| Persian Kamānches, ca. 1880 | |
| String instrument | |
|---|---|
| Other names | Kamancha, Kamanche, Kemancheh, Kamanjah, Kabak kemane |
| Classification | Bowed strings |
| Developed | Iran |
| Playing range | |
| g3-e7 | |
| Related instruments | |
| Musicians | |
| Builders | |
| Sound sample | |
| Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument | |
|---|---|
| Country | Azerbaijan and Iran |
| Reference | 01286 |
| Inscription history | |
| Inscription | 2017 (13th session) |
| List | Representative |
The kamancheh [a] is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. [5] [6]
The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. [7] The strings are played with a variable-tension bow.
In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Iran and Azerbaijan. [8]
The word "kamancheh" means "little bow" in Persian (kæman, bow, and -cheh, diminutive). [9] The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology.
It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh.
There is also an instrument called kabak kemane literally "pumpkin-shaped bow instrument" used in Turkish music which is only slightly different from the Iranian kamancheh. [10]
The kamancheh has a long neck including the fingerboard, which the kamancheh maker shapes as a truncated inverse cone for easy bow movement in the down section, pegbox in both sides of which four pegs are placed, and finial [11] Traditionally kamanchehs had three silk strings, but modern instruments have four metal strings.
Kamanchehs may have highly ornate inlays and elaborately carved ivory tuning pegs.
The body has a long upper neck and a lower bowl-shaped resonating chamber made from a gourd or wood, usually covered with a membrane made from the skin of a lamb, goat or sometimes a fish, on which the bridge is set.
From the bottom protrudes a spike to support the kamancheh while it is being played, hence in English, the instrument is sometimes called the spiked fiddle.[ citation needed ]
It is played sitting down held like a cello though it is about the length of a viola. The end-pin can rest on the knee or thigh while the player is seated in a chair. [6]
Kamancheh is usually tuned like an ordinary violin (G, D, A, E).
In the Republic of Azerbaijan it constitutes a major element of classical and folkloric music, and performances occupy a central place in a wide number of social and cultural gatherings.