moving air past the lips, causing them to vibrate or "buzz" into a large cupped mouthpiece. Unlike the tuba, the instrument is bent in a circle to fit around the body of the musician; it ends in a large, flaring bell that is pointed forward, projecting the sound ahead of the player. Because of the ease of carrying and the direction of sound, it is widely employed in marching bands, as well as various other musical genres. Sousaphones were originally made of brass. Beginning in the mid-20th century, some sousaphones have also been made of lighter materials such as fiberglass & plastic.
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among Sousa's best-known marches are "The Stars and Stripes Forever", "Semper Fidelis", "The Liberty Bell", "The Thunderer", and "The Washington Post".
American march music is march music written and/or performed in the United States. Its origins are those of European composers borrowing from the military music of the Ottoman Empire in place there from the 16th century. The American genre developed after the British model during the colonial and Revolutionary periods, then later as military ceremonials and for civilian entertainment events.
Blue Lake Fine Arts Camp is a Michigan nonprofit organization located in the Manistee National Forest that provides summer fine arts camp and international exchange programs in music, art, dance, and drama.
The double bell euphonium is a duplex instrument based on the euphonium. The larger bell produces the mellow tone of a standard euphonium; the second smaller bell has a brighter tone, similar to a baritone horn or valve trombone. The instrument is sometimes dismissed as a novelty, but has had some enthusiastic adherents, including few professional musicians using it as their sole or primary instrument. The smaller bell can give more appropriate tone in the higher range of the instrument. The two bells can also be used for special effects, such as echoes, and using the distinctly different tone of the two bells for a single musician to give the effect of call and response.
Earle L. Louder was a euphonium player, acclaimed by colleagues around the world as one of the finest virtuosos of all time on that instrument. He carried a Doctor of Music degree in Euphonium Performance.
William John Bell was the premier player and teacher of the tuba in America during the first half of the 20th century. In 1921, he joined the band of John Philip Sousa, and from 1924 to 1937 he served as Principal Tuba with the Cincinnati Symphony Orchestra. In 1937 General Electric's David Sarnoff invited conductor Arturo Toscanini to select personnel for The NBC Symphony Orchestra. William Bell was the third musician selected by Toscanini, after his concertmaster Mischa Mischakoff and principal oboe Philip Ghignatti.
Steven Mead is an English virtuoso euphonium soloist and teacher.
Ralph Winston Morris is an American tubist. He served as professor of tuba and euphonium at Tennessee Tech in Cookeville, Tennessee, for 55 years, and subsequent to his retirement after the 2021-2022 academic year, was named Professor Emeritus of Tuba and Euphonium. Morris is editor of The Tuba Source Book and the Euphonium Source Book.
The International Tuba Euphonium Association (ITEA), founded in 1973 as the Tubists Universal Brotherhood Association (TUBA), is an international organization dedicated to performers, teachers and friends of the tuba and euphonium.
Arthur W. Lehman was a widely recorded American euphonium virtuoso and soloist. He was noted for having radically changed the way the instrument was technically performed, and was a major influence on euphonium soloists who followed him.
Heritage of the March is a series of 185 vinyl records of marches and galops released from 1973 to 1988. It remains the largest single march music record series in history, featuring close to 3,000 different marches.
Leonard Vincent Falcone (Fal-CONE-ee) was an Italian-American musician, conductor, arranger, lecturer, and educator. He was well known as a virtuoso on the baritone horn, having extensively performed, written, and educated on the instrument. Falcone was best known as Director of Bands at Michigan State University from 1927 through 1967. During Falcone's tenure, the Spartan Marching Band expanded from a small ROTC auxiliary band to a large nationally known Big Ten marching band. Scholarship endowments at MSU and Blue Lake Fine Arts Camp were established in his honor, as was the Leonard Falcone International Tuba and Euphonium Festival.
Simone Mantia was an American baritone horn/euphonium virtuoso and also trombone artist at the turn of the twentieth century. He was both a performer and administrator with many American band and orchestral ensembles. On baritone/euphonium he is often cited as the master of the instrument in his time.
Paul Edmund Bierley was an American music historian. Among his awards were a Society for American Music Lifetime Achievement Award and receiving an Honorary Doctor of Music from Ohio State University.
The Stanshawe Band was a brass band in the English City of Bristol.
"Nobles of the Mystic Shrine" is a march composed by John Philip Sousa upon the request of his nephew, A. R. Varela. Sousa dedicated the march to the Almas Temple and the Ancient Arabic Order of the Nobles of the Mystic Shrine. It was first conducted in June 1923, with a band of around 6,200 members—the largest Sousa had ever conducted. It is one of the few Sousa marches with the first strain written in the minor mode. Contemporary versions of the march recorded by the Ottoman military band also use the Jingling Johnny in the final strain.