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The hummel (also hommel or humle [1] ) is an old Northern European stringed instrument similar to an older type of zither and is related to the Norwegian langeleik. The name is thought to come from the German word Hummel, meaning "bumblebee", referring to the droning sound created by the accompaniment strings.
The hummel is probably from the Middle Ages, when it was found all over Europe in slightly differing variants. The instrument was common in the Netherlands, Flanders, Northern Germany and Denmark during the 18th century. The earliest evidence of the instrument in Swedish folk culture is from the 17th century, and it seems to have been most common in the southern parts of the country. During the 19th century, the hummel was considered to be a primitive peasant instrument and its popularity dwindled. In Flanders, these instruments appeared during the 17th century and were popular with soldiers in the trenches during World War I, climaxing in the 1920s and 1930s but by the 1930s they returned to obscurity. They were mainly a family instruments and were widely played by women. Some enthusiasts have taken up playing it again since the folk revival of the 1970s. [2]
The hummel has many related forms. Common to all varieties is a flat top and bottom. There are variations in the type of wood it is made from, but the wood is always thin. On the top of the instrument are one or more soundholes. The strings vary in number, but often include a smaller number of melody strings and a greater number of accompanying strings. It is not uncommon to have three melody strings: two tuned identically, and the third tuned one octave below the others. Under the melody strings, either directly on the body or attached to a fretboard, are about 17 frets. The body comes in two main forms, either a pear-shaped form with the strings in the middle, or a half-pear with the strings near the edge.
The hummel is placed on a table like a zither, to amplify the sound. The melody strings are sounded by being plucked downwards, either with fingers or a plectrum. The identically tuned melody strings are often fretted in unison or so to create a major third. It is even possible to play a sixth interval, through using the octave string. The strings are played with a plectrum and are often all played at once. This is common because the accompaniment strings are tuned to a suitable chord that is relatively open, for example all the strings may be tuned to D or A.
The hummel is perfectly suited for accompanying tunes, thanks to the many accompaniment strings. However, because of the relatively limited range of the instrument for playing more intricate melodies and keys, it is unlikely there are many compositions written specifically for this instrument.
One of the most famous hummel players is Otto Malmborg (his stage name was Ottar Hyll). Erik Hector, a contemporary musician, played the hummel on many of Sågskära's productions. Henrik "Hummel" Schön is also a contemporary hummel musician.
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th century minstrel show fad, followed by mass-production and mail-order sales, including instruction method books. The inexpensive or home-made banjo remained part of rural folk culture, but 5-string and 4-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 21st century, the banjo was most frequently associated with folk, bluegrass and country music, but was also used in some rock, pop and even hip-hop music. Among rock bands, the Eagles, Led Zeppelin, and the Grateful Dead have used the five-string banjo in some of their songs.
The guitar is a stringed musical instrument, that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
Zithers are a class of stringed instruments. Historically, it could be any instrument of the psaltery family. In modern terminology, it is more specifically an instrument consisting of many strings stretched across a thin, flat body, the topic of this article.
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term autoharp was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer.
A twelve-string guitar is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously.
The langeleik, also called langleik, is a Norwegian stringed folklore musical instrument, a droned zither.
The Appalachian dulcimer is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
The biwa is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically 60 centimetres (24 in) to 106 centimetres (42 in) in length, the instrument is constructed of a water drop-shaped body with a short neck, typically with four strings. In Japan, the biwa is generally played with a bachi instead of the fingers, and is often used to play gagaku. One of the biwa's most famous uses is for reciting The Tale of theHeike, a war chronicle from the Kamakura period (1185–1333). In previous centuries, the predominant biwa musicians would have been blind monks, who used the biwa as musical accompaniment when reading scriptural texts.
The liuqin is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the liuqin from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan and yueqin experience.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.
The yueqin, also called a moon lute or moon guitar, is a traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and usually four strings. It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section.
The Rudra veena —also called Bīn in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of veena played in Indian classical music, notable for its deep bass resonance.
The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
The term Tanbur can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the New Grove Dictionary of Music and Musicians, "terminology presents a complicated situation. Nowadays the term tanbur is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Armenia, Afghanistan, Azerbaijan, Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan.
The épinette des Vosges is a traditional plucked-string instrument of the zither family, whose use was confined to two areas in the Vosges mountains of France approximately 50 km apart: around Val-d'Ajol and around Gérardmer.
The scheitholt or scheitholz is a traditional German stringed instrument and an ancestor of the modern zither. It falls into the category of drone zithers.
Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with:
The Azerbaijani tar is a long-necked, plucked lute, traditionally crafted, and performed in communities throughout the Republic of Azerbaijan. The tar is featured alone or with other instruments in numerous traditional musical styles. It is also considered by many to be the country's leading musical instrument. The tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijanis.
The veena, also spelled vina, encompasses various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others.