Abbreviation | ITEA |
---|---|
Formation | May 24, 1975 [1] |
Founder | Robert Rÿker |
Type | INGO |
Legal status | 501(c) (3) NPO [1] |
Purpose | maintain a liaison among those who take a significant interest in tuba and euphonium [1] |
Location | |
Region served | Worldwide |
Membership | Open to all taking a significant interest in tuba or euphonium [2] |
President [1] | Øystein Baadsvik [2] |
Website | http://www.iteaonline.org |
Formerly called | Tubists Universal Brotherhood Association |
The International Tuba Euphonium Association (ITEA), founded in 1973 as the Tubists Universal Brotherhood Association (TUBA), is an international organization dedicated to performers, teachers and friends of the tuba and euphonium.
The International Tuba Euphonium Association traces its roots to meetings of tuba students with their teacher, William Bell, who played with the NBC Symphony, at McSorley's Old Ale House, in Manhattan, to discuss the tuba and the art of performance on the same over food and drinks. These informal meetings happened on an irregular schedule during the 1930s. A humorously indecent name for this group was chosen by Bell―the “Royal Order of […]pots” [expletive deleted], for which the participants printed membership cards. [3]
The Tubists Universal Brotherhood Association was started in the spirit of the tavern master classes between 1966 and 1971 by Robert Ryker, who played tuba with the Montreal Symphony Orchestra with the aid of J. Lesley Varner and Winston Morris. Ryker advertised seeking those interested in forming an organization for tuba players and quickly received support including funding from Conn and Miraphone. Three masters were first declared honorary members: Harvey Phillips (later innovator of Oktubafest and Tuba Christmas), Arnold Jacobs, and William Bell, from whom the inspiration had been drawn. The name T.U.B.A. was proposed by Ryker at the outset. [3]
T.U.B.A. became an international movement following The First International Tuba Symposium-Workshop and the beginning of its newsletter, the T.U.B.A. Journal in 1973. A primary goal of the first symposium was to reach-out to composers and facilitate new works for the tuba. Harvey Phillips later estimated some 150 new works derived from that effort. The euphonium was added to the scope of the association with a national symposium title being edited to include "tuba-euphonium" in 1974. [3] The constitution drafted in 1973 was revised and adopted in 1975. [1]
In the final years that the association existed as T.U.B.A., it claimed 2500+ members from 50+ countries and had commissioned 27 new works for tuba or euphonium. [4] The stated goals of the organization were and are :
In 2000, T.U.B.A. changed its name to the International Tuba Euphonium Association (I.T.E.A.). [5] The change was brought about to address concerns regarding the inclusion in its name of women and euphonium players, both of whom had long been members, in order to be more representative of the organization. [6]
I.T.E.A. membership is open to all with a significant interest in the tuba and/or euphonium and requires annual dues. [1] The association has an Executive Committee, a Board of Directors, an Honorary Advisory Board, and a Journal staff with area coordinators. It currently sponsors a biennial symposium, the International Tuba Euphonium Conference, as well as a journal, the ITEA Journal. When the international conference is not being held, regional conferences throughout the country[ clarification needed ] are held instead. [2]
H. Robert Rÿker (1973), Founder and International President
Harvey G. Phillips (1973 North American Chapter President)
Daniel Perantoni (1974 National President)
R. Winston Morris (1975–1977)
J. Lesley Varner (1977–1979)
James Self (1979–1981)
Brian Bowman (1981–1983)
Harvey G. Phillips (1983–1987)
Robert Daniel (1987–1989)
Donald Little (1989–1991)
Martin Erickson (1991–1993)
Fritz Kaenzig (1993–1995)
Jeffrey Funderburk (1995–1997)
Samuel Pilafian (1997–1999)
Scott Watson (1999–2001)
Skip Gray (2001–2003)
Mary Ann Craig (2003–2005)
Dennis Askew (2005–2009)
David Zerkel (2009–2011)
Deanna Swoboda (2011-2013)
Jerry Young (2013-2015)
Marty Erickson (2015-2017)
Kevin Wass (2017-2019) [7]
Gail Robertson (2019-2021)
James Gourlay (2021-2023)
The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".
The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. The same musicians made the work’s first recording that same year. This concerto was the first concerto written for solo tuba.
A tuba is a musical instrument that plays notes in the bass clef.
Harvey Gene Phillips, Sr. was an American tuba player. He served as the Distinguished Professor of the Jacobs School of Music at Indiana University, Bloomington and was dedicated advocate for the tuba becoming popularly known as Mr. Tuba.
Velvet Brown is an American tubist and euphonium player. She is currently a Distinguished Professor of Music at Pennsylvania State University, prior to which she taught at Bowling Green State University and Ball State University.
David Fedderly is an American orchestral tuba player and teacher.
William John Bell was the premier player and teacher of the tuba in America during the first half of the 20th century. In 1921, he joined the band of John Philip Sousa, and from 1924 to 1937 he served as Principal Tuba with the Cincinnati Symphony Orchestra. In 1937 General Electric's David Sarnoff invited conductor Arturo Toscanini to select personnel for The NBC Symphony Orchestra. William Bell was the third musician selected by Toscanini, after his concertmaster Mischa Mischakoff and principal oboe Philip Ghignatti.
Ralph Winston Morris is an American tubist. He served as professor of tuba and euphonium at Tennessee Tech in Cookeville, Tennessee, for 55 years, and subsequent to his retirement after the 2021-2022 academic year, was named Professor Emeritus of Tuba and Euphonium. Morris is editor of The Tuba Source Book and the Euphonium Source Book.
Matteson-Phillips Tubajazz Consort is a US big band scored for low brass instruments – euphoniums, and tubas – performed by artists who are renowned in jazz or classical or both.
James Akins is an American tubist, music professor, and both a player and maker of Native American flutes.
Toru Miura is a Japanese euphonium player and professor at Kunitachi College of Music. He is a founding member of the International Tuba Euphonium Association (ITEA), formerly named Tubist Universal Brotherhood Association (TUBA).
Brian Leslie Bowman is an American virtuoso euphonium artist and music professor who, among other things, held the principal euphonium chair and was a featured soloist with the premier concert bands of the United States Navy and Air Force. On March 28, 1976, Bowman performed the first euphonium recital at Carnegie Hall.
The Chamber Wind Music of Jack Cooper is the first classical/new music studio recording featuring numerous performing artists recording chamber wind music of the composer on the Centaur Records label.
James Martin Self is an American tubist and composer from Los Angeles. Self has performed extensively in Los Angeles and internationally as a soloist, chamber musician, orchestral tubist, and, most notably, as a studio musician in the Los Angeles movie studios having appeared on over 1500 soundtracks. He is also known for his association with the Pasadena Symphony, the Pacific Symphony, the Los Angeles Opera and the Hollywood Bowl Orchestra.
Zdzisław Piernik is a Polish virtuoso tuba player.
David McLemore is an American tubist and Instructor of tuba and euphonium at Central Washington University in Ellensburg, Washington.
Paul Edmund Bierley was an American music historian. Among his awards were a Society for American Music Lifetime Achievement Award and receiving an Honorary Doctor of Music from Ohio State University.
Constance Weldon was an American tuba player, who was the first woman to play the instrument in a major American orchestra.
Dietrich Unkrodt was a German tubist and double bass player, the principal tubist of the Komische Oper Berlin. He was particularly active as a jazz tubist, appearing internationally. Unkrodt was one of the pioneers of solo tuba music in Germany.