Oulu Symphony Orchestra | |
---|---|
Symphony orchestra | |
Native name | Oulu Sinfonia |
Former name | Oulun kaupunginorkesteri |
Founded | 1937 |
Location | Oulu, Finland |
Concert hall | Madetoja Hall |
Principal conductor | Rumon Gamba |
Website | www |
The Oulu Symphony Orchestra (Finnish : Oulu Sinfonia or Oulun kaupunginorkesteri) is a Finnish orchestra based in Oulu, Finland. Oulu Sinfonia gives concerts primarily at the Oulu Music Centre, in the Madetojan sali (Madetoja Concert Hall), located in the Karjasilta district, and named for Leevi Madetoja, who was born in Oulu.
The roots of the orchestra date back to 1856, with the first attempts to establish a permanent orchestra in Oulu. The Oulu Music Society (Oulun Soitannollinen Seura) was established in 1901, and worked with such musicians as Toivo Kuula and Jean Sibelius. The current orchestra officially began its activities in 1937, as the Oulu Orchestra. In 1954, the city of Oulu granted the orchestra the rights to use the name of the Oulu City Orchestra, and municipalised the orchestra in 1961. The orchestra took up its current residence at the Oulu Music Centre in 1983. The orchestra acquired its current name of Oulu Sinfonia in 2005.
Under the orchestra's current name, past chief conductors of the orchestra have included Dima Slobodeniouk (2005-2008) and Anna-Maria Helsing (2010-2013). Helsing was the first female chief conductor in the history of the orchestra. From 2013 to 2021, Johannes Gustavsson served as chief conductor. Under Gustavsson, Oulu Sinfonia has recorded commercially for such labels as Ondine. [1]
The current chief conductor of the orchestra is Rumon Gamba, since January 2022. [2] [3] In February 2024, the orchestra announced the extension of Gamba's contract as chief conductor through 2026. [4]
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Leevi Antti Madetoja was a Finnish composer, music critic, conductor, and teacher of the late-Romantic and early-modern periods. He is widely recognized as one of the most significant Finnish contemporaries of Jean Sibelius, under whom he studied privately from 1908 to 1910.
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Karjasilta is a district in the Höyhtyä area in the city of Oulu, Finland. The district close to the city centre is bordered by the Raksila district to the north, Finnish national road 4 to the east, the Vanhatulli and Limingantulli districts to the west and the Nokela and Höyhtyä districts to the south.
The Symphony No. 1 in F major, Op. 29, is a three-movement orchestral composition by the Finnish composer Leevi Madetoja, who wrote the piece from 1914–16 at the dawn of his professional career. Although late-Romantic in style, the symphony carefully eschews the extravagance and overindulgence typical of debut efforts, placing it among the most "mature" and restrained of first symphonies. Accordingly, the First is the shortest and most concentrated of Madetoja's three essays in the form and is the only one of his symphonies not to adhere to the traditional four-movement symphonic template.
The Symphony No. 2 in E-flat major, Op. 35, is a four-movement orchestral composition by the Finnish composer Leevi Madetoja, who wrote the piece from 1916–18 immediately following the success of his First Symphony (1916). Composed during the Finnish Civil War, the Second stands as "the most significant musical document" of the conflict and finds its composer, "deeply scarred by the experience", reflecting upon national tragedy and personal loss. Accordingly, Madetoja's Second is the longest and most dramatic of his three essays in the form and, perhaps for this reason, is the most popular of the set.
The Symphony No. 3 in A major, Op. 55, is a four-movement orchestral composition by the Finnish composer Leevi Madetoja, who wrote the piece from 1925–26 while vacationing in Paris, before returning to Helsinki, Finland to complete the work. Optimistic and pastorale in character, the symphony is today considered one of the finest symphonies in the post-Sibelian, Finnish orchestral canon; indeed, a "masterpiece ... equal in stature" to Sibelius's seven essays in the form. Although technically his penultimate symphonic composition, the Third is nonetheless—due to its successor's fate—Madetoja's final addition to the repertoire.
Elegia, Op. 4/1, is a composition for string orchestra by the Finnish composer Leevi Madetoja, who wrote the piece in 1909 during his student years. On 10 January 1910, Robert Kajanus, chief conductor of the Helsinki Orchestral Society, premiered the Elegia to great acclaim, with the piece described as the "first master work" of a budding "natural orchestral composer". Madetoja subsequently designated the Elegia as the first number in his four-movement Sinfoninen sarja, Op. 4, which the Helsinki Orchestral Society performed in its entirety under the composer's baton on 26 September 1910. The suite's three other numbers are virtually unknown, and the Elegia typically is performed as a stand-alone concert piece. Stylistically reminiscent of Tchaikovsky, it is, to date, Madetoja's most recorded and well-known orchestral composition, as well as the most enduringly popular of his many miniatures.
Okon Fuoko, Op. 58, is a ballet-pantomime for orchestra, vocal soloists, and choir by the Finnish composer Leevi Madetoja, who wrote the piece from 1925–27 concurrent with the composition of his Third Symphony. The Japonisme-influenced libretto is by Danish playwright Poul Knudsen. The story takes place in ancient Japan and, similar to Coppélia, centers around the (successful) efforts of the eponymous puppet-maker to bring a female creation to life. The result is a tragic love-triangle between the seductive doll, the infatuated Okon Fuoko, and his devastated wife. With its unique and exotic musical language, Okon Fuoko is one of Madetoja's "finest" scores; indeed, the last of his "masterpieces".
Juha, Op. 74, is a verismo opera in three acts—comprising six tableaux—written from 1931 to 1934 by the Finnish composer Leevi Madetoja. The libretto, a collaboration between Madetoja and the Finnish soprano Aino Ackté, is based on Juhani Aho's 1911 novel by the same name. The story takes place on the border between West Karelia and East Karelia, and features as its central conflict a love triangle between the farmer Juha, his young wife Marja, and a Karelian merchant, Shemeikka. Disillusioned with rural life and seduced by promises of material comfort and romance, Marja runs away with Shemeikka; Juha, who maintains his wife has been abducted, eventually discovers her betrayal and commits suicide by jumping into the rapids.
Dima Slobodeniouk is a Finnish conductor based in Finland.
Dalia Stasevska is a Finnish conductor. She is currently principal guest conductor of the BBC Symphony Orchestra and chief conductor of the Lahti Symphony Orchestra.
Kullervo, Op. 15, is a symphonic poem for orchestra written in 1913 by Finnish composer Leevi Madetoja. The piece premiered on 14 October 1913 with Madetoja conducting the Helsinki Philharmonic Society.
Anna-Maria Helsing is a Finnish-Swedish conductor.