Music of Vietnam

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Performance of ca tru, an ancient genre of chamber music from northern Vietnam, inscribed by UNESCO as an Intangible Cultural Heritage in 2009 Ca tru.jpg
Performance of ca trù, an ancient genre of chamber music from northern Vietnam, inscribed by UNESCO as an Intangible Cultural Heritage in 2009

Traditional Vietnamese music is highly diverse and syncretistic, combining native and foreign influences, and influences from Vietnam's ethnic minority groups. [1] Throughout its history, Vietnam has been most heavily influenced by the Chinese musical tradition, as an integral part, along with Korea, Mongolia and Japan. [2] The former Indochinese kingdom of Champa also exerted some influence (albeit more minor when compared to China) on Vietnam's traditional music.

Syncretism is the combining of different beliefs, while blending practices of various schools of thought. Syncretism involves the merging or assimilation of several originally discrete traditions, especially in the theology and mythology of religion, thus asserting an underlying unity and allowing for an inclusive approach to other faiths. Syncretism also occurs commonly in expressions of arts and culture as well as politics.

Vietnam Country in Southeast Asia

Vietnam, officially the Socialist Republic of Vietnam, is the easternmost country on the Indochina Peninsula. With an estimated 94.6 million inhabitants as of 2016, it is the 15th most populous country in the world. Vietnam shares its land borders with China to the north, and Laos and Cambodia to the west. It shares its maritime borders with Thailand through the Gulf of Thailand, and the Philippines, Indonesia and Malaysia through the South China Sea. Its capital city is Hanoi, while its most populous city is Ho Chi Minh City.

Music of China Cultural musical history

Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese as well as other ethnic minorities within mainland China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It covers a highly diverse range of music from the traditional to the modern.

Contents

Imperial court music

Nhã nhạc is the most popular form of imperial court music, specifically referring to the court music played from the Trần dynasty to the very last Nguyễn dynasty of Vietnam, being synthesized and most highly developed by the Nguyễn emperors. Along with nhã nhạc, the imperial court of Vietnam in the 19th century also had many royal dances which still exist to this day. The theme of most of these dances is to wish the king longevity and the country wealth.

Nhã nhạc is a form of Vietnamese court music. Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.

Trần dynasty Vietnamese dynasty

The Trần dynasty ruled Vietnam from 1225 to 1400. The dynasty was founded when emperor Trần Thái Tông ascended to the throne after his uncle Trần Thủ Độ orchestrated the overthrow of the Lý dynasty. The final emperor of the dynasty was Thiếu Đế, who at the age of five years was forced to abdicate the throne in favor of his maternal grandfather, Hồ Quý Ly. The Trần dynasty defeated three Mongol invasions, most notably in the decisive Battle of Bạch Đằng River in 1288.

Nguyễn dynasty Imperial dynasty in Vietnam

The Nguyễn dynasty or House of Nguyễn was the last imperial family of Vietnam. Their ancestral line can be traced back to the beginning of the Common Era. However, only by the mid-sixteenth century the most ambitious family branch, the Nguyễn Lords had risen to conquer, control and establish feudal rule over large territory.

Traditional orchestra performing at the Temple of Literature, Hanoi Orchestre de musique traditionnelle (Hanoi).jpg
Traditional orchestra performing at the Temple of Literature, Hanoi

Classical music is also performed in honour of gods and scholars such as Confucius in temples. These categories are defined as Nhã Nhạc ("elegant music", ritual and ceremonial music), Đại nhạc ("great music"), and Tiểu nhạc ("small music") that was chamber music for the entertainment of the king. [3] [4] [5] [6] [7] In Vietnamese traditional dance court dances were defined as either van vu (civil servant dance) or vo vu (military dance). [8] [9] [10]

Folk music

Vietnamese folk music is extremely diverse and includes dân ca , quan họ , hát chầu văn , ca trù , , and hát xẩm , among other forms.

Quan họ Vietnamese folk music with alternating female and male singers

Quan họ singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses, and by the fact that most of the songs in the repertoire deal with topics of love and sentimentality as experienced by young adults.

Ca trù

Ca trù also known as hát ả đào or hát nói, is an is a Vietnamese genre of musical storytelling performed by a featuring female vocalists, with origins in northern Vietnam. For much of its history, it was associated with a geisha-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.

Chèo

Cheo orchestra accompanies the performance of water puppetry Water Puppet Theatre Vietnam(1).jpg
Chèo orchestra accompanies the performance of water puppetry

Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although today it is also increasingly performed indoors and by professional performers.

Chèo

Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers. Chèo stage art is one of the great cultural heritage of the Vietnamese folk treasure. Chèo has been a popular art form of the Vietnamese people for many generations and has fostered the national spirit through its lyrical content.

Musical theatre Stage work that combines songs, music, spoken dialogue, acting, and dance

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Peasant member of a traditional class of farmers

A peasant is a pre-industrial agricultural laborer or farmer with limited land ownership, especially one living in the Middle Ages under feudalism and paying rent, tax, fees, or services to a landlord. In Europe, peasants were divided into three classes according to their personal status: slave, serf, and free tenant. Peasants hold title to land either in fee simple or by any of several forms of land tenure, among them socage, quit-rent, leasehold, and copyhold.

Xẩm

Blind artists performing xam Vietnamese xam artists.jpg
Blind artists performing xẩm

Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.

Xẩm

Xẩm or Hát xẩm is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is nowadays considered an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was generally performed by blind artists who wandered from town to town and earned their living by singing in common places. Xẩm artists often play đàn bầu or đàn nhị to accompany the songs themselves, and sometimes they form a band with one singer and others who play traditional instruments such as the drum or phách. The melodies of xẩm are borrowed from different types of Vietnamese folk music such as trống quân or quan họ, while its themes are generally The Tale of Kiều, Lục Vân Tiên, and other popular Vietnamese stories.

Folk music Music of the people

Folk music includes traditional folk music and the genre that evolved from it during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

Quan họ

Quan họ (alternate singing) is popular in Hà Bắc (divided into nowadays Bắc Ninh and Bắc Giang provinces) and across Vietnam; numerous variations exist, especially in the Northern provinces. Sung a cappella, quan họ is improvised and is used in courtship rituals.

Hát chầu văn

Hát chầu văn or hát văn is a spiritual form of music used to invoke spirits during ceremonies. It is highly rhythmic and trance-oriented. Before 1986, the Vietnamese government repressed hát chầu văn and other forms of religious expression. It has since been revived by musicians like Phạm Văn Tỵ.

Nhạc dân tộc cải biên

Nhạc dân tộc cải biên is a modern form of Vietnamese folk music which arose in the 1950s after the founding of the Hanoi Conservatory of Music in 1956. This development involved writing traditional music using Western musical notation, while Western elements of harmony and instrumentation were added. Nhạc dân tộc cải biên is often criticized by purists for its watered-down approach to traditional sounds.

Ca trù

Ca trù (also hát ả đào) is a popular folk music which is said to have begun with Ả Đào, a female singer who charmed the enemy with her voice. Most singers remain female, and the genre has been revived since the Communist government loosened its repression in the 1980s, when it was associated with prostitution.

Ca trù, which has many forms, is thought to have originated in the imperial palace, eventually moving predominantly into performances at communal houses for scholars and other members of the elite (this is the type of ca trù most widely known). It can be referred to as a geisha-type of entertainment where women, trained in music and poetry, entertained rich and powerful men.

"Hò" can be thought of as the southern style of Quan họ. It is improvisational and is typically sung as dialogue between a man and woman. Common themes include love, courtship, the countryside, etc. "Hò" is popular in Cần Thơ - Vietnam.

Ritual music

Traditional musical instruments

Classical music

Vietnamese composers also followed western forms of music, such as Cô Sao by Đỗ Nhuận, considered as the first Vietnamese opera. Nguyễn Văn Quỳ also wrote 9 sonatas for violin and piano, following his French music studies and Vietnamese traditions. [11]

1940s–1980s, singer-songwriters

Songwriter Pham Duy (1920-2013) Phamduy.jpg
Songwriter Phạm Duy (1920–2013)

The Vietnam War, the consequent Fall of Saigon, and the plight of Vietnamese refugees gave rise to a collection of musical pieces that have become "classical" anthems for Vietnamese people both in Vietnam and abroad. Notable writers include Phạm Duy and Trịnh Công Sơn. Singers include Thái Thanh, Khánh Ly and Lệ Thu. [12] [13] [14] [15]

Many of these composers, in the North, also contributed Vietnamese revolutionary songs, known as nhạc đỏ "Red Music".

Modern music

In Vietnam, there is no official music chart across the country or digital sale, though Vietnam Idol is reflected in downloads.

Pop music

The embrace of modern pop music culture has increased, as each new generation of people in Vietnam has become more exposed to and influenced by westernized music along with the fashion styles of Hong Kong, Taiwan, Japan, and South Korea. Musical production has improved and expanded over the years as visiting performers and organizers from other countries have helped to stimulate the Vietnamese entertainment industry. Such performances include international stages like the Asia Music Festival in South Korea where popular Vietnamese singers such as Hồ Quỳnh Hương, Mỹ Tâm, Hồ Ngọc Hà, Lam Trường, and others have performed along with other singers from different Asian countries. During the recent years such as 2006 and beyond, Vietnamese pop music has tremendously improved from years past. Vietnamese music has been able to widen its reach to audiences nationally and also overseas. There are many famous underground artists such as Andree Right Hand, Big Daddy, Shadow P (all featured in a popular song called Để anh được yêu) or Lil' Knight and countless others who have risen to fame through the Internet. In addition, there are also other singers that have gone mainstream such as M4U, Hồ Ngọc Hà, Bảo Thy, Wanbi Tuấn Anh, Khổng Tú Quỳnh, Radio Band, etc. There are also amateur singers whose songs have been hits in Vietnam such as Thùy Chi. These singers tend to view singing as a hobby, therefore not being labeled as mainstream artists. Overall, the quality of recording and the style of music videos in Vietnam has improved a lot compared to the past years due to many private productions and also overseas Vietnamese coming back to produce a combination of Western and Vietnamese music.

Rock and heavy metal

Introduced by American soldiers, rock and roll was popular in Saigon during the Vietnam War. This genre has developed strongly in the South and has spread out over the North region after the rise of Bức Tường in the 90s. For the last 10 years, metal has become more mainstream in Vietnam. Unlimited, Ngũ Cung, Microwave, and the Black Infinity are the current top Vietnamese metal bands in the 21st century.[ citation needed ]

Vinahouse

Vietnamese electronic house music is developed into its own genre in the 2010s, also dubbed Vinahey. This music became popular from the clubbing and raving scene.

See also

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References

  1. Ó Briain, Lonán (2018). Musical minorities : the sounds of Hmong ethnicity in Northern Vietnam. New York, NY. ISBN   9780190626976. OCLC   994287647.
  2. "Southeast Asian arts Vietnam". Encyclopædia Britannica Online. Encyclopædia Britannica. 23 July 2008. p. 36.
  3. Vietnam - Page 95 Audrey Seah, Charissa M. Nair - 2004 "There were three categories: dai nhac (dai nyahk) or great music, chamber music for the entertainment of the king, and ritual music- accompanying important ceremonies such as the one to ensure a good harvest. The Ly kings, in particular "
  4. International Workshop on Nhã Nhạc of Nguyễn Dynasty: Huế court music - Page 201 Huế Monuments Conservation Center, Ủy ban quốc gia Unesco của Việt Nam, Viện nghiên cứu âm nhạc (Vietnam) - 2004 "... by stricter rules. That was the rule in using "Great music" and "Small music". Great music ..."
  5. Tư liệu âm nhạc cung đình Việt Nam - Page 103 Ngọc Thành Tô,ön (Mounting the Esplanade-simple version), -Dàngdàn kép (Mounting the ..."
  6. Asian Pacific quarterly of cultural and social affairs - Volumes 3-4 - Page 67 Cultural and Social Centre for the Asian and Pacific Region - 1971 "Đại nhạc (literally : great music) or Cd xuy Đại nhạc iW&^k.1^), composed ... Tiểu nhạc (literally :small music) or // true Tiểu nhạc (UYrB%:) : small group of silk or stringed instruments and bamboo flute. Ty khanh: ... Traditional Vietnamese Music 67."
  7. Vietnam Institute of Musicology [ permanent dead link ] Court Music "He with the profound knowledge about Vietnamese Court Music not only taught the performance skill of such repertoires as Liên hoàn, Bình bán, Tây mai, Kim tiền, Xuân phong, Long hổ, Tẩu mã extracted from Ten bản ngự (Small music); Mã vũ, Man (Great music) but introduced their origin and performance environment."
  8. International Workshop on Nhã Nhạc of Nguyễn Dynasty: Huế court music - Page 152 Huế Monuments Conservation Center, Ủy ban quốc gia Unesco của Việt Nam, Viện nghiên cứu âm nhạc (Vietnam) - 2004 "What is Dai nhac (great music) and what is Tieu nhac (small music)? On basis of terminology and canon-like document, there are some notions for our deep concern: - Nha nhac is a genre of music used by Chinese emperors in sacrifices to ..."
  9. Selected musical terms of non-Western cultures: a notebook-glossary - Page 132 Walter Kaufmann - 1990 "Dai nhac (Vietnam). "Great music." Ceremonial music of Temple and Royal Palace performed by a large instrumental ensemble. The instruments of a dai nhac ensemble were: 4 ken, ..."
  10. Visiting Arts regional profile: Asia Pacific arts directory - Page 578 Tim Doling - 1996 "Court orchestras were also organized into nha nhac ('elegant music') and dai nhac ('great music') ensembles and court dances were defined as either van vu (civil) or vo vu (military). Confucian music and dance was presented at court until ..."
  11. Nguyễn, Trâm (7 July 2011). Nguyen Van Quy - A Biography. Hanoi: Nguyễn Trâm. p. 38. Retrieved 23 October 2016.
  12. John Shepherd Continuum encyclopedia of popular music of the world: Volumes 3–7 - 2005
  13. Phạm Duy. 1975. Musics of Vietnam
  14. Olsen
  15. Popular Music of Vietnam 5 Sep 2010 – Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting by Dale A.Olsen Routledge, New York, London, 2008

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