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Geomungo | |
Korean name | |
---|---|
Hangul | 거문고or 현금 |
Hanja | |
Revised Romanization | geomun(-)go or hyeon(-)geum |
McCune–Reischauer | kŏmun'go or hyŏn'gŭm |
The geomungo, [lower-alpha 1] alternate name hyeongeum, [lower-alpha 2] is a traditional Korean plucked zither with both bridges and frets. Geomungo is a representative stringed instrument made in Goguryeo before the 5th century. [1] Scholars believe that the name refers to Goguryeo and translates to "Goguryeo zither" or that it refers to the colour and translates to "black crane zither" (hyeonhakgeum,현학금 / 玄鶴琴).
The geomungo's place in Korean culture is traditionally that of a scholars' instrument for self-cultivation,much like ancient Chinese had done with the guqin in China. [2] However,the Koreans never adopted the guqin as a folk instrument but instead inherited the Confucian and literati guqin lore wholesale and applied it onto their own geomungo lore.
The geomungo originated circa the 4th century (see Anak Tomb No.3 infra) through the 7th century from the kingdom of Goguryeo,the northernmost of the Three Kingdoms of Korea,although the instrument can be traced back to the 4th century. [3]
According to the Samguk Sagi (Chronicles of the Three Kingdoms),written in 1145,the geomungo was invented in the 6th century by prime minister Wang San-ak by remodeling the form of the ancient Chinese instrument guqin (gogeum,also called chilhyeongeum,literally "seven-string zither"). After his death,the instrument was passed down to Ok Bogo,Son Myeong-deuk,Gwi Geum,An Jang,Cheong Jang,and Geuk Jong,while being widely spread over the kingdom. However,National Gugak Center of Korea raises the possibility that the geomungo originated from a traditional musical instrument of Goguryeo before Guqin was introduced. [4] Meanwhile,Japanese scholars claim that the predecessor of geomungo was Wo Konghou(卧箜篌),a fretted bridge zither that was used in China since at least the Western Han Dynasty,and opinion about predecessor of Geomungo is still discussed among East Asian Scholars. [5] Archetype of the instrument is painted in Goguryeo tombs. They are found in the tomb of Muyongchong and Anak Tomb No.3. [3]
The geomungo is approximately 162 cm long and 23 cm wide (63.75 inches long,9 inches wide),and has movable bridges called anjok (雁足"goose feet") and 16 frets called gwae (棵;numbered 1 to 16 from left to right). It has a hollow body where the front plate of the instrument is made of paulownia wood and the back plate is made of hard chestnut wood. Its six strings,which are made of twisted silk passed through its back plate. The pick is made from bamboo sticks in the size of regular household pencil. Near the bridge is a leather-covered section called daemo to protect the surface from the striking of the suldae stick.
The six strings are named (from closest one to the player outward) munhyeon (文弦"civil string"),yuhyeon (遊弦"roaming string"),daehyeon (大弦"big string"),gwaesangcheong (棵上清"clarity upon the frets"),gwaehacheong (棵下清"clarity below the frets"),and muhyeon (武弦"martial string"), [1] and are numbered 1 to 6 respectively in notation (or 文、方、大、上、中、下in tablature form).[ citation needed ] Strings 2 to 4 go over fret 1 and are positioned over the frets whilst 1,5,and 6 are supported by the anjok bridges. Strings 2 and 3 are used to play stopped notes and the rest are played open or as drones (even string 4 which is above the frets,though it is sometimes played stopped in some pieces). The thickness of the strings are not sequential:usually the thickest string is the daehyeon,followed by the munhyeon and muhyeon. The yuhyeo is usually the thinnest string followed by the gwaesangcheong and gwaehacheong,though some have the gwaesangcheong as the thinnest followed by the yuhyeon.
Modernized geomungo increases the strings to 11,which are made of nylon. As with the traditional version,three strings are over the frets and the others are all open. But the traditional version of the geomungo has 6 strings,with three over the frets.
Recently,the 6-string geomungo has been modified quite a lot,with the appearance of electronic geomungo (전자거문고). The instrument has been played with a hwaldae bow (활대거문고),similar to playing the ajaeng ), [6] and some versions have more strings.[ citation needed ] The Chinese wo konghou has 7 strings while the traditional geomungo only has 6 strings.[ citation needed ]
In the development of culture,besides the conservation artists,inheriting the cultural tradition of the nation,there are artists who change and modernize the traditional culture of the nation.
The geomungo is generally played while seated on the floor. The strings are plucked with a short bamboo stick plectrum called suldae (술대/匙),which is held between the index and middle fingers of the right hand,while the left-hand presses on the strings (mostly 2 and 3) by either pulling or pushing to produce various pitches using the thumb and first four fingers. The left-hand ring-finger usually wears a leather thimble (called golmu) to act as support as the strings are high above the frets and are difficult to press down firmly on the frets. The player can use the stick to strike the daemo leather protector during plucks to create percussive effects. [1]
The most typical tuning of the open strings for the playing of traditional Korean court music is (from string closest to the player outwards) Eb,Ab,Db,Bb,Bb,and Bb an octave lower than the central tone. For sanjo and folk music,the Eb string is raised to F (plus all the strings might be raised a major 2nd up). The instrument is played in traditional Korean court music and the folk styles of sanjo and sinawi. [7]
Due to its characteristically percussive sound and vigorous playing technique it is thought of as a more "masculine" instrument than the 12-string or 24 string gayageum (another Korean zither);both instruments,however,are played by both male and female performers.
The geomungo has a large range of playable songs and also has a large range of tunes.
The geomungo historically had a notation tablature system similar to that of the guqin Chinese seven-stringed zither jianzipu system,but this has been superseded by modern staff notation.
The Korean-born,U.S. resident geomungo performer and composer Jin Hi Kim plays a custom-made electric geomungo in addition to the regular instrument. [8]
A geomungo was featured in Korean K-pop group Blackpink's music video "Pink Venom",played by Jisoo at the start of the video. [9]
The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres (71 in) in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand.
Zithers are a class of stringed instruments. In modern terminology, it is more specifically an instrument consisting of many strings stretched across a thin, flat body, the topic of this article.
Korea has produced music for thousands of years, into the modern day. After the division of Korea in 1945, both North and South Korea have produced their own styles of music.
The pipa, pípá, or p'i-p'a is a traditional Chinese musical instrument belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term pipa was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument.
The gayageum or kayagum is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. It is based on the Chinese guzheng and is similar to the Japanese koto, Mongolian yatga, Vietnamese đàn tranh, Sundanese kacapi and Kazakh jetigen.
The guqin is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long stringed instrument also without frets, but with moveable bridges under each string.
The zheng or guzheng, is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is 64 inches long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from Paulownia wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear a fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands.
The yueqin, also called a moon lute or moon guitar, is a traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and usually four strings. It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section.
The konghou is a Chinese plucked string instrument. In ancient China, the term konghou came to refer to three different musical instruments: a zither and two different types of harp.
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Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.
The history of the guqin, an ancient Chinese musical instrument, is a long one that spans 3,000 years. Although similar, it should not be confused with another Chinese zither instrument, the guzheng, which has bridges.
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The bipa is a pear-shaped lute that is a traditional Korean musical instrument. It is derived from Chinese pipa and was introduced through the Silk Road to Goguryeo and Silla. There are two major types of bipa: the four stringed dang-bipa and the five stringed hyang-bipa. While dang-bipa was a Tang-style pipa first introduced from the Chinese Tang dynasty and localized over time to have Korean characteristics, hyang-bipa was created in the Korean Kingdom of Silla. The instrument is also related to other derivatives such as Vietnamese đàn tỳ bà and the Japanese biwa.
Wang San-ak was the prime minister of Goguryeo during the reign of King Yangwon.
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The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.