The dombra, also known as dombyra, is a long-necked musical string instrument used by the Kazakhs, Hazaras, Uzbeks, Tajiks, Nogais, Bashkirs, and Tatars in their traditional folk music. The dombra shares certain characteristics with the komuz and dutar instruments, such as its long, thin neck and oblong body shape. It is a popular instrument mostly among Turkic communities in Central Asian countries.
The bağlama or saz is a family of plucked string instruments and long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Bosnian music (Sevdalinka), Kurdish music, and Armenian music. It is played in several regions in the world such as Europe, Asia, Black Sea, Caucasus regions and many countries including Syria, Iraq, Iran and Bosnia and Herzegovina. It is commonly used by the ashiks.
The bouzouki is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. It is the precursor to the Irish bouzouki, an instrument derived from the Greek bouzouki that is popular in Celtic, English, and North American folk music. There are two main types of Greek bouzouki: the trichordo (three-course) has three pairs of strings and the tetrachordo (four-course) has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music.
Music of Kazakhstan refers to a wide range of musical styles and genres deriving from Kazakhstan. Kazakhstan is home to the Kazakh State Kurmangazy Orchestra of Folk Instruments, the Kazakh State Philharmonic Orchestra, the Kazakh National Opera and the Kazakh State Chamber Orchestra. The folk instrument orchestra was named after Kurmangazy Sagyrbayuly, a well-known composer and dombra player from the 19th century.
The cümbüş is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş as an oud-like instrument that could be heard as part of a larger ensemble.
The kobza, also called bandura is a Ukrainian folk music instrument of the lute family, a relative of the Central European mandora. The term kobza however, has also been applied to a number of other Eastern European instruments distinct from the Ukrainian kobza.
The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, Tam origin of the bowed string Use of the bowed string is thought to originate with nomads who mainly used the snake-skin, covered horsetail-bowed lute. In Mongolia instruments like the morin khuur or horse-head fiddle survive today.
The đàn nguyệt also called nguyệt cầm, đàn kìm, is a two-stringed Vietnamese traditional musical instrument. It is used in folk and classical music and remains popular throughout Vietnam. It may be descended from the Ruan, a Chinese instrument.
A setar is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by Mushtaq Ali Shah by the mid 19th century. It is played with the index finger of the right hand.
The pandura or pandore, an ancient string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Iranian influences are indicated by the Persian origin of the word.
The buzuq is a long-necked fretted lute related to the Greek bouzouki and Iranian and Turkish saz.
Ari Babakhanov is an Uzbekistani musician who performs the long-necked lutes tanbur, qashqari rubab and dutar.
The Sato is a bowed tanbur, or long-necked lute, played by performers of Central Asian classical and folk music, mainly in Uzbekistan. It has five strings. When plucked, the top string is pressed to the neck to produce a melody; the other four strings are drone strings. Frets on the neck are made of tied string. The soundboard has holes drilled in it for sound holes. It is made from mulberry wood.
The yaylı tambur is a bowed long-neck lute from Turkey. Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.
Shashmaqom is a Central Asian musical genre which may have developed in the city of Bukhara. Shashmaqam means the six Maqams (modes) in the Persian language, dastgah being the name for Persian modes, and maqams being the name for modes more generally.
Kurdish tanbur or tanbour a fretted string instrument, is an initial and main form of the tanbūr instrument family, used by the Kurds. It is highly associated with the Yarsan religion in Kurdish areas and in the Lorestān provinces of Iran. It is one of the few musical instruments used in Ehli Heq rituals, and practitioners venerate the tembûr as a sacred object. Another popular percussion instrument used together with the tembur is the Kurdish daf, but that's not sacred in Yarsan spirituality and Jam praying ceremony.
The term Tanbur can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the New Grove Dictionary of Music and Musicians, "terminology presents a complicated situation. Nowadays the term tanbur is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, Iraq, India, Armenia, Afghanistan, Azerbaijan, Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan.
Turgun Alimatov was a leading Uzbek classic music and shashmaqam player and composer of 20th century folk and classic music. He was a master performer of tanbur, dutar, and sato. He was recognized as People's artist of Uzbekistan.
The dutar is a traditional Iranian long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian word for "two strings", دوتار do tār, although the Herati dutar of Afghanistan has fourteen strings. Dutar is very popular in Tajikistan and Khorasan province of Iran. When played, the strings are usually plucked by the Uyghurs of Western China and strummed and plucked by the Tajiks, Turkmen, Uzbeks. Related instruments include the Kazakh dombra. The Dutar is also an important instrument among the Kurds of Khorasan amongst whom Haj Ghorban Soleimani of Quchan was a noted virtuoso. In Kurdish one who plays the dutar is known as a bakci (bakhshi) similar to Turkmen bagşy, while in Azeri the term is ashiq. Khorasan bakhshi music is recognized on the Representative List of the Intangible Cultural Heritage of Humanity.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body".
