The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.
Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater.
The goblet drum is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the national symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum.
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak can made of sheesham or mango wood. The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning. Commonly in the Indian subcontinent, there are only one set of rings for tuning the treble side of the dholak, while in the Caribbean, hook screws are placed into the sides of the dholak to allow tuning of both the treble and the bass. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.
The music of Bulgaria refers to all forms of music associated with the country of Bulgaria, including classical, folk, popular music, and other forms.
The zurna is a double reed wind instrument played in the Central Asia, West Asia, the Caucasus, Southeast Europe and parts of North Africa. It is also used in Sri Lanka. It is usually accompanied by a davul in Armenian, Anatolian and Assyrian folk music.
In Trinidad and Tobago, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. Beginning in the 1830s and lasting until 1918, dhol-tasha was taken around the world by Indian workers, mostly from present-day Bihar and Uttar Pradesh, enmeshed in a global scheme of indentured labor in British, French, and Dutch territories.
A tabor, tabour, tabret, tambour de Provence, Provençal tambourin or Catalan tamborí is a portable snare drum, typically played either with one hand or with two drumsticks. The word "tabor" is an English variant of the Persian word tabīr, meaning "drum"—cf. Catalan: tambor, French: tambour, Italian: tamburo Militaries may use the tabor as a marching instrument; it can accompany parades and processions.
Turkish folk dances are the folk dances of Turkey. Facing three seas, straddling important trade routes, Turkey has a complex, sophisticated culture, reflected in the variety of its dances. The dominant dance forms are types of line dance. There are many different types of folk dances performed in various ways in Turkey. Zeybek, Teke Zortlatması in Aegean region, Bar in Erzurum province, Halay in the central, southern, eastern, and southeastern parts of the country, Hora in Thrace, Horon in the eastern Black Sea region, Spoon dances in and around Konya, and Lezginka in Kars and Ardahan are some of the best known examples of these.
The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety.
Cylindrical drums are a category of drum instruments that include a wide range of implementations, including the bass drum and the Iranian dohol. Cylindrical drums are generally two-headed and straight-sided, and sometimes use a buzzing, percussive string.
The urumi is a double-headed hourglass drum from the state of Tamil Nadu, South India. Two skin heads are attached to a single hollow, often intricately carved wooden shell. The preferred wood is jackwood, although other woods like rosewood may be used. Both left and right heads are usually made from cow hide that is stretched around a thin metal ring. The outer circumference of each head is perforated with approximately seven to eight holes. The two heads are held in tension by a continuous rope that is woven around the drum in a V-shape pattern. Additional small coils of string or metal are tied around each pair of ropes near the left head. These coils can be slide horizontally along the length of the drum, increasing or decreasing the tension between the heads as necessary. For example, during the monsoon season the drum heads will slacken so much that the instrument becomes unplayable. Using these coils drummers can easily rectify such problems.
A zabumba is a type of bass drum used in Brazilian music. The player wears the drum while standing up and uses both hands while playing.
A dohol is a large cylindrical drum with two skinheads. It is generally struck on one side with a wooden stick bowed at the end, and with a large thin stick on the other side, though it is also played with the bare hands. It is the principal accompaniment for the Sorna. A similar instrument, the Dhol, is used in traditional Egyptian, Pakistani and Indian music.
A Caucasian dhol is a kind of dhol drum in the Caucasus. This drum has traditionally been used by various Caucasian warriors in battles, and today is used in national folk music.
The Qoltuq nagara of Azarbaijan (Armpit drum) is a folk drum with double head that is played on one side with the bare hands. It is used in Uzbekistan, Turkey, Iranian Azerbaijanis, Azerbaijan, Qazaqstan, Qafqaz, Kirghizistan, armenian Georgia and other Caucasus regions. It has different names, according to the territory in which it is played. This membranophone is different from the dhol and nagara of India.
The Böyük nağara, also called the "kos nağara" or "wedding nağara", is a large double-headed drum. It is played with mallets. The böyük nağara is played in some regions of Azerbaijan. Its body is cylindrical and made from firm wood. Skins are stretched over both the top and the bottom of the cylindrical body of the instrument. Its diameter is 400–450 mm, and its height is 500–550 mm.
The Dammam is a large double-headed cylinder drum or frame drum played by Shias in Iraq and Iran in religious ceremonies. The dammām is usually struck with the left hand and a curved stick in the right hand, especially during passion plays in the mourning month of Muharram or to wake up the devotees early in the morning of Ramadan.
