|Location||Philadelphia, United States|
|Concert hall||Kimmel Center for the Performing Arts|
|Music director||Yannick Nézet-Séguin|
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the "Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall.
From its founding until 2001, the Philadelphia Orchestra gave its concerts at the Academy of Music. The orchestra continues to own the Academy, and returns there one week per year for the Academy of Music's annual gala concert and concerts for school children. The Philadelphia Orchestra's summer home is the Mann Center for the Performing Arts. It also has summer residencies at the Saratoga Performing Arts Center, and since July 2007 at the Bravo! Vail Valley Festival in Vail, Colorado. The orchestra also performs an annual series of concerts at Carnegie Hall. From its earliest days the orchestra has been active in the recording studio, making extensive numbers of recordings, primarily for RCA Victor and Columbia Records.
The orchestra's current music director is Yannick Nézet-Séguin, since 2012.
The orchestra was founded in 1900 by Fritz Scheel, who also acted as its first conductor. The orchestra had its beginnings with a small group of musicians led by the pianist F. Cresson Schell (1857–1942).In 1904, Richard Strauss guest conducted the orchestra in a program of his compositions, and in 1906 the Polish pianist Artur Rubenstein made his American debut with the orchestra. Additionally in 1906, the orchestra traveled to the White House to perform in an exclusive concert.
In February 1907, Leandro Campanari took over and served as interim conductor for a short time during Scheel's illness and after his death.A flutist in the orchestra, August Rodemann, had stood in before Campanari's arrival. He started sabotaging the performances and Campanari was obliged to remove himself from a bad situation.
In 1907, Karl Pohlig became music director and served until 1912. New music he programmed was unpopular with audiences, and revelations that he had an extra-marital affair with his secretary caused outrage. The orchestra cancelled his contract and gave him a year's salary ($12,000) in severance to avoid a suit from Pohlig alleging a conspiracy to oust him.
Leopold Stokowski became music director in 1912 and brought the orchestra to national prominence. Under his guidance, the orchestra gained a reputation for virtuosity, and developed what is known as the "Philadelphia Sound." Stokowski left the orchestra in 1941, and did not return as a guest conductor for nearly 20 years.
In 1936 Eugene Ormandy joined the organization, and jointly held the post of principal conductor with Stokowski until 1938 when he became its sole music director. He remained as music director until 1980, after which he became Conductor Laureate. Ormandy conducted many of the orchestra's best-known recordings and took the orchestra on its historic 1973 tour of the People's Republic of China, where it was the first Western orchestra to visit that country in many decades.The tour was highly successful and it has since returned for three additional successful tours.
Riccardo Muti became principal guest conductor of the orchestra in the 1970s, and assumed the role as Music Director from Ormandy in 1980, serving through 1992. His recordings with the orchestra included the symphonies of Ludwig van Beethoven, Johannes Brahms, and Alexander Scriabin, for the EMI and Philips labels.
Wolfgang Sawallisch succeeded Muti as Music Director from 1993 to 2003. He made a number of recordings with the orchestra of music of Robert Schumann, Richard Strauss and Richard Wagner, among other composers, for the EMI label. However, the orchestra lost its recording contract with EMI during this time, which led to a musicians' strike for 64 days in 1996.Near the end of Sawallisch's tenure, the orchestra released a self-produced set of recordings of the Schumann symphonies with Sawallisch conducting. In 2003, Sawallisch was named Conductor Laureate, and held the title until his death in 2013.
In 2003, Christoph Eschenbach succeeded Sawallisch as music director. This appointment was controversial because Eschenbach had not conducted the orchestra in over four years and there was a perceived lack of personal chemistry between him and the musicians prior to the appointment.At least one early report tried to downplay this concern. The orchestra returned to commercial recordings with Eschenbach, on the Ondine label. However, in October 2006, Eschenbach and the orchestra announced the conclusion of his tenure as music director in 2008, for a total of five years, the shortest tenure as music director in the history of the Philadelphia Orchestra, along with Pohlig.
After Eschenbach's departure, the Philadelphia Orchestra was without a music director for four years. In February 2007, Charles Dutoit was appointed chief conductor and artistic adviser for four seasons, starting in the fall of 2008 and running through the 2011–2012 season.This move was made to provide an "artistic bridge" while the orchestra searched for its eighth music director. According to news articles from August 2007, the orchestra had now devised a search process in which each musician in the orchestra would have a say in the choice of the next Music Director.
In December 2008, at the invitation of Dutoit,Yannick Nézet-Séguin made his first guest-conducting appearance with the orchestra. He returned for a second series of concerts in December 2009. In June 2010, Nézet-Séguin was appointed Music Director Designate, with a scheduled duration under that title from 2010 to 2012, with 2 weeks of scheduled appearances in the 2010–2011 season, and 5 weeks of scheduled appearances in the 2011–2012 season. Eventually, in 2012, he was appointed music director, succeeding Dutoit, who subsequently was named conductor laureate of the orchestra. Nézet-Séguin's initial contract as music director was for 5 seasons, with 7 weeks of scheduled concerts in the 2012–2012 season, 15 weeks in the next 2 seasons, and 16 weeks in the subsequent 2 seasons of his Philadelphia contract. In January 2015, the orchestra announced the extension of Nézet-Séguin's contract to the 2021–22 season. In June 2016, the orchestra announced a further extension of Nézet-Séguin's contract through the 2025–2026 season. In December 2017, the orchestra announced the discontinuation of its relationship with Dutoit and the revocation of his title as its conductor laureate, with immediate effect, in the wake of allegations against him of sexual assault.
The Philadelphia Orchestra's current concertmaster is David Kim.Past concertmasters have included Norman Carol and Erez Ofer. Past Associate Conductors of the orchestra have included William Smith, Luis Biava, and Rossen Milanov. In 2014, Stéphane Denève was appointed principal guest conductor, Cristian Măcelaru as conductor-in-residence, and Lio Kuokman as assistant conductor. In 2016, Kuokman was succeeded as assistant conductor by Kensho Watanabe. Erina Yashima has served as assistant conductor since 2019.
As of June 2016, the orchestra does not have its own chorus. The orchestra formerly worked with the Philadelphia Singers as its resident chorus until the Philadelphia Singers disbanded in May 2015.
In addition to Muti, past principal guest conductors of the orchestra have included Stéphane Denève, who held the post from 2014 through 2020.In December 2020, the orchestra announced the appointment of Nathalie Stutzmann as its next principal guest conductor, the first female conductor ever named to this Philadelphia post, effective with the 2021–2022 season, with a contract of 3 years.
On April 16, 2011, the Philadelphia Orchestra's board of directors voted to file for Chapter 11 reorganization due to the organization's large operational deficit. This was the first time that a major U.S. orchestra had filed for bankruptcy.Amid mounting dissent from the musicians, Nézet-Séguin volunteered in August 2011 to add a week in his 2011–2012 season appearances. On July 30, 2012, the orchestra announced that it had officially emerged from Chapter 11 bankruptcy protection, effective that day.
On September 30, 2016, the orchestra's players went out on strike, one hour before its scheduled Opening Night Gala concert.The musicians issued a statement: 'We can no longer remain silent while we continue in a downward spiral.' The players rejected 1–2 percent per year increases offered by management. The base pay rate was noted as less than what other similar orchestras are offering. The strike was settled after three days when musicians approved a new contract on October 2, 2016. The new agreement is scheduled to raise the base salary to $137,800 and to increase the size of the orchestra to 97 over three years.
In March 2018, the orchestra announced the appointment of Matías Tarnopolsky as its next president and chief executive officer,in succession to Allison Vulgamore, who held the posts from 2010 through December 2017.
The Philadelphia Orchestra boasts a number of significant media firsts. It was the first symphony orchestra to make electrical recordings (in 1925). It was the first orchestra to make a commercially sponsored radio broadcast (on NBC in 1929) and the first to appear on a television broadcast (on CBS in 1948). The Philadelphia was the first American orchestra to make a digital recording of the complete Beethoven symphonies on compact disc (in 1988), and the first major orchestra to give a live cybercast of a concert on the internet (in 1997). In 2006, the orchestra was the first to offer downloads of music from its own website without a distributor.
In other firsts, the Orchestra made diplomatic history in 1973 when it became the first American orchestra to tour the People's Republic of China, performing in Beijing's Great Hall of the People. In 1999, under Wolfgang Sawallisch, it became the first American orchestra to visit Vietnam. In 2006, the orchestra appointed Carol Jantsch principal tuba as of 2006–2007,the orchestra's first ever female principal tuba player and the first in a full-time American orchestra.
The Orchestra was known for its special relationship with the composer Sergei Rachmaninoff due primarily to Stokowski's championship. In his first season, on January 3, 1913, Stokowski conducted Isle of the Dead . Later, in an all-Rachmaninoff programme on February 3, 1920, Stokowski gave the U.S. premiere of The Bells and accompanied the composer in his 3rd Piano Concerto. In 1924 they collaborated on an acoustically recorded 78rpm set of the 2nd Piano Concerto, re-recording it electrically in 1929. On March 18, 1927, Stokowski conducted the world premieres of the Three Russian Folk Songs , of which he was the dedicatee, and the 4th Piano Concerto, again with the composer at the keyboard. Another world premiere took place on November 7, 1934 when Stokowski accompanied the composer in the Rhapsody on a Theme of Paganini , with the two musicians making its first recording shortly afterwards.
Rachmaninoff himself also took on the role of conductor with the Philadelphia Orchestra, recording Isle of the Dead and Vocalise with them in 1929, followed ten years later by a 78rpm set of his 3rd Symphony, a work that Stokowski had premiered on November 6, 1936. In particular, he and Ormandy were also close associates and Rachmaninoff was supposed to have said that in his American years he composed with the sound of the Philadelphia Orchestra in his head. The many recordings of the music of Rachmaninoff by Ormandy were noted as being closest to the composer's desire. Rachmaninoff's Symphonic Dances , Op. 45, his last work, was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on January 3, 1941.
The Orchestra's first recordings were made for the Victor Talking Machine Company in Camden, New Jersey, in 1917, when Leopold Stokowski conducted performances of two of Brahms's Hungarian Dances . The historic first electrical recordings were also made by Victor in Camden, in April 1925, beginning with Saint-Saëns' Danse macabre . Later, in 1926, Victor began recording the Orchestra in the Academy of Music. Stokowski led the ensemble in experimental long-playing, high-fidelity, and even stereophonic sessions in the early 1930s for RCA Victor and Bell Laboratories. They recorded the soundtrack for Walt Disney's Fantasia in multi-track stereophonic sound in 1939–40.
Arturo Toscanini made a series of recordings for RCA Victor with the orchestra in 1941 and 1942. The masters for these records were damaged during the electroplating process, resulting in unusually high surface noise and distortion and they were not approved for release. In 1963, after extensive electronic editing, RCA Victor released one of the recordings on LP, the Schubert Symphony in C Major. In 1977, RCA issued all of the recordings in a 5 LP boxed set and they were later digitally remastered and reissued by RCA on CD in 1992 and again, in 2006.
The Orchestra remained with RCA Victor through 1942. Following a settlement of a recording ban imposed by the American Federation of Musicians, the Orchestra joined Columbia Records in 1944, recording some of the dances from Borodin's Prince Igor . The orchestra returned to RCA Victor in 1968 and made its first digital recording, Bartók's Concerto for Orchestra , for RCA in 1979. The Orchestra has also recorded for EMI and Teldec.
In May 2005, the Philadelphia Orchestra announced a three-year recording partnership with the Finnish label Ondine, the Orchestra's first recording contract in 10 years. The resumption of a regular recording program was one of Christoph Eschenbach's stated priorities as music director. A number of recordings have been released since November 2005, to international acclaim.
On September 21, 2006 the Philadelphia Orchestra became the first major United States orchestra to sell downloads of its performances directly from the orchestra's website. While other American orchestras had downloads of their music on the internet, the Philadelphia Orchestra said it was the first to offer the downloads without a distributor.In 2010, the orchestra abandoned this practice and formed a partnership with IODA, a digital distribution company with downloads available through a variety of online retailers, including iTunes, Amazon.com, Rhapsody, and eMusic.
In other media, musicians from the orchestra were featured in a documentary film by Daniel Anker, Music from the Inside Out, which received theatrical release and television airings.
Leopold Anthony Stokowski was a British conductor of mixed Polish and Irish descent. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film Fantasia with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.
Charles Édouard Dutoit is a Swiss conductor. He is currently the principal guest conductor for the Saint Petersburg Philharmonic and co-director of the MISA Festival in Shanghai. In 2017, he became the 103rd recipient of the Royal Philharmonic Society Gold Medal Award. Dutoit held previous positions with the London Royal Philharmonic Orchestra, the Philadelphia Orchestra, the Orchestre Symphonique de Montréal, the Tokyo NHK Symphony and the Orchestre National de France. As of 2017, conductor emeritus of the Verbier Music Festival Orchestra. He is an honorary member of the Ravel Foundation in France and the Stravinsky Foundation in Switzerland. In December 2017, following allegations of sexual harassment, the Boston and San Francisco Symphonies cancelled his engagements. In a statement, Dutoit denied the charges. No one has ever filed formal complaints.
Eugene Ormandy KBE was a Hungarian-American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.
The Rotterdam Philharmonic Orchestra is a Dutch symphony orchestra based in Rotterdam. Its primary venue is the concert hall De Doelen. The RPhO is considered one of the Netherlands' two principal orchestras of international standing, second to the Royal Concertgebouw Orchestra of Amsterdam. In addition to symphony concerts, the RPhO performs as the opera orchestra in productions at De Nederlandse Opera, as do other Dutch ensembles.
Wolfgang Sawallisch was a German conductor and pianist.
The Curtis Institute of Music is a private conservatory in Philadelphia offering courses of study leading to a performance diploma, Bachelor of Music, Master of Music in opera, or Professional Studies Certificate in opera. Its mission is to educate and train exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. All pupils attend on full scholarship.
Christoph Eschenbach is a German pianist and conductor.
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City.
Now known as the Mendelssohn Chorus of Philadelphia
The Victoria Symphony is a Canadian orchestra based in Victoria, British Columbia. It is considered Vancouver Island's best-known active performing arts organization. Currently conducted by Danish conductor Christian Kluxen, the orchestra consists of 34 full-contract, and 15 part-contract musicians. Each season, the orchestra delivers more than fifty main series programs, as well as a two-week-long summer series. A highlight of the year for many Victorians is the annual Symphony Splash fund-raising concert, held on the Sunday of the August long weekend. The orchestra performs on a barge in Victoria's Inner Harbour for an estimated audience of forty thousand—many attending in kayaks, canoes or dragonboats immediately in front of the barge. The orchestra administration consists of a paid staff, a board of directors, and many volunteers.
Jeffrey Khaner is the principal flutist of the Philadelphia Orchestra. He has also served as principal flutist with the Cleveland Orchestra and the Pittsburgh Symphony. Khaner teaches at the Curtis Institute of Music, The Juilliard School, and the Lynn University Conservatory of Music. In September 2012, he launched the Online Classical Flute School with Jeffrey Khaner through ArtistWorks.
Yannick Nézet-Séguin, CC is a Canadian (Québécois) conductor and pianist. He is currently music director of the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. He was also principal conductor of the Rotterdam Philharmonic Orchestra from 2008 to 2018.
David Hayes is an American conductor.
The Orchestre Métropolitain (OM) is a Canadian orchestra based in Montreal, Quebec. The OM primarily gives its concerts in the Montreal Symphony House at Place des Arts, and also performs at Salle Wilfrid-Pelletier and Théâtre Maisonneuve. Outside of the Montreal city centre, the OM also gives concerts in Saint-Laurent, Outremont, Hochelaga-Maisonneuve, Rivière-des-Prairies–Pointe-aux-Trembles, Saint-Léonard, Verdun, Ahuntsic, Pierrefonds-Roxboro, and Pointe-Claire.
RCA Red Seal is a classical music label whose origin dates to 1902 and is currently owned by Sony Music Entertainment.
List of recordings of Johannes Brahms' A German Requiem, Op. 45 (1868).
Sergei Vasilievich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Mixed Messages is a single-movement composition for orchestra by the American composer Nico Muhly. The work was commissioned by the Philadelphia Orchestra and was premiered in Philadelphia on May 13, 2015 by the Philadelphia Orchestra under the conductor Yannick Nézet-Séguin.
The recording career of Russian pianist and composer Daniil Trifonov initially focused on the music of Frédéric Chopin. His first three albums, recorded in 2010 and released in 2011, exclusively consisted of works of Chopin: the first album, Daniil Trifonov plays Frédéric Chopin, consisting of music performed live in recitals in Italy, was released by Decca Records in April; his second album, Chopin: Mazurki; Konzert, containing performances from the 16th Chopin International Piano Competition in Warsaw, was released in May; and finally, his third album, Chopin, a studio recording, was released in July. Trifonov's next album, Tchaikovsky: Piano Concerto No. 1, released in 2012, included a performance of Tchaikovsky's Piano Concerto No. 1 with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.
Norman Carol is an American violinist and former concertmaster of the Philadelphia Orchestra for 29 years with conductors Eugene Ormandy, Riccardo Muti, and Wolfgang Sawallisch. Stanisław Skrowaczewski's Violin Concerto was dedicated to and premiered by Carol with the Philadelphia Orchestra.