Brass instrument | |
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Classification | |
Hornbostel–Sachs classification | 423.121.12 (End-blown straight labrosones with mouthpiece [1] ) |
The alphorn (German : Alphorn, Alpenhorn; French : cor des Alpes; Italian : corno alpino) is a traditional lip-reed wind instrument originating from the European Alps. It consists of a very long straight wooden natural horn, with a length of 3 to 4 metres (9.8 to 13 feet), a conical bore and a wooden cup-shaped mouthpiece. Traditionally the alphorn was made in one piece from the trunk of a young pine. [2] Modern alphorns are usually made for easier transport and handling in three detachable sections, carved from blocks of spruce. [3] The alphorn is used by rural communities in the Alps, particularly in Switzerland. Similar wooden horns were used for communication in most mountainous regions of Europe, from the Alps to the Carpathians. [2]
The alphorn may have developed from instruments like the lituus , a similarly shaped Etruscan instrument of classical antiquity, although there is little documented evidence of a continuous connection between them. A 2nd century Roman mosaic, found in Boscéaz near Orbe in Switzerland, depicts a shepherd using a similar straight horn. The use of long signal horns in mountainous areas throughout Europe and Asia may indicate a long history of cultural cross-influences regarding their construction and usage. [2]
The first documented use of the German word Alphorn is in a payment recorded in the 1527 accounts leger of Saint Urban's Abbey in Pfaffnau. Swiss naturalist Conrad Gessner used the words lituum alpinum for the first known detailed description of the alphorn, in his De raris et admirandis herbis (1555); in his time, the word lituus was used for several other wind instruments, like the horn, crumhorn, or cornett. In the early 17th century, music scholar Michael Praetorius in his treatise Syntagma Musicum (1614-1620) depicts an alphorn-like instrument he called a Hölzern Trummet ("wooden trumpet"), noting they are used by Vogtlandian and Swiss shepherds. [4]
From the 17th to 19th century, alphorns were used in rural areas of the Alps, for signalling between high pastures across the valleys and to communities on the valley floor. The alphorn sounds can carry for several kilometres, and were even used to collect together dispersed herds. Although use by herdsmen had waned by the early 19th century, a revival of interest in the musical qualities of the instrument followed by the end of the century, and the alphorn became important in Swiss tourism, and inspired Romantic composers such as Beethoven and Gustav Mahler to add alphorn, or traditional alphorn melodies, to their pieces. [2]
The alphorn is carved from solid softwood, usually pine or spruce. Traditionally, the alphorn maker would find a tree growing on a slope and bent at the base providing the curved shape for the bell. The long trunk would be cut in half longways, the bore hollowed out, then glued and bound back together with outer layers of stripped bark. Modern instruments are made in several sections for more convenient handling and transport, each turned and bored from solid blocks of spruce. An integrated cup-shaped mouthpiece was traditionally carved into the narrow end, while modern instruments have a separate removable mouthpiece carved from hard wood. [2]
An alphorn made at Rigi-Kulm, Schwyz, and now in the Victoria and Albert Museum, measures 8 feet (2.4 m) in length and has a straight tube. The Swiss alphorn varies in shape according to the locality, being curved near the bell in the Bernese Oberland. [4]
The alphorn is a simple tube with no lateral openings or means of adjusting the pitch, so only the notes of the natural harmonic series are available. [4] As with other natural labrosones, some of the notes do not correspond to the Western equal tempered chromatic scale, particularly the 7th and 11th partials.
Accomplished alphornists can command a range of nearly three octaves, consisting of the 2nd through the 16th partials. The availability of the higher tones is due in part to the relatively small diameter of the bore of the mouthpiece and tubing in relation to the overall length of the horn.
The well-known "Ranz des Vaches" (score; audio [ dead link ]) is a traditional Swiss melody often heard on the alphorn. The song describes the time of bringing the cows to the high country at milk making time.[ clarification needed ] Rossini introduced the "Ranz des Vaches" into his masterpiece William Tell , along with many other melodies scattered throughout the opera in vocal and instrumental parts that are well-suited to the alphorn. Brahms wrote to Clara Schumann that the inspiration for the dramatic entry of the horn in the introduction to the last movement of his First Symphony was an alphorn melody he heard while vacationing in the Rigi area of Switzerland. For Clara's birthday in 1868 Brahms sent her a greeting that was to be sung with the melody.
Among music composed for the alphorn:
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term labrosone, from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar.
The French horn is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B♭ is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist.
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from 51 to 63 cm (20 to 25 in) in length, usually described as in G. The note sounded with all finger-holes covered is A3, which can be lowered a further whole tone to G by slackening the embouchure. The name cornett comes from the Italian cornetto, meaning "small horn".
The word lituus originally meant a curved augural staff, or a curved war-trumpet in the ancient Latin language. This Latin word continued in use through the 18th century as an alternative to the vernacular names of various musical instruments.
The Tenor horn is a brass instrument in the saxhorn family and is usually pitched in E♭. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece.
The mellophone is a brass instrument used in marching bands and drum and bugle corps in place of French horns. It is a middle-voiced instrument, typically pitched in the key of F, though models in E♭, D, C, and G have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. It can also be used to play French horn parts in concert bands and orchestras.
The serpent is a low-pitched early wind instrument in the lip-reed family, developed in the Renaissance era. It has a trombone-like mouthpiece, with six tone holes arranged in two groups of three fingered by each hand. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is made from wood with an outer covering of leather. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
A Ranz des Vaches or Kuhreihen is a simple melody traditionally played on the horn by the Swiss Alpine herdsmen as they drove their cattle to or from the pasture. The Kuhreihen was linked to the Swiss nostalgia and Homesickness.
The trembita is a type of an alpine horn made of wood. It is common among Ukrainian highlanders Hutsuls who live in western Ukraine, eastern Poland, Slovakia, and northern Romania. In Poland it is known as a trombita, a bazuna, or a ligawka. Trembita is also one of the Ukrainian folk musical instruments.
The chromatic trumpet of Western tradition is a fairly recent invention, but primitive trumpets of one form or another have been in existence for millennia; some of the predecessors of the modern instrument are now known to date back to the Neolithic era. The earliest of these primordial trumpets were adapted from animal horns and sea shells, and were common throughout Europe, Africa, India and, to a lesser extent, the Middle East. Primitive trumpets eventually found their way to most parts of the globe, though even today indigenous varieties are quite rare in the Americas, the Far East and South-East Asia. Some species of primitive trumpets can still be found in remote places, where they have remained largely untouched by the passage of time.
John Wolf Brennan is an Irish pianist, organist, melodica player, and composer based in Weggis, Switzerland.
The birch trumpet is a type of natural trumpet made of spruce covered with birch bark, known in Norway, Sweden, Finland, England, Denmark, Latvia, Lithuania, Belarus and Estonia. Even cruder and less durable versions were made of plain birch bark. They are associated with the early European Chalet culture, where it was presumably used to intimidate predators, frighten supernatural enemies, and convene council meetings.
The medieval lituus was a musical instrument of an indeterminate nature, known only from records which ascribe it various properties. Johann Sebastian Bach's O Jesu Christ, Meins Lebens Licht contains the only known piece of music written for an instrument under this name.
Arkady Shilkloper is a Russian multi-instrumentalist and composer, currently living in Berlin. He is known as one of the best jazz performers on horn and alphorn.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.
Eliana Burki was a Swiss musician, best known for her unconventional playing of the alphorn. She composed and performed on the alphorn as a lead instrument in multiple genres, including pop, funk and world music. At the same time, she succeeded in creating her own musical niche, which brought her international attention, media coverage and bookings for concerts all over the world.